Alfonso Ossorio Art

Vintage abstract figural "Embrace", a lithograph by Patricia Ann Way (American, 20th Century). Signed "Patricia Way" and dated "76" lower right. Slight crease to lower center and s...

Title: Portrait of a Painter Etching and soft-ground etching, in colors, 2017. Edtion of 30 printed on 100% cotton paper. Signed, titled and numbered in pencil. In excellent condit...

Elephants. 1979 edition 2/20 Hand signed and dated Framed 24.5 X 28. Sheet 23 X 26 This is from a series of prints Boxer produced at Tyler Graphics between 1975 and 1979. Over this period, he created several series of intricately rendered figurative works, illustrating whimsical scenes featuring animals, plants and nubile winged figures. Boxer had, however, been making drawings of this nature throughout his career, and he insisted they were closely connected to his abstracts, made with similar gestures and motivation. The Tate Museum received twenty-five of Stanley Boxer’s prints as a gift of Kenneth Tyler from Tyler Graphics, comprising a complete portfolio of Ring of Dust in Bloom, 1976, an incomplete portfolio of Carnival of Animals, 1979, and two individual prints. This work is from Carnival of Animals, a portfolio of fourteen intaglio prints on handmade paper. Tate holds eleven of the prints from this portfolio (Elephants, Swan and Fossils are not in Tate’s collection). Stanley Boxer (1926-May 8, 2000) was an American abstract expressionist artist best known for thickly painted abstract works of art. He was also an accomplished sculptor and printmaker. He received awards from the Guggenheim Fellowship and the National Endowment for the Arts. Boxer was born in New York City, and began his formal education after World War II, when he left the Navy and studied at the Art Students League of New York. He drew, painted, made prints, and sculpted. His work was recognized by art critic Clement Greenberg, who categorized him as a color field painter, A group that included Barnett Newman, Clyfford Still, and Mark Rothko and was a form of Abstract Expressionism and later included Helen Frankenthaler, Ad Reinhardt, Kenneth Noland, Gene Davis, Jules Olitski, Raymond Parker and Morris Louis. Boxer himself was adamant in rejecting this stylistic label. Over the years, he remained loyal to the materially dense abstract mode on which his reputation rested.. Art critic Grace Glueck wrote "Never part of a movement or trend, though obviously steeped in the language of Modernism, the abstract painter Stanley Boxer was a superb manipulator of surfaces, intensely bonding texture and color." In 1953 Boxer had his first solo exhibition of paintings in New York City, and showed regularly thereafter until his death. His paintings and sculpture were represented in New York City during the late 1960s through 1974 by the Tibor de Nagy Gallery, then by the André Emmerich Gallery from 1975 until 1993, and finally by Salander-O'Reilly Galleries until its demise in 2007. Richard Waller, director of the University of Richmond's Harnett Museum of Art, describes his evolution as an artist: You can see the shift from working with figurative imagery in the 1940s and early '50s to abstraction in the late '50s. The abstraction in the late '60s and '70s was more derived from color-field issues. In the 1980s, Boxer really hit his stride in larger works with lots of thick paint and splashes of color. He sold a lot, and his success in the art world in the 1980s gave him the freedom to do what he wanted to do most. He was married to painter and artist Joyce Weinstein. The Boca Raton Museum of Art in Florida hosted an exhibition entitled Expanding Boundaries: Lyrical Abstraction Selections from the Permanent Collection. At the time the museum issued a statement that said in part: "Lyrical Abstraction arose in the 1960s and 70s, following the challenge of Minimalism and Conceptual art. Many artists began moving away from geometric, hard-edge, and minimal styles, toward more lyrical, sensuous, romantic abstractions worked in a loose gestural style. These "lyrical abstractionists" sought to expand the boundaries of abstract painting, and to revive and reinvigorate a painterly 'tradition' in American art. "Characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the abstract works included in this exhibition sing with rich fluid color and quiet energy. Works by the following artists associated with Lyrical Abstraction will be included: Natvar Bhavsar, Stanley Boxer, Lamar Briggs, Dan Christensen, David Diao, Friedel Dzubas, Sam Francis, Dorothy Gillespie, Cleve Gray, Paul Jenkins, Ronnie Landfield, Pat Lipsky, Joan Mitchell, Robert Natkin, Jules Olitski, Larry Poons, Garry Rich, John...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American artists that radically defined abstraction and establish...

