Rembrandt van Rijn Prints and Multiples
Dutch, 1606-1669
Rembrandt was the most influential 17th Century Dutch painter. After years of early success as a portrait painter, his life was beset by financial hardship and personal tragedy. He continued to paint portraits and develop etchings. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.to
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Artist: Rembrandt van Rijn
The Artist's Mother
By Rembrandt van Rijn
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669)
Title: The Artist's Mother
Year: 1631
Medium: Etching
Paper: Verge paper
Image (plate mark) size: 3.35 x 2.5 inches
Framed size. 22...
Category
Mid-17th Century Old Masters Rembrandt van Rijn Prints and Multiples
Materials
Etching
The Death of the Virgin - Etching by Rembrandt - 1639
By Rembrandt van Rijn
Located in Roma, IT
The Death of the Virgin is an etching by Rembrandt executed in 1639.
Signed and dated in the plate.
The state of preservation is good. Foxings and browning of the paper due to the ...
Category
1630s Old Masters Rembrandt van Rijn Prints and Multiples
Materials
Etching
The Beheading of St. John the Baptist - Etching by Rembrandt - 1640
By Rembrandt van Rijn
Located in Roma, IT
Beautiful proof of I state on III before the white space under the sword is covered.
Without Margins.
Very good condition.
Ref. Bartsch 92; Biörklund 40-B; Hollstein (White and Bo...
Category
1640s Old Masters Rembrandt van Rijn Prints and Multiples
Materials
Etching
Peter and John Healing the Cripple at the Gate... - Etching by Rembrandt - 1659
By Rembrandt van Rijn
Located in Roma, IT
Etching, excellent proof of II state on IV, before the retouching of the ground and the vault on the right, margin line.
Ref. Bartsch, Hollstein 94; Hind 301; New Hollstein 312; Sto...
Category
1650s Old Masters Rembrandt van Rijn Prints and Multiples
Materials
Etching
Self Portrait, Drawing at the Window
By Rembrandt van Rijn
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669)
Title: Self Portrait, Drawing at the Window
Year: 1648
Medium: Etching
Paper: Verge paper
Image (plate mark) size: 6.35 x 5.25 inch...
Category
Mid-17th Century Old Masters Rembrandt van Rijn Prints and Multiples
Materials
Etching
17th century etching Rembrandt biblical scene crucifixion figures
By Rembrandt van Rijn
Located in Milwaukee, WI
Rembrandt's print 'Christ Crucified Between Two Thieves: an oval plate' is one of the most captivating of the artist's oeuvre. Etched to an oval rather than a rectangular plate and t...
Category
1640s Dutch School Rembrandt van Rijn Prints and Multiples
Materials
Paper, Etching, Printer's Ink, Drypoint
The Archangel Raphael Leaving Tobias' Family - Etching by Rembrandt - 1641
By Rembrandt van Rijn
Located in Roma, IT
The Archangel Raphael Leaving Tobias' Family is an etching by Rembrandt executed in 1641. This etching is a proof of the 3rd state (of 4) before of the diagonals on the ground at the...
Category
1640s Old Masters Rembrandt van Rijn Prints and Multiples
Materials
Etching
17th century etching Rembrandt landscape house trees field sky cow
By Rembrandt van Rijn
Located in Milwaukee, WI
This piece is from a collection of originally designed etchings with drypoints by Rembrandt. It is printed on Ingres D'arches off-white laid paper. The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998.
Rembrandt van Rijn was one of the masters of the landscape genre in his prints and drawings. In his etching, "Landscape with a Cow...
Category
17th Century Renaissance Rembrandt van Rijn Prints and Multiples
Materials
Etching
Christ and the Woman of Samaria
By Rembrandt van Rijn
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669)
Title: Christ and the Woman of Samaria
Year: 1634
Medium: Etching
Paper: Verge paper
Image (plate mark) size: 4.75 x 4.25 inches
Fr...
Category
Mid-17th Century Old Masters Rembrandt van Rijn Prints and Multiples
Materials
Etching
Naked Woman on a Mound by Rembrandt van Rijn
By Rembrandt van Rijn
Located in New Orleans, LA
Rembrandt van Rijn
1606-1669 Dutch
Naked Woman on a Mound
Etching on paper
Etched by Rembrandt
New Hollstein 88, second state of II; Bartsch, Hollstein 198; Hind 43
One of the gr...
