Minimalist Prints and Multiples

This is an offset lithograph card hand signed by Ellsworth Kelly on the bottom front the work depicted in the card is Red over Yellow (Rouge sur Jaune), from Suite of Twenty-Seven Li...

Robert Mangold A Square with Four Squares Cut Away, 1976 Numbered on the back Rubber stamp print on custom cut Cambersand paper Stamp made by Unity Engraving Company, Inc. Printed by...

Printer’s ink from rubber stamp on vélin Strathmore 3-ply paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publ...

This is an exclusive handprinted limited edition cyanotype. "Pacific Foamy Shoreline" is a handmade cyanotype print portraying a smooth wave reaching the shore. Details: + Title: Pa...

Printer’s ink from rubber stamp on vélin d’Arches Satine paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publi...

Agnes Martin Untitled #10, 1990 Lithograph on vellum transparency paper Unsigned Limited Edition of 2500 Publisher: Nemela & Lenzen GmbH, Monchengladback & Stedelijk Museum, Amsterda...

Printer’s ink from rubber stamp on vélin Dalton natural bond paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. P...

John Urbain, Belgian/American (1920 - 2009) - Blue Moon, Year: circa 1967, Medium: Screenprint, signed and numbered in pencil, Edition: 100, Image Size: 23.75 x 23.75 inches, Size:...

Artist: Donald Saff, American (1937 - ) Title: Untitled - O Year: 1980 Medium: Etching, signed and numbered in pencil Edition: AP Image Size: 24 x 18.5 inches Size: 30 in. x 2...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Violet composition is an original artwork realized in 1975 by Oscar Piattella. Hand signed, dated on the lower right margin. Numbered on the lower left. Edition of 54/100 prints. ...

Brice Marden in London (Hand signed), 2017 Offset lithograph poster. Hand signed by Brice Marden Signed in black marker by Brice Marden on the fron...

Artist: Agnes Martin Title: On a Clear Day #15 Year: 1973 Screenprint Japanese Rag paper Image size: 6 7/8 x 8 inches (17.5 x 20.3 cm) Paper size: 12 x 12 inches (30.5 x 30.5 cm) Fra...

Donald Judd (American 1928-1994) Untitled, 1978-79. Aquatint on etching paper Signed and numbered 18/175 in pencil (there were also 15 artist's proofs) Published by the artist, with ...

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Lotus" Portfolio: Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght (No. 250) *Issued unsigned Year: 1982 Medium: Original Lithograph on smooth wove paper Limited edition: Unknown Printer: Imprimerie Moderne du Lion, Paris, France Publisher: Maeght Editeur, Paris, France Reference: "The Prints of Ellsworth Kelly - A Catalogue Raisonné: 1949-1985" - Axsom No. Ic, page 179 Sheet size: 15" x 11" Condition: In excellent condition Rare Notes: Produced for Kelly's collaboration with the August, 1982 No. 250 "Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght" portfolio. Text on verso as issued. Kelly produced the drawing for "Lotus" in Spencertown, New York, and sent the transfer-paper study to Paris for proofing. It was included in the final memorial issue of 'Derriere Le Miroir' with prints by Eduardo Chillida, Takis, Pierre Alechinsky, Joan Miro, Marc Chagall, Shusaku, Arakawa, and Saul Steinberg, to name only a few of the 24 artists who provided original graphic work for this issue. "Lotus" was based on the ink drawing "Lotus" (EK No. P74.65). In October 1945, the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The magazine Derriere Le Miroir was created in October 1946 and published without interruption until 1982. Maeght's ambition in establishing his print shop and his publication magazine Derriere Le Miroir was to make available to a broader audience less expensive printed imagery by the artists of his time, many whom were represented by his Paris gallery. Its original articles and illustrations (mainly original color lithographs by the gallery artists) were famous at the time. The magazine covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them are (in alphabetical order): Henri-Georges Adam, Pierre Alechinsky, Bacon, Jean Bazaine, Georges Braque, Pol Bury, Alexander Calder, Marc Chagall, Roger Chastel...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-light. Details: + Title: Blue Beaded Bracelet...