S.O.C. #1 2014 Etching 76.5 x 91cm Yang Chihung (Chinese: 楊識宏; pinyin: Yang Chihung; born 1947) Taiwanese-American artist. Yang Chi-hung was born on 25 October 1947, in Chungli, Taiwan. He developed an interest in art in early childhood, and found inspirations to pursue an artist career after reading Lust for Life – The Life of Vincent van Gogh, translated by poet Yu Kuang-chung, in junior high school. Between 1965 and 1968, he attended the National Taiwan College of Art, developing a sound foundation in oil painting under the tutelage of famous Taiwanese artists of the Japanese Colonial period, such as Liao Chi-chun, Li Mei-shu and Yang San-lang. Meanwhile, he actively attended events organized by the modern art groups of Taiwan, namely the Fifth Moon Group and Ton Fan Group, only to find himself both intimidated and dissatisfied with the then relatively conservative art environment in Taiwan. In 1979, he emigrated to the United States of America with his wife, Jane, and their son, Daniel. His pioneering works soon landed him the “Outstanding Asian-American Artist” award. The concept and style of abstract expressionism as represented by the works of Jackson Pollock in the 1950s had great impact on Yang’s work. With the sense of nihilism that gave rise to abstract expressionism in the post-war period, artists no longer clamored to depict the external environment, but rather chose to focus on their own inner experience. Yang Chihung embraced this spirit about the early 1990s when his style turned abstract. In 1984–85 and again in 1985–86, he was twice awarded a year's residency at The Clocktower Studio in New York City by MoMA P.S.1. In 2013, Yang, along with Xu Bing, Zhang Huan, and Li Chen, were the four artists featured in the Discovery Channel Asia documentary series, Chineseness, a multi-series production that focused on postwar Chinese contemporary artists. He is of the generation of artists such as Chen Tingshi, Liang Yifeng, Yang Yuyu, Pang Jiun, Yinhui Chen, Jui-Ling Hung, De-Jinn Shiy, Yong-ik Cho, Wan Chuan Chang, Kuosung Liu, Sanlang Yang, Chetsai Shen, Fu-sheng Ku, Chunxiang Zhao, Ming Ju, Ming-Che Huang, Jiutong Liu, In-Ting Ran, George Chann, Yi Hong, Tzu-Chi Yeh, Max Liu, Yi-Hsiung Chang, Che Chuang Awards and recognition 1989, Outstanding Asian American Artist Award, by Governor of New York 1984–1986, MoMA P.S.1 National Studio Program, Residency at Clocktower Studio, New York SELECTED GROUP EXHIBITIONS 1969 Contemporary Young Artists Exhibition, U. S. I. S. Lincoln Center, Taipei, Taiwan 1974 Asian Contemporary Art Exhibition, Ueno Museum of Art, Tokyo, Japan 1977 10 Chinese Leading Artists, Metropolitan Museum of Art, Tokyo, Japan 1978 Contemporary Chinese Art from Taiwan, Hong Kong Arts Centre, Hong Kong 1978 International Exhibition of Prints, National Museum of Modern Art, Seoul, South Korea 1979 6th British International Print Biennial, Bradford Art Galleries and Museum, England 1980 4th Miami International Print Biennial, Metropolitan Museum Coral Gables, Florida 1982 Summer Invitational, Susan Caldwell Inc, New York City 1982 Four Artists, SoHo Center for Visual Artists, New York City 1983 New Acquisitions and Trustee's Choice, The Aldrich Museum of Contemporary Art, 1983 Cleveland (UK) 6th International Drawing Biennale, Middlesbrough Art Gallery, England 1983 Dreams Demons Madness, Alternative Museum, New York City 1984 Rambunctious, Siegel Contemporary Art, New York City 1984 Invitational Painting Exhibition, Part II: Eight Imagist Painters, Siegel Contemporary Art, NYC 1984 Salvo, Ruth Siegel Ltd, New York 1984 Modern Art, Ted