David Borawski Art

Born in Belgrade, Yugoslavia, Marko Kratohvil graduated with an MA in sculpture and moved to London in 1991, where he lived and worked for over 25 years. His work includes large scale public art, sculptures, drawings, and design of architectural features. In 2009 he moved to America and now lives and works in Los Angeles, California. Marko used painted steel to create this one-of-a-kind artwork. Free local Los Angeles area delivery. Affordable Continental U.S. and global shipping is available. A certificate of authenticity issued by Artspace Warehouse is included with this original sculpture. Marko Kratohvil describes his sculptures and his works on paper as “two means of expression.” He explains, “Both disciplines are linked by their formal vocabulary: line, form and color. Each work carries notions of space and movement, rhythm and energy, concept and form and aspire to articulate those fields of our experience that remain before or after verbalization. They are about inner landscapes, individual time, architecture of emotions.” Marko’s artwork is held in corporate and private collections worldwide. He has extensively exhibited throughout Europe and the United States. SOLO EXHIBITIONS 2016 Mariane Ibrahim Gallery, Seattle 2015 Christian Grevstad Gallery, Seattle, USA 2013 Artspace at Untitled, Oklahoma City...

"Zero in Water" Japanese Woodblock Print, 6/30, by Reika Iwami, 1970 "Zero in Water" shown here, several of Iwami's signature compositional elements are present. There are the prominent driftwood forms and the large circle, along with a gold-leaf wave pattern, granular textures, and an intense black background, all combining to enhance the impact of the design. Reika Iwami creates her rhythmical fluid world using natural wood grain patterns, glittering metallic leafs and mica. Titled, numbered, and signed along the bottom edge: "6/30 水の中の零 Reika Iwami '70" Presented in a cream linen mat with foam core backing. Mat size: 34.75"H x 24.75"W Paper size: 34.25"H x 23.13"W Iwami Reika (岩見禮花) was born in Tokyo in 1927, but lived in Kyushu for five years and later in Kanagawa. From the age of 23 she worked for 13 years as an office employee at the Athenee Français language institute, while also studying doll-making and prints at the Sunday course of Japan's first co-educational school, the vocational Bunka Gakuin (文化学院), from which she graduated in 1955. Iwami also studied at other workshops, including an eleven-year apprenticeship as a doll-maker with the female painter-turned-dollmaker Hori Ryûjo (堀柳女 1897-1984, born Yamada Matsue). Iwami finally devoted herself to printmaking beginning in 1954. She began as an apprentice with Hori Ryujo, a doll maker. Later she was influenced by sosaku hanga artists like Koshiro Onchi and Junichiro Sekino. Iwami cited the influence of Onchi Kôshirô...

Skyscape 5727, Blue and Purple Gradient Digital Photography Print 36" x 24" x 0.75" (HxWxD) Print on Aluminum Hand-signed in verso. Artist Amanda Lomax h...

Candace Hicks creates interactive installations and artist’s books that examine gender, voice, and parallel universes through the analysis of fictional literature. Believing that the...

Hannes Grosse Title: Gestural Abstraction Medium: Color silkscreen Year: 1968 Signed, numbered and dated by hand Edition: 2 Size: 18.1 × 26.6 inch...

A gallery quality archival pigment print (of the original watercolor and ink painting) on Sommerset Velvet paper is 24x18 inches in size. From an edition of 20, numbered 3/20 and sig...

Paul Pedulla hand-signed and numbered limited edition archival pigment print framed using all acid free materials. Framed in simple and clean white or bla...