This silkscreen was created by Swiss architect, designer, and artist, Max Bill. Bill is widely considered the single most decisive influence on Swiss graphic design. He sought to create forms that visually represent the New Physics of the early 20th century. This print was published for the 1972 Munich...

Artist: (after) Ellsworth Kelly (American, 1923-2015) Title: "Fondation Maeght (Red, Yellow, Blue)" *Issued unsigned Year: 2005 Medium: Original Litho...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Neula is a limited edition signed etching print on paper by Sarah Duncan of a black and white snowy forest in the winter with the trees bare and snow on the ground. This work is in a...

Artist: Giuseppe Uncini, Italian (1929 - 2008) Title: Ferrocemento Year: circa 1970 Medium: Mixed Media Print, signed and numbered in pencil Edition: 110/150 Image Size: 16.5 x 13 in...

Artist: Lennart Nyström, Swedish (1944 - ) Title: One Sheet (Green) Year: circa 1975 Medium: Screenprint, signed and numbered in pencil Edition: 70/95 Size: ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Silkscreen on Mohawk Superfine Bristol paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, X + X, Ten Works by Ten Painters, 1964. Publishe...

Artist: Gene Davis, American (1920 - 1985) Title: Sonata Year: 1980 Medium: Lithograph on Arches paper, signed and numbered in pencil, verso Edition: 250 Paper Size: 20.75 x 28.5 inc...

Artist: Lennart Nyström, Swedish (1944 - ) Title: Three Sheets (Brown) Year: circa 1975 Medium: Serigraph, signed and numbered in pencil Edition: 40/95 Siz...

Brice Marden Lana 2 1966 Screenprint on paper 20 x 24 inches; 51 x 61 cm Edition of 11 Signed, titled, and numbered in graphite (lower recto) This silkscreen was printed by Brice...

Hand signed. Edition of 125 prints of which 100 in Arabic numbers and 25 in Roman numbers.

Joseph Grippi, American (1924 - 2001) - Orange Sunset, Year: circa 1975, Medium: Screenprint Monoprint, signed in pencil, Image Size: 29.25 x 40 inches, Size: 31.5 x 42 in. (80.01 x ...

"Blade" Black & White Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait artist w...

This reproduction, titled Canto VIII by Barnett Newman, was published by Art Edition in Düsseldorf, Germany. The print is of high quality and features Newman’s characteristic vertica...

Artist: Ellsworth Kelly (American, 1923-2015) Title: “Blue/Red-Orange” *Signed by Kelly in pencil lower right Year: 1972 Medium: Original Lithograph on Special Arjomari paper Limited...

Adored by collectors and art lovers around the globe, Alex Katz is a renowned for his elegant and distinctive version of figuration and portraiture. Born in 1927, Katz worked as an...

Printer’s ink from rubber stamp on Cambersand paper, mounted on vélin paper, as issued. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Published by Parasol Press, Ltd., New York; distributed by Museum of Modern Art (MoMA), New York; rubber stamp engraved by Unity Engraving Company Inc, Englewood; printed by Parasol Press, Ltd., New York, under the direction of Aaron Arnow, New York, from an edition of M, 1977. ROBERT MANGOLD (1937) is an American minimalist artist. His son is the film director, producer and screenwriter James Mangold. “Robert Mangold’s paintings...

Matisse's Cat is a limited edition hand made print by artist Mychael Barratt which takes inspiration from the paper cutting work of Matisse in the 1940s....

Artist: Robert Morris, American (1931 - ) Title: Towers of Silence from In the Realm of the Carceral Year: 1978 Medium: Etching and Aquatint, signed and numbered in pencil Edition: 1...

Donald Judd Untitled #82, 1974 from a portfolio of six works Etching on German etching paper with deckled edges Hand signed and numbered 7/35 by the artist on the front Catalogue Rai...