Greenwald Gallery, New York City 1985 Exotica, Paintings and Works on Paper, Stephen Rosenberg Gallery, New York City 1985 The Art of the 1970s and 1980s, Aldrich Museum of Contemporary Art, Ridgefield, CT 1985 Large Figurative Drawings, Virginia Museum of Fine Arts, Richmond, Virginia 1985 Studio Programs, 1984 -1985, The Institute for Art and Urban Resources, Inc, The Clocktower, New York City 1985 Surplus, Exit Art, New York City 1985 Four Painters From New York, Janet Steinberg Gallery, San Francisco, California 1985 Harvest, Ruth Siegel Ltd, New York City 1986 The Object Revitalized, The Paine Art Center and Arboretum, Oshkosh, Wisconsin 1986 Annual Juried Exhibition '86, The Queens Museum, New York City 1986 Summer Group Show, Galleri Mustad, Sweden 1987 New Work - New York, Helander Gallery, Palm Beach, Florida 1988 The Shell: Design Spirit, Bergen Museum of Art and Science, Paramus, New Jersey 1988 Works on Paper, Nina Freudenheim Gallery, Buffalo, New York 1988 The Flower Show, Betsy Rosenfield Gallery, Chicago, Illinois 1988 Classical Myth and Imagery in Contemporary Art, The Queens Museum, Flushing, NY 1988 Continuity and Change; Five Contemporary Chinese Artists, Yale University Art Gallery 1988 First Anniversary Exhibition, Michael Walls Gallery, New York City 1989 Second Anniversary Exhibition, Michael Walls Gallery, New York City 1990 The Matter At Hand; Contemporary Drawings, UWM Art Museum, University of Wisconsin, 1991 Entr'acte, Michael Walls Gallery, New York City 1991 Taipei - New York: Confrontation of Modernism, The Taipei Fine Arts Museum. Taiwan 1991 Past Becoming Future, The Contemporary Art Gallery, Seibu, Tokyo, Japan 1992 Intimate Universe; Small-Scale Paintings By Twenty-five American Artists, Michael Walls 1993 Paper Trails; The Eidetic Image, Krannert Art Museum, University of Illinois, Champaign, 1993 Intimate Universe, Nina Freudenheim Gallery, Buffalo, New York 1994 Isn't It Romantic? On Crosby Street, New York City 1994 To enchant (blue), Cynthia McCallister Gallery/Bixler Gallery, New York City 1994 Singapore International Art Fair, Sarina Tang Fine Art, Singapore 1994 Taipei Modem Art Exhibition, The National Gallery, Bangkok, Thailand 1995 A Romantic Impulse: Seventeen American Artists, O'Hara Gallery, New York City 1995 Chinese Artists in the United States, Hong Kong Land Limited, The Rotunda, Hong Kong 1996 Taipei Modern Art Exhibition, Shanghai Museum, Shanghai, China 1996 In Full Bloom: Flower and Garden Paintings, Lizan-Tops Gallery, East Hampton, New York 1997 Intimate Universe [Revisited], Robert Steele Gallery, New York City 1997 A Thought Intercepted, California Museum of Art, Santa Rosa, California 1997 Forces of Nature, Taipei Gallery, New York City, 1997 Lizan-Tops Gallery, East Hampton, New York 1998 Asian Aesthetic, Takara/Yukiko Lunday Gallery, Houston, Texas 1998 Contemporary Art from the Overseas Chinese, Galerie Pierre, Taichung, Taiwan 1999 Looking for the Light, The Gallery on the Hudson, Irvington, New York 1999 Visions of Pluralism, National Art Museum of China, Beijing, China; Mountain Art Museum, Kaohsiung, Taiwan 2001 Fifteen Asian American Artists, Staller Center For the Arts, University at Stony Brook, Stony Brook, New York (Artists: Arai, Tomie; Byun, Chong Gon; Huang, Wennie; Jo, Sook Jin; Kawata, Tamiko; Le, Dinh; Lee, Bing; Li, lan; Ng, Chee Wang; Rahman, Ram; Shin, Jean; Snyder, Kit-Yin; Wong, Paul; Yamaoka, Carrie; Yang, Chihung) 2001 Rain Forest/Contemporary Paintings Kaohsiung Museum of Fine Arts, Taiwan 2001 Taipei Contemporary Art Exhibition, Shanghai Art Museum, Shanghai, China 