Category
17th Century Old Masters Rembrandt van Rijn Prints and Multiples
Materials
Etching
The Golf Player
By Rembrandt van Rijn
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669)
Title: The Golf Player
Year : 1654
Medium: Etching
Paper: Verge paper
Image (plate mark) size: 3.75 x 5.85 inches
Framed size. 22...
Category
Mid-17th Century Old Masters Rembrandt van Rijn Prints and Multiples
Materials
Etching
Bust of a Man Wearing a High Cap, The Artist's Father
By Rembrandt van Rijn
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669)
Title: Bust of a Man Wearing a High Cap, The Artist's Father
Year: 1630
Medium: Etching
Paper: Verge paper
Image (plate mark) size: ...
Category
Mid-17th Century Old Masters Rembrandt van Rijn Prints and Multiples
Materials
Etching
Death Appearing to a Wedded Couple from an Open Grave
By Rembrandt van Rijn
Located in New York, NY
REMBRANDT HARMENSZ. VAN RIJN
1606 Leiden Amsterdam 1669
Death Appearing to a Wedded Couple from an Open Grave 1639
drypoint and etching; 109 x 78 mm
Bartsch 109, White/Boon only s...
Category
1630s Old Masters Rembrandt van Rijn Prints and Multiples
Materials
Drypoint, Etching
Rembrandt Etching Framed
By Rembrandt van Rijn
Located in New York, NY
Original Self-Portrait Etching by Rembrandt van Rijn (1606-1669)
Etching on paper
2 ⅛ x 1 ¾ inches unframed (5.4102 x 4.445 cm)
14 ⅛ x 12 ½ inches framed (35.8902 x 31.75 cm)
Description:
Rembrandt van Rijn is one of the most celebrated Dutch painters of all time, and rose to prominence in the 17th century for his characteristic use of light and contrast to convey emotion and mood. Much of his artistic practice consisted of history paintings, portraits, and self-portraits, with his rich oil paintings...
Category
17th Century Old Masters Rembrandt van Rijn Prints and Multiples
Materials
Etching
Price Upon Request
La circoncision dans l'étable - Original Etching by Rembrandt - 1654
By Rembrandt van Rijn
Located in Roma, IT
Rembrandt van Rijn (1696-1669), La circoncision dans l’étable, 1654
Etching on watermarked paper.
Beautiful artist’s proof, signed and dated in plate higher-left : “Rembrandt 1654”...
Category
1650s Old Masters Rembrandt van Rijn Prints and Multiples
Materials
Etching
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Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Meridies; Der Mittag (Noon; The Midday)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.5" x 16.32"
Image size: 18.13" x 14.32"
Condition: Soft handling creases and folds to sheet. A few light areas of staining and scattered small areas of discoloration in margins. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
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Vespera; Der Abend (Evening; The Evening) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Vespera; Der Abend (Evening; The Evening)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.5" x 16.63"
Image size: 17.38" x 13.63"
Condition: Soft handling creases and folds to sheet. Some scattered foxmarks in left margin. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
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The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old Masters
Located in Saint Augustine, FL
Artist: Lambrecht Hopfer (German, Active c. 1525-1550)
Title: "The Crucifixion (Christ on the Cross)"
Portfolio: (after) The Engraved Passion
*Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right
Circa: 1530 (second state of three, published c. 1690)
Medium: Original Etching on laid paper
Limited edition: Unknown
Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany)
Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany)
Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II
Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass
Framed size: 14.88" x 13.88"
Sheet size: 5.5" x 3.63"
Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition
Very rare
Notes:
Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74).
"The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK
Biography:
Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...
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16th Century Old Masters Rembrandt van Rijn Prints and Multiples
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Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen /// Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen (Dawn or Morning Time; The Morning Used for Better or For Worse)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.57" x 16.38"
Image size: 17.75" x 14"
Condition: Soft handling creases, folds, and scattered faint areas of discoloration to sheet. Three tears skillfully repaired from verso. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
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Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
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MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...
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Located in Saint Augustine, FL
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Portfolio: Rudiments of Drawing
*Issued unsigned, though both are signed by Bartolo...
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Located in Alamo, CA
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1750s Old Masters Rembrandt van Rijn Prints and Multiples
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Located in Saint Augustine, FL
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Medium: Original Etching on cream laid pap...