A Red, from Three Aquatints, 1979 Aquatint on six copper plates printed on Rives BFK paper Paper Size: 40 3/4 x 40 3/4 inches (103.5 x 103.5 cm); Image Size: 33 x 33 inches (83.8 x 83.8 cm) Signed and titled lower left front Edition of 50, 10 AP, 3 TP Published by Parasol Press, New York Printed by Hidekatsu Takada, assisted by David Kelso, Crown Point Press, Oakland, California Robert Mangold (born October 12, 1937) is an American minimalist artist. He is also father of film director and screenwriter James Mangold. Mangold first trained at the Cleveland Institute of Art from 1956-59, and then at Yale University, New Haven, (BFA, 1961; MFA, 1963). In 1961 he married Sylvia Plimack, and they moved to New York. In the summer of 1962 Mangold was hired as guard at the Museum of Modern Art. Mangold's work challenges the typical connotations of what a painting is or could be, and his works often appear as objects rather than images. Elements refer often to architectural elements or have the feeling architecture to them. He almost always works in extensive series, often carried through both paintings and lithograph works on paper. Mangold’s early work consisted largely of monochromatic free-standing constructions. In 1968 he began employing acrylic instead of oil painting, rolling rather than spraying it on Masonite or plywood grounds. Within the year, he moved from these more industrially oriented supports to canvas. In 1970 he began working with shaped canvases and within the year began brushing rather than spraying paint onto canvas. Mangold made his first prints in 1972 at Crown Point Press and has made prints throughout his career, working with Pace Editions and Brooke Alexander Editions. In 1965, the Jewish Museum in New York held the first major exhibition of what was called Minimal art (Minimalism) and included Robert Mangold. In 1967, he won a National Endowment for the Arts grant and in 1969, a Guggenheim Fellowship. In 1971, he had his first solo museum exhibition at the Guggenheim Museum. Major museum exhibitions of his work have since been held the Museum of Contemporary Art, San Diego (1974), the Stedelijk Museum in Amsterdam (1982), Hallen für Neue Kunst in Schaffhausen (1993), and Musée d’Orsay in Paris (2006). He has been featured in the Whitney Biennial four times, in 1979, 1983, 1985, and 2004. His work is related to Geometric Abstraction. Select Exhibitions Robert Mangold, Bruce Nauman, Richard Serra: Extended Drawing, Bonnefantenmuseum Accrochage: Donald Judd, Louise Lawler, Sol LeWitt, and Robert Mangold, Galerie Greta Meert, Carl Andre, Dan Flavin, Donald Judd, Robert Mangold, Robert Ryman, Andrea Rosen Gallery, NY Tara Donovan, Sol LeWitt, Robert Mangold, James Siena: Minimalist Prints, Augen Gallery, Portland Modulated Abstraction: Josef Albers, Carl Andre, Donald Judd, Ellsworth Kelly, Sol LeWitt, Robert Mangold, Fred Sandback, Richard Tuttle, Brooke Alexander Editions, New York, NY Drawings from the 1970’s, Mel Bochner, Robert Mangold, Robert Moskowitz, Fred Sandback, Richard Tuttle, Lawrence Markey, New York, NY Systematic: Anne Appleby...

This mini collage on wood panel were made using hand-printed botanical cyanotypes in blue and yellow. Their sides are painted gold. Quite small, it measures just 8 x 8 inches x 3/4...

This reproduction, titled Canto XIV by Barnett Newman, was published by Art Edition in Düsseldorf, Germany. The print is of high quality and features Newman’s characteristic vertical...

"Galumlee Beach Tree Taean Chungcheongnamdo South Korea" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is ma...

Situation #3 Shlomo Cassos, Moroccan (1936) Date: circa 1980 Etching, signed and numbered in pencil Edition of 63/95 Image Size: 26 x 19 inches Size: 30 ...