2001 Rain Forest, Taipei Gallery, Chinese Information and Culture Center, New York 2002 Rain Forest, Las Vegas Art Museum, Las Vegas 2002 Contemporary Chinese Abstraction, Guangdong Museum of Art, Guangzhou, China 2002 Contemporary Chinese Abstraction, SenJuing Museum of Art , Guangdong, China 2003 Vision, 456 Gallery and Cork Gallery / Lincoln Center, New York 2003 World Artist's Calligraphy Biennale, Son Arts Center of Jeollabuk-do, Korea 2003 Fifty Years of Post War Taiwanese Art, Chan Liu Art Museum, Taoyuan, Taiwan 2004 Salon Comparaisons, Espace Auteuil, Paris, France 2005 Kuandu Extravaganza, Kuandu Museum of Fine Arts, Taipei, Taiwan 2005 China-Korea Modern...

Michael David (b. 1954) Hand signed, Prestige Art blind stamp; edition of 45; 1993 Color Etching on Arches Buff "The Mugual Series" Printed by the artist with master printers Sylvia Roth and Mary Seibert at Hudson River Editions and published by Prestige Art Ltd., Mamaroneck, New York. 22 X 18 framed Michael David Singer; born 1954, is an American painter. Born in Reno, Nevada, David's family relocated to Brooklyn, New York, where he was raised. He attended SUNY Fredonia for one year and in 1976 received a B.F.A. from Parson's School of Design. Michael David is classified as an abstract painter, best known for his use of the encaustic technique, which incorporates pigment with heated beeswax. He is also known for his works in mixed-media figure painting, photography and environmental sculpture. His work is included in the permanent public collections of the Metropolitan Museum of Art, the Guggenheim Museum, the Jewish Museum in New York, the Museum of Contemporary Art in Los Angeles, and the Los Angeles County Museum of Art, among others. In 1976 David, erotic photographer Roy Stuart and Fredonia friend Richie Stotts formed a band called The Numbers, with David on bass. The group was a fixture in New York's early punk rock music scene, playing in clubs alongside punk pioneers Television, Blondie and the Ramones. David also played bass with punk innovators Jerry Nolan of The New York Dolls, Cheetah Chrome of The Dead Boys, Marky Ramone, Peter Gordon, David Van Tieghem and the free-improvisation noise music group Borbetomagus. In 1977, The Numbers were approached by impresario Rod Swenson, who was seeking musicians to form a backing band for singer Wendy O. Williams, whose radical persona he sought to exploit as punk music and performance art. The Numbers became The Plasmatics but the attention David began to gain as an important voice in the art world caused him to leave the band to pursue his burgeoning painting career. David's first one-man show was in 1981 at the historic Sidney Janis Gallery. That year he was awarded a Guggenheim Fellowship, at the time the youngest artist ever to do so, and in 1982 was awarded an American Academy of Arts and Letters prize. He went on to exhibit at galleries worldwide and was represented by Knoedler & Co. for the next 25 years. David is best known for using the encaustic technique of painting, which uses pigment combined with heated beeswax. David built his early career on abstraction and religious iconography, which formed the bulk of his output until 1999. Since then he has also experimented with representational painting and traditional photography. In 2000, he developed the "Chortens" and "Populations" series, about which prominent art historian and critic Donald Kuspit writes: "They are enigmatic works, all the more so because of the way their innumerable details form singularly monumental, intimidating wholes. Dense yet delicate, awesome yet intimate, they