Measures about 3.75 X 3.5 inches. Box is 11 X 11 inches. (Piece is in excellent condition. box frame has some minor wear and piece might need to be remounted, it has been removed and the back taken off for the photograph.) Abstract Surrealist gold gilt cast bronze wearable art pendant sculpture (or silver, it is heavy) with precious or semi precious gem stones set into it. This is most probably from the series done with Mayer Swed Jewelers in Tel Aviv. Similar ones with gold gilding and semi precious gemstones from this series have come up at Tiroche auction in Herzliya with estimates from 2500$-3500$ (sold for 3220$ in 2011). This is from the period of the wearable art movement when artists like Alexander Calder, Ibram Lassaw and Clare Falkenstein amongst many others were turning to jewejry as an expressive medium for their art. Yigal Tumarkin (also Igael Tumarkin) (born 1933) is an Israeli painter and sculptor. Biography Peter Martin Gregor Heinrich Hellberg (later Yigal Tumarkin) was born in Dresden, Germany. His father, Martin Hellberg, was a German theater actor and director. His mother, Berta Gurevitch and his stepfather, Herzl Tumarkin, immigrated to Mandate Palestine when he was two. Tumarkin served in the Israeli Navy. After completing his military service, he studied sculpture in Ein Hod, a village of artists near Mount Carmel. Johanaan Peter worked there with Hans Jean Arp and Dada artist Marcel Janco pioneering Modernist studio Jewelry in Israel. Tumarkin did some Jewelry as awards for the state of Israel (along with Yaacov Agam, Jacques Lipchitz, Salvador Dali, Samuel Bak, Dani Karavan and others.) This is not from that edition but much more rare studio produced limited edition sculptural pieces. Among Tumarkin's best known works are the Holocaust memorial in Rabin Square, Tel Aviv and his sculptures commemorating fallen soldiers in the Negev. Tumarkin is also a theoretician and stage designer. In the 1950s, Tumarkin worked in East Berlin, Amsterdam, and Paris. Upon his return to Israel in 1961, he became a driving force behind the break from the charismatic monopoly of lyric abstraction there. Tumarkin created assemblages of found objects, generally with violent Expressionist undertones and decidedly unlyrical color. Hebrew. His determination to "be different" influenced his younger Israeli colleagues. The furor generated around Tumarkin's works, such as the old pair of trousers stuck to one of his pictures, intensified the mystique surrounding him.Tumarkin has worked extensively in the medium of printmaking, producing over three hundred prints. He was encouraged by the print studios founded during those years in the USA, where prominent artists such as Jasper Jones...

Candace Hicks creates interactive installations and artist’s books that examine gender, voice, and parallel universes through the analysis of fictional l...

Aquatint copperplate printing on BFK Rives paper 250 g. Edition 14/16. This artwork is sold as a triptych. Each image size is 26 x 26 cm/10.2 x 10.2 inches, full paper is 65 x 50 cm/25,5 x 19,6 inches Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him to further explore notions of time and perspective. Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude and orientation over time. Pierre Muckensturm is a French abstract painter and print maker. His visual language is one of harmony, calm and timelessness built around softly textured surfaces and a muted, black and white palette. Born in Strasbourg, France, he currently lives and works in Colmar. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude, and orientation over time. In 2004, Muckensturm began working with oil on large-scale canvases. He isolates gestural elements, enlarging them on the picture plane to explore their presence in relation to the surrounding emptiness. He develops the paintings methodically, exploring the process of transformation the canvas undergoes in the painting process. Working the surface into a texture that belies its age, Muckensturm achieves a balance of intensity and tranquility. INSPIRATION Muckensturm is inspired by the concepts of calmness, constancy, and temporality. His work visually expresses a sense of harmony with time. Initially a figurative painter, he discovered abstraction in 2004 on a visit to Notre Dame du Haut, a Modernist chapel in Ronchamp, France, designed by Charles-Edouard Jeanneret-Gris, otherwise known as Le Corbusier. The simplicity of its forms brought Muckensturm a feeling of tranquility. He began seeking ways to directly express how felt that day. His search brought him into contact with the work of Julius Bissier, whose simple, organic, gestural brushstrokes, evocative of Taoist painting...

Measures about 4 X 3.75 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not know ...

Candace Hicks creates interactive installations and artist’s books that examine gender, voice, and parallel universes through the analysis of fictional literature. Believing that the...