Richard Serra Forged Rounds (hand signed), 2019 Offset lithograph poster (hand signed by Richard Serra) 26 × 40 inches Boldly signed in black marker on the front by Richard Serra Unframed Acquired from Gagosian Gallery, New York City From Gagosian Gallery about Serra's Forged Rounds project: Weight is a value for me—not that it is any more compelling than lightness, but I simply know more about weight than about lightness and therefore I have more to say about it, more to say about the balancing of weight, the diminishing of weight, the addition and subtraction of weight, the concentration of weight, the rigging of weight, the propping of weight, the placement of weight, the locking of weight, the psychological effects of weight, the disorientation of weight, the disequilibrium of weight, the rotation of weight, the movement of weight, the directionality of weight, the shape of weight. —Richard Serra Gagosian is pleased to present recent sculptures and drawings by Richard Serra. At 980 Madison Avenue, a series of new diptych and triptych drawings...

Christopher Wool The Show is Over Poster (Hand Signed by Christopher Wool), 2013- Offset lithograph poster Hand signed and dated 2017 on lower front. This work was uniquely signed i...

They were created as an investigation into the beginnings of the current human social conditions with a focus on materiality and evolutionary information gathered from Paul Shepards ...

Fred Sandback was a minimalist conceptual-based sculptor known for his yarn sculptures, drawings, and prints. He majored in philosophy at Yale Universit...

"Poles" Minimalist Abstract Lithograph on Paper Bold abstracted lithograph by Arnold Mesches (American, 1923-2016). Negative space is filled in wi...

Red and blue linear print that is signed by Marianni. The work is similar to the style of famous artist Bernett Newman who painted strickly colorful paintings with a "zip" that broke...

"Hillside Fence Study 9 Teshikaga Hokkaido Japan" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted to...

Christopher Wool (hand signed by Christopher Wool), 2006 Cloth hardback monograph (hand signed by Christopher Wool) Hand signed and dated 2017 by Christopher Wool on the half title p...