convey the fragility as well as grandeur of sheer being. Layer upon layer of paint piles up like layer upon layer of coral, but the textural result is more epic, not to say startling, than any coral island, and virtually any other existing abstract expressionist painting (upon which they are stylistically founded)." In 2001, David developed bi-lateral neuropathy due to being poisoned by gases released by overheated beeswax used in the encaustic process. The disease left him with partial paralysis of his legs, slowing the production of his painting for a number of years. That year, David began painting one of his best-known series, the "fallen Toreadors", inspired by 19th century French Realist painter Édouard Manet's "The Dead Toreador" of 1864. In 1993, David experimented at the "20x24" Polaroid studio in Manhattan, which resulted in a series of portraits of playwright Edward Albee and of friend Jackie Gross, which would become the ongoing "Jackie" series of mixed-media works. When neuropathy rendered him unable to paint during 2003, he returned to the 20x24 camera and shot large-format Polaroids inspired by Caravaggio; nude men and women dressed as Toreadors, and religious imagery. In 2002, David began to develop The Greenhouse Project, an evolving "architectural construct" based on historical American Antebellum greenhouses built using the actual glass negatives sold to starving farmers in the post-American Civil War South. David has indicated that each greenhouse will, through the display of photography and use of social networking, create a forum and exhibit for ideas and artifacts related to civil and human rights; the specifications of each greenhouse particular to the community in which each is built. David's work was reviewed in Artforum and Art in America, and is considered one of the last links to the New York School of painting. David may be the most innovative master of immediate surface since the abstract expressionists. He has acknowledged his debt to Abstract Expressionism, but he has transformed it. Where the abstract expressionist paintings of the forties and fifties seem like modern cave paintings, as their crude, unfocused, often meandering, turbulent painterliness suggests, and as such to reinstate prehistory, David seems to turn the cave into a temple, as his more considered, concentrated, indeed, dense, contemplative painterliness indicates, so that his paintings have the aura of post history. SELECT GROUP EXHIBITIONS 2010-2011 “Post Mammalian Tension, Michael David & Scott Browning”, Bill Lowe Gallery, Atlanta, GA 2006 “Unspoken Connections,” The Lowe Gallery, Santa Monica, CA 2004 The Lowe Gallery, Atlanta, GA 1999 “Waxing Poetic: Encaustic Art in America,” Montclair Art Museum, Montclair, NJ “Forty Years of American Drawings,” Raab Galerie, Berlin, Germany 1997 “Michael David and James Hyde,” Margulies Taplin Gallery, Coral Gables, FL 1996 “Different Sides: Drawings/Photographs/Prints/Paintings/Sculpture,” Knoedler and Company, New York, NY 1994 “Michael David: Paintings / Nicholas Pearson: Sculpture,” Margulies Taplin Gallery, Boca Raton, FL 1991 “Working with Wax: Ten Contemporary Artists,” Tibor de Nagy Gallery, New York, NY 1989 “Projects and Portfolios: the 25th Print National,” The Brooklyn Museum, Brooklyn, NY “Important Works on Paper,” Meredith Long and Company, Houston, TX “New Editions,” Pace Prints, New York, NY 1988 “Golem! Danger, Deliverance, and Art,” The Jewish Museum, New York, NY 1987 “Monotypes,” Pace Editions, New York, NY “Working in Brooklyn / Painting,” The Brooklyn Museum, Brooklyn, NY “Art Against