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Located in Soquel, CA
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Located in Alamo, CA
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Located in Soquel, CA
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Previously Available Items
Jan Uytenbogaert, Preacher of the Remonstrants by Rembrandt van Rijn
By Rembrandt van Rijn
Located in New Orleans, LA
Rembrandt van Rijn
1606-1669 Dutch
Jan Uytenbogaert, Preacher of the Remonstrants
New Hollstein Dutch and Flemish (Rembrandt) 153, state 4/9
Bartsch 279, state 4/6
Printed by Remb...
Category
17th Century Old Masters Rembrandt van Rijn Prints and Multiples
Materials
Paper, Etching
H 19.5 in W 17.5 in D 1.13 in
The Card Player
By Rembrandt van Rijn
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669)
Title: The Card Player
Year : 1641
Medium: Etching
Paper: Verge
Image (plate mark) size: 3.5 x 3.125 inches
Signature: Signed and...
Category
Mid-17th Century Old Masters Rembrandt van Rijn Prints and Multiples
Materials
Etching
Three Oriental Figures (Jacob and Laban?) - Etching on Laid Paper
By Rembrandt van Rijn
Located in Soquel, CA
Three Oriental Figures (Jacob and Laban?) - Etching on Laid Paper, Rembrandt van Rijn.
Print from the second state of Rembrandt's "Three Oriental Figures (Jacob and Laban?)" in its ...
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18th Century Old Masters Rembrandt van Rijn Prints and Multiples
Materials
Etching, Rag Paper
H 20 in W 16 in D 0.25 in
Rembrandt van Rijn Self Portrait Leaning on a Stone Sill - Etching on Laid Paper
By Rembrandt van Rijn
Located in Soquel, CA
Rembrandt van Rijn Self Portrait Leaning on a Stone Sill - Etching on Laid Paper
Etching from the second state of Rembrandts Self Portrait Leaning on a Stone Sill. This print on lai...
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1630s Renaissance Rembrandt van Rijn Prints and Multiples
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The Ringball Player By Rembrandt Van Rijn
By Rembrandt van Rijn
Located in New Orleans, LA
Rembrandt van Rijn
1606-1669 Dutch
The Ringball Player
Etching on paper
New Hollstein’s first state of two
Signed and dated lower left: Rembrandt F. 1654
Among the foremost figures of the Old Masters, the esteemed Dutch artist Rembrandt van Rijn is often regarded as the preeminent etcher in art history. As the most significant Dutch printmaker, his body of work includes nearly 300 authenticated prints, marked by pioneering techniques that set new standards in the medium. This exceptional etching, titled The Ringball Player, exemplifies the intricate artistry and meticulous detail that distinguish Rembrandt's prints.
This print is closely related to the ones of the early life of Christ, etched in the same year, and of a similar size, using long straight hatching lines to model the figures and the background. In Rembrandt’s oeuvre, this is also one of the very rare subject matters connected with sports and leisure time. The title refers to ringball, a reference to a form of indoor croquet...
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17th Century Old Masters Rembrandt van Rijn Prints and Multiples
Materials
Paper, Etching
Canal With Large Boat And Bridge By Rembrandt Van Rijn
By Rembrandt van Rijn
Located in New Orleans, LA
Rembrandt van Rijn
1606-1669 Dutch
Canal with a Large Boat and a Bridge
Etching on paper
New Hollstein Dutch 252: second state of two
Signed and dated lower left: Rembrandt. f. 1650 / (d and 6 en verso)
Among the very best of the Old Masters stands the revered Dutch artist Rembrandt van Rijn, arguably the greatest etcher in the history of art. The most important Dutch printmaker of all time, his oeuvre features close to 300 authenticated prints, and his innovative techniques in the medium are without precedent. This superb etching, entitled Canal with a Large Boat and a Bridge, displays the artistry and detail for which Rembrandt's prints are renowned.
This small and exquisite landscape is often understood to be the pendant of another small etching from the same year, Canal with an Angler and Two Swans(NH 253), based on their similar size, style and rounded platemark above. The typical Dutch motif of a boat moored in a canal is enriched here with a rocky landscape in the left background among other picturesque elements. This composition is a very fine, warm impression with significant burr, from the second state.