Richard Serra East-West/West-East: A Permanent in the Brouq Nature Reserve, Qatar (Hand Signed by Richard Serra), ca. 2014 Superb provenance: donated by the artist to a major contemporary art organization Very rare offset lithograph (Hand Signed by Richard Serra) Boldly signed on the front in black marker by Richard Serra 24 × 36 inches Unframed Sscarce when hand signed by Richard Serra. This work depicts Serra's iconic permanent installation in the desert of Brouq Qatar: East-West/West-East, which has become a famous landmark in Qatar since its installation in 2014. According to the Jewish-born Richard Serra, he had been visiting Qatar for about 12 years, during which he was introduced to the Chairperson of the Qatari Museums Authority and the sister of the new Emir, Sheikha Mayassa, by the architect of the Museum of Islamic Art, IM Pei. It was Sheikh Mayassathat who urged Serra to build a sculpture in the desert. The artist once said it was the most important thing he had ever done. In 2020 the Serra sculpture was famously vandalized. This hand signed print has superb provenance as it was donated directly by the artist to a major charitable foundation and is accompanied by a documentation from a Foundation as well as a COA from the gallery. Richard Serra biography: Obsession is what it comes down to. It is difficult to think without obsession, and it is impossible to create something without a foundation that is rigorous, incontrovertible, and, in fact, to some degree repetitive. Repetition is the ritual of obsession. Repetition is a way to jumpstart the indecision of beginning. To persevere and to begin over and over again is to continue the obsession with work. Work comes out of work. In order to work you must already be working. —Richard Serra One of the most significant artists of his generation, he has produced large-scale, site-specific sculptures for architectural, urban, and landscape settings spanning the globe, from Iceland to New Zealand. Born in 1938 in San Francisco, Richard Serra lives and works in New York and on the North Fork of Long Island. Serra attended the University of California, Berkeley before transferring to the University of California, Santa Barbara graduating with a BA in English literature; he then studied painting at Yale University, New Haven, Connecticut completing both a BFA and MFA. He began showing with Leo Castelli in 1968, and his first solo exhibition in New York was held at the Leo Castelli Warehouse the following year. His first solo museum exhibition was held at the Pasadena Art Museum, California, in 1970. Serra’s sculptures and drawings have been celebrated with two retrospectives at the Museum of Modern Art, New York, twenty years apart: Richard Serra/Sculpture (1986) and Richard Serra Sculpture: Forty Years (2007). He has had solo exhibitions at the Stedelijk Museum, Amsterdam (1977–78); Kunsthalle Tübingen, Germany (1978); Staatliche Kunsthalle Baden-Baden, Germany (1978); Museum Boijmans Van Beuningen, Rotterdam, Netherlands (1980, 2014, and 2017); Centre Pompidou, Paris (1983–84); Museum Haus Lange, Krefeld, Germany (1985); Louisiana Museum, Humlebæk, Denmark (1986); Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany (1987); Städtische Galerie im Lenbachhaus, Munich (1987); Stedelijk Van Abbemuseum, Eindhoven, Netherlands (1988); Bonnefantenmuseum, Maastricht, Netherlands (1990); Kunsthaus Zürich (1990); CAPC Musée d’Art Contemporain, Bordeaux, France (1990); Museo Nacional Centro de Arte Reina Sofía, Madrid (1992); Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (1992); Dia Center for the Arts, New York (1997); Centro de Arte Hélio Oiticica, Rio de Janeiro (1997–98); Trajan’s Market, Rome (1999–2000); Pulitzer Arts Foundation, St. Louis (2003); and Museo Archeologico Nazionale di Napoli, Naples, Italy (2004). In 2005 The Matter of Time (1994–2005), a series of eight large-scale works, was installed permanently at the Guggenheim Museum Bilbao, Spain. For Monumenta 2008, the major site-specific installation Promenade was shown at the Grand Palais, Paris. Three years later the large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. A major traveling retrospective dedicated to Serra’s drawings was presented at the Metropolitan Museum of Art, New York, San Francisco Museum of Modern Art, and the Menil Collection, Houston (the organizing venue), from 2011 to 2012. In 2014 the Qatar Museums Authority presented a two-venue retrospective survey of Serra’s work, and East-West/West-East (2014) was permanently installed in the Brouq Nature Reserve, Zekreet, Qatar. In 2017 the Museum Wiesbaden, Germany, presented Richard Serra: Props, Films, Early Works; an overview of Serra’s work in film and video was shown at the Kunstmuseum Basel; and recent drawings were featured at the Museum Boijmans Van Beuningen. Serra has participated in numerous major international exhibitions, including Documenta (1972, 1977, 1982, and 1987), and the Biennale di Venezia (1980, 1984, 2001, and 2013), and his work has been included in many Whitney Annuals and Biennials (1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006). He is the recipient of the Leone d’Oro for lifetime achievement, Biennale di Venezia, Venice (2001); Orden Pour le Mérite...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Ed Ruscha (b. 1937) Grey Suds, 1971 (from the series 'Suds Suite') Screenprint in colors on Arches paper Edition 34/100 (there were also 15 artist's proofs) Signed, numbered, and dat...

Carl Andre Handwritten Letter to the Artist's Parents, 1974 Letter handwritten with black marker on postmarked, stamped postcard (hand signed by Carl Andre) Boldly signed @ - the art...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

This reproduction, titled Canto VII by Barnett Newman, was published by Art Edition in Düsseldorf, Germany. The print is of exceptional quality, featuring vertical lines of blue in N...

Christopher Wool at Luhring Augustine, (Hand Signed), 2015 Double sided offset lithograph. Hand signed by renowned Minimalist artist Christopher Wool 24 × 19 inches Signed in blue i...

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Galerie Maeght" Year: 1958 Medium: Original Lithograph, Exhibition Poster on light wove paper Limited edition: Unknown Printer: ...

"Statue" Black & White Nude Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships in a tube. Ben Cope is a Georgia native graduating from C...

Ellsworth Kelly Blue Yellow Red (Gemini 1524), 1991 Lithograph on Rives BFK paper with blind stamps Signed and numbered in graphite pencil; bears publisher's and artist's blind stamp...