AIDS,” benefit exhibition Knoedler and Company, New York, NY “Jewish Themes: Contemporary American Artists,” Spertus, Chicago, IL 1986 “First Impressions: Recent Monotypes by 15 Artists,” Allan Frumkin Gallery, (Charles Arnoldi, Pat Steir etc) “Saints and Sinners: Contemporary Responses to Religion,” De Cordova Museum, Lincoln, MA “Jewish Themes: Contemporary American Artists,” The Jewish Museum, New York, NY “Public and Private American Prints Today,” Brooklyn Museum, Brooklyn, NY 1985 “A Decade of Visual Arts at Princeton: 1975-1985,” The Art Museum, Princeton University, Princeton, NJ 1984 “Cunningham Dance Benefit,” Leo Castelli Gallery, New York, NY (Robert Rauschenberg, Arman etc) Twelve Abstract Painters, Siegel Contemporary (Elizabeth Murray, Melissa Meyer, Leon Polk Smith etc.) “Small Paintings,” Jeffrey Hoffeld Gallery, New York, NY 1982 “Elaine de Kooning’s Inadvertent Collection,” Elaine Benson Gallery, Bridgehampton, NY 1981 “New Visions,” The Aldrich Museum of Contemporary Art (James Biederman, Louisa Chase,Mel Kendrick etc.) 1980 “Seven Young Americans,” Sidney Janis Gallery, New York, NY (Sean Scully, Thornton Willis...

Jean Miotte - Rare Original Signed Lithograph Title: Abstract Composition Dimensions: 76 x 56 cm Edition: 64/99 Signed and Numbered in pencil

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American artists that radically defined abstraction and establish...

S.O.C. #2 2014 Etching 76.5 x 91cm Yang Chihung (Chinese: 楊識宏; pinyin: Yang Chihung; born 1947) Taiwanese-American artist. Yang Chi-hung was born on 25 October 1947, in Chungli, Taiwan. He developed an interest in art in early childhood, and found inspirations to pursue an artist career after reading Lust for Life – The Life of Vincent van Gogh, translated by poet Yu Kuang-chung, in junior high school. Between 1965 and 1968, he attended the National Taiwan College of Art, developing a sound foundation in oil painting under the tutelage of famous Taiwanese artists of the Japanese Colonial period, such as Liao Chi-chun, Li Mei-shu and Yang San-lang. Meanwhile, he actively attended events organized by the modern art groups of Taiwan, namely the Fifth Moon Group and Ton Fan Group, only to find himself both intimidated and dissatisfied with the then relatively conservative art environment in Taiwan. In 1979, he emigrated to the United States of America with his wife, Jane, and their son, Daniel. His pioneering works soon landed him the “Outstanding Asian-American Artist” award. The concept and style of abstract expressionism as represented by the works of Jackson Pollock in the 1950s had great impact on Yang’s work. With the sense of nihilism that gave rise to abstract expressionism in the post-war period, artists no longer clamored to depict the external environment, but rather chose to focus on their own inner experience. Yang Chihung embraced this spirit about the early 1990s when his style turned abstract. In 1984–85 and again in 1985–86, he was twice awarded a year's residency at The Clocktower Studio in New York City by MoMA P.S.1. In 2013, Yang, along with Xu Bing, Zhang Huan, and Li Chen, were the four artists featured in the Discovery Channel Asia documentary series, Chineseness, a multi-series production that focused on postwar Chinese contemporary artists. He is of the generation of artists such as Chen Tingshi, Liang Yifeng, Yang Yuyu, Pang Jiun, Yinhui Chen, Jui-Ling Hung, De-Jinn Shiy, Yong-ik Cho, Wan Chuan Chang, Kuosung Liu, Sanlang Yang, Chetsai Shen, Fu-sheng Ku, Chunxiang Zhao, Ming Ju, Ming-Che Huang, Jiutong Liu, In-Ting Ran, George Chann, Yi