The son of a miller...
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The Presentation In The Temple With The Angel By Rembrandt Van Rijn
By Rembrandt van Rijn
Located in New Orleans, LA
Rembrandt van Rijn
1606-1669 Dutch
The Presentation in the Temple with the Angel
Etching on paper
New Hollstein’s second state of II
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17th Century Old Masters Rembrandt van Rijn Prints and Multiples
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The Virgin And Child With The Cat And The Snake By Rembrandt Van Rijn
By Rembrandt van Rijn
Located in New Orleans, LA
Rembrandt van Rijn
1606-1669 Dutch
The Virgin and Child with the Cat and the Snake
Etching laid on paper
New Hollstein's first state of IV
Signed and dated "Rembrandt. f. 1654" (u...
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17th Century Old Masters Rembrandt van Rijn Prints and Multiples
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"Self Portrait Drawing at a Window, " Original Etching by Rembrandt
By Rembrandt van Rijn
Located in Milwaukee, WI
"Self Portrait Drawing at a Window" is an original etching by Rembrandt van Rijn. It depicts the artist sitting at a window, but otherwise obscur...
Category
1640s Old Masters Rembrandt van Rijn Prints and Multiples
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Bust of a Man Wearing a High Cap, Three-Quarters Right (The Artist's Father ?)
By Rembrandt van Rijn
Located in New York, NY
A very good, dark impression of this etching, with strong contrasts and little to no sign of wear. Biörklund's second state (of 2); Usticke's fifth state (of 7); New Hollstein's sixt...
Category
1630s Dutch School Rembrandt van Rijn Prints and Multiples
Materials
Etching
Rembrandt, Christ and the Woman of Samaria, Among Ruins
By Rembrandt van Rijn
Located in New York, NY
This stunning etching was realized by the baroque master Rembrandt van Rijs in Holland, 1634. The composition pictures Jesus Christ with a hand outstretched, identified with his long flowing locks, donning a robe with a his hand outstretched as he addressed the female figure next to him. The lady holds the well chain with the bucket of freshly drawn water resting on the edge of the cobbled rock well. The lady looks on in rapt attention, one hand resting on the crumbling edge of a embankment. In the background there are a series of archways, and two men in the midst of gossiping (perhaps at the sight of Jesus). Rembrandt executed the etching in delicate chiaroscuro that masterfully illustrates the light, perspective and emotion of the scene as only he is able to. The work depicts Jesus Christ and the woman of Samaria recalling the passage from the biblical verse John 4:5-30 in which Jesus speaks to a peasant Samaritan woman fetching water from a well. "There came a woman of Samaria to draw water. Jesus said to her, 'Give me a drink.' For his disciples had gone away into the city to buy food. The Samaritan woman said to him, 'How is it that you, a Jew, ask a drink of me, a woman of Samaria?' For Jews have no dealings with Samaritans. The parable demonstrates Jesus' kind regard for all peoples regardless of social stature. With its elegant composition and incredible artistry (by one of the most influential and celebrated artists of all time), this work promises to delight discerning collectors of historically important works. It represents a winning acquisition for lovers of fine art (especially those with an interest in first rate Renaissance works), and also those with a penchant for religious and biblical art...
Category
17th Century Dutch School Rembrandt van Rijn Prints and Multiples
Materials
Etching
H 24 in W 23 in D 2.5 in
Landscape with a cottage and a haybarn (1641), Rembrandt engraving
By Rembrandt van Rijn
Located in New York, NY
High-quality reproduction, based on photographs of original impressions.
Engraved in the same year as the Chaumière au grand arbre, this etching has some similarities with it, while...
Category
18th Century Rembrandt van Rijn Prints and Multiples
Materials
Paper, Printer's Ink
Rembrandt Van Rijn prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Rembrandt van Rijn prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Rembrandt van Rijn in etching, drypoint, engraving and more. Much of the original work by this artist or collective was created during the 18th century and earlier and is mostly associated with the Old Masters style. Not every interior allows for large Rembrandt van Rijn prints and multiples, so small editions measuring 2 inches across are available. Customers who are interested in this artist might also find the work of Adriaen van Ostade, Cornelis Bega, and Wenceslaus Hollar. Rembrandt van Rijn prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,500 and tops out at $160,000, while the average work can sell for $42,500.