Hong, Tzu-Chi Yeh, Max Liu, Yi-Hsiung Chang, Che Chuang Awards and recognition 1989, Outstanding Asian American Artist Award, by Governor of New York 1984–1986, MoMA P.S.1 National Studio Program, Residency at Clocktower Studio, New York SELECTED GROUP EXHIBITIONS 1969 Contemporary Young Artists Exhibition, U. S. I. S. Lincoln Center, Taipei, Taiwan 1974 Asian Contemporary Art Exhibition, Ueno Museum of Art, Tokyo, Japan 1977 10 Chinese Leading Artists, Metropolitan Museum of Art, Tokyo, Japan 1978 Contemporary Chinese Art from Taiwan, Hong Kong Arts Centre, Hong Kong 1978 International Exhibition of Prints, National Museum of Modern Art, Seoul, South Korea 1979 6th British International Print Biennial, Bradford Art Galleries and Museum, England 1980 4th Miami International Print Biennial, Metropolitan Museum Coral Gables, Florida 1982 Summer Invitational, Susan Caldwell Inc, New York City 1982 Four Artists, SoHo Center for Visual Artists, New York City 1983 New Acquisitions and Trustee's Choice, The Aldrich Museum of Contemporary Art, 1983 Cleveland (UK) 6th International Drawing Biennale, Middlesbrough Art Gallery, England 1983 Dreams Demons Madness, Alternative Museum, New York City 1984 Rambunctious, Siegel Contemporary Art, New York City 1984 Invitational Painting Exhibition, Part II: Eight Imagist Painters, Siegel Contemporary Art, NYC 1984 Salvo, Ruth Siegel Ltd, New York 1984 Modern Art, Ted Greenwald Gallery, New York City 1985 Exotica, Paintings and Works on Paper, Stephen Rosenberg Gallery, New York City 1985 The Art of the 1970s and 1980s, Aldrich Museum of Contemporary Art, Ridgefield, CT 1985 Large Figurative Drawings, Virginia Museum of Fine Arts, Richmond, Virginia 1985 Studio Programs, 1984 -1985, The Institute for Art and Urban Resources, Inc, The Clocktower, New York City 1985 Surplus, Exit Art, New York City 1985 Four Painters From New York, Janet Steinberg Gallery, San Francisco, California 1985 Harvest, Ruth Siegel Ltd, New York City 1986 The Object Revitalized, The Paine Art Center and Arboretum, Oshkosh, Wisconsin 1986 Annual Juried Exhibition '86, The Queens Museum, New York City 1986 Summer Group Show, Galleri Mustad, Sweden 1987 New Work - New York, Helander Gallery, Palm Beach, Florida 1988 The Shell: Design Spirit, Bergen Museum of Art and Science, Paramus, New Jersey 1988 Works on Paper, Nina Freudenheim Gallery, Buffalo, New York 1988 The Flower Show, Betsy Rosenfield Gallery, Chicago, Illinois 1988 Classical Myth and Imagery in Contemporary Art, The Queens Museum, Flushing, NY 1988 Continuity and Change; Five Contemporary Chinese Artists, Yale University Art Gallery 1988 First Anniversary Exhibition, Michael Walls Gallery, New York City 1989 Second Anniversary Exhibition, Michael Walls Gallery, New York City 1990 The Matter At Hand; Contemporary Drawings, UWM Art Museum, University of Wisconsin, 1991 Entr'acte, Michael Walls Gallery, New York City 1991 Taipei - New York: Confrontation of Modernism, The Taipei Fine Arts Museum. Taiwan 1991 Past Becoming Future, The Contemporary Art Gallery, Seibu, Tokyo, Japan 1992 Intimate Universe; Small-Scale Paintings By Twenty-five American Artists, Michael Walls 1993 Paper Trails; The Eidetic Image, Krannert Art Museum, University of Illinois, Champaign, 1993 Intimate Universe, Nina Freudenheim Gallery, Buffalo, New York 1994 Isn't It Romantic? On Crosby Street, New York City 1994 To enchant (blue), Cynthia McCallister Gallery/Bixler Gallery, New York City 1994 Singapore International Art Fair, Sarina Tang Fine Art, Singapore 1994 Taipei Modem Art Exhibition, The National Gallery, Bangkok, Thailand 1995 A Romantic Impulse: Seventeen American Artists, O'Hara Gallery, New York City 1995 Chinese Artists in the United States, Hong Kong Land Limited, The Rotunda, Hong Kong 1996 Taipei Modern Art Exhibition, Shanghai Museum, Shanghai, China 1996 In Full Bloom: Flower and Garden Paintings, Lizan-Tops Gallery, East Hampton, New York 1997 Intimate Universe [Revisited], Robert Steele Gallery, New York City 1997 A Thought Intercepted, California Museum of Art, Santa Rosa, California 1997 Forces of Nature, Taipei Gallery, New York City, 1997 Lizan-Tops Gallery, East Hampton, New York 1998 Asian Aesthetic, Takara/Yukiko Lunday Gallery, Houston, Texas 1998 Contemporary Art from the Overseas Chinese, Galerie Pierre, Taichung, Taiwan 1999 Looking for the Light, The Gallery on the Hudson, Irvington, New York 1999 Visions of Pluralism, National Art Museum of China, Beijing, China; Mountain Art Museum, Kaohsiung, Taiwan 2001 Fifteen Asian American Artists, Staller Center For the Arts, University at Stony Brook, Stony Brook, New York (Artists: Arai, Tomie; Byun, Chong Gon; Huang, Wennie; Jo, Sook Jin; Kawata, Tamiko; Le, Dinh; Lee, Bing; Li, lan; Ng, Chee Wang; Rahman, Ram; Shin, Jean; Snyder, Kit-Yin; Wong, Paul; Yamaoka, Carrie; Yang, Chihung) 2001 Rain Forest/Contemporary Paintings Kaohsiung Museum of Fine Arts, Taiwan 2001 Taipei Contemporary Art Exhibition, Shanghai Art Museum, Shanghai, China 2001 Rain Forest, Taipei Gallery, Chinese Information and Culture Center, New York 2002 Rain Forest, Las Vegas Art Museum, Las Vegas 2002 Contemporary Chinese Abstraction, Guangdong Museum of Art, Guangzhou, China 2002 Contemporary Chinese Abstraction, SenJuing Museum of Art , Guangdong, China 2003 Vision, 456 Gallery and Cork Gallery / Lincoln Center, New York 2003 World Artist's Calligraphy Biennale, Son Arts Center of Jeollabuk-do, Korea 2003 Fifty Years of Post War Taiwanese Art, Chan Liu Art Museum, Taoyuan, Taiwan 2004 Salon Comparaisons, Espace Auteuil, Paris, France 2005 Kuandu Extravaganza, Kuandu Museum of Fine Arts, Taipei, Taiwan 2005 China-Korea Modern...

Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century. Nevelson is renowned for her mysterious and complex artworks. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States. Nevelson, whether working in sculpture or in two dimensions typically had a strict palette; almost exclusively black. While there are iconic works in white, gold, or raw wood, Nevelson almost entirely avoids color. However, during the last decade of her life, her palette expands notably with her printmaking. "Reflections I" is an example from her 1983 portfolio, "Reflections I-V" consisting of six large-scale prints. These prints contain signature elements found throughout Nevelson's prints; ripped or collage-like forms as well as the use of fabric, lace, and toile in the printing process. However one of the strongest characteristics of the "Reflections" series is her new uninhibited use of color. Here it is used to maximum effect. This work features unexpected elements of crimson and translucent rose and Prussian blue that punctuate her signature layered collage-like composition. Nevelson's late prints are truly some of her best. Over the last few years, there has been tremendous momentum in both interest and appreciation of Nevelson's work. In May of 2021, a new auction record of $1.35 million was established for one of Nevelson's signature white construction sculptures...

Evergreen Lane (Abstract print) Etching - Unframed. This print is last in edition. This etching refers to a Steamboat Springs, Colorado street. It...