Prints and Multiples

from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism Topiary I by Frank Schott 59.5 x 59.5 inches (1...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), originates from the 1990 edition published by Publishing House Bebert, Rotterdam, in collaboration with Mera Rubell, New York, and Donald Rubell, New York, and printed by Nieuwe Grafische, Rotterdam, Spring, 1990. Untitled embodies Haring’s signature visual vocabulary—dynamic lines, rhythmic energy, and universal symbolism—infused with the social urgency and optimism that defined his generation. Executed as a lithograph on velin acid-free Rivoli paper, this work measures 8.5 x 10.3 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Nieuwe Grafische, Rotterdam, and the bold spirit of Bebert’s late twentieth-century artist collaborations. Artwork Details: Artist: Keith Haring (1958–1990) Title: Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989) Medium: Lithograph on velin acid-free Rivoli paper Dimensions: 8.5 x 10.3 inches (21.59 x 26.16 cm) Inscription: Unsigned and unnumbered as issued Date: 1990 Publisher: Publishing House Bebert, Rotterdam, in collaboration with Mera Rubell, New York, and Donald Rubell, New York Printer: Nieuwe Grafische, Rotterdam Condition: Well preserved, consistent with age and medium Provenance: From the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), Bebert, Rotterdam, 1990 Notes: Excerpted from the album, 20 drawings - Oct. 3, 1989 was published with the collaboration of Mera and Donald Rubell by Bebert Publishing House in Spring 1990. The edition consists of MMD hard cover examples, of which D are numbered (I/D - D/D) and signed by the artist. The edition was printed on acid-free Rivoli paper by Nieuwe Grafische in Rotterdam. and bound by Stokkink B.V. in Amsterdam. ©Keith Haring, M.Y.6. 1990. Mera + Don Rubell, NYC 1990. Bebert Publishing House. Westersingel 22-3014 GP, Rotterdam, Holland - 1990. About the Publication: Against All Odds is both an artist’s album and memorial publication comprising twenty lithographs created by Keith Haring on October 3, 1989, just months before his death in February 1990. Conceived in collaboration with Mera and Donald Rubell and published by Bebert Publishing House, Rotterdam, the album encapsulates Haring’s final creative statement. Haring’s accompanying handwritten foreword and brief text meditate on the fragility of human life, ecological collapse, and the artist’s struggle to preserve hope “against all odds.” The drawings—executed in Haring’s immediately recognizable graphic line—depict writhing figures, embryos, skeletons, animals, and cosmic symbols that echo his lifelong concern with birth, death, sexuality, and transcendence. Together, the images and text form a narrative of resistance and endurance amid personal illness and global crisis. The album’s title encapsulates Haring’s sense of perseverance: humanity’s and the planet’s fight for survival despite overwhelming forces of destruction. Published posthumously in spring 1990, Against All Odds stands as a poignant summation of his ethos—celebrating vitality and compassion in the face of mortality and despair. About the Artist: Keith Haring (1958–1990) was an American artist, activist, and cultural innovator whose bold visual language and socially engaged practice redefined contemporary art and the role of the artist in society. Born in Reading, Pennsylvania, and raised in Kutztown, Haring was inspired from an early age by comic art, calligraphy, and graphic design, influences that would later shape his instantly recognizable style of radiant lines, rhythmic movement, and universal symbols. After moving to New York City in 1978 to study at the School of Visual Arts, he immersed himself in the downtown art scene, drawing influence from modernist pioneers such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose innovations in form, abstraction, and conceptual art informed his radical approach to public expression. Haring began creating chalk drawings in the New York subway system, transforming urban walls into democratic spaces for creativity and communication. His imagery—radiant babies, barking dogs, flying saucers, and dancing figures—spoke a universal visual language that combined accessibility with profound emotional and political resonance. He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art. Influenced by Picasso’s expressive energy, Calder’s movement, Miro’s playfulness, and Duchamp’s conceptual wit, Haring developed an art of optimism, immediacy, and activism that addressed issues of love, unity, social justice, and human rights. His work carried urgent commentary on apartheid, AIDS awareness, drug abuse, and inequality, while radiating the joy and vitality of life. In 1986, he opened the Pop Shop, a groundbreaking experiment in making art accessible to all, selling affordable objects featuring his designs without compromising his artistic vision. His monumental public murals, including Crack Is Wack in Harlem and Tuttomondo in Pisa, Italy, continue to stand as symbols of art’s power to educate and inspire collective action. Haring’s dynamic compositions merged the energy of graffiti with the structural clarity of modernism, synthesizing the spiritual abstraction of Kandinsky, the surreal imagination of Dali, and the sensual immediacy of Man Ray. His work influenced generations of artists, including Banksy, Shepard Fairey, KAWS, Takashi Murakami, and RETNA, who continue to echo his fusion of activism and aesthetics. Despite his untimely death from AIDS at age 31, Haring’s impact on art and culture endures globally through the Keith Haring Foundation, which supports children’s programs and HIV/AIDS research. His works are housed in major museums such as the Museum of Modern Art, the Whitney Museum of American Art, the Centre Pompidou, and the Tate Modern, affirming his legacy as a cornerstone of twentieth-century art. The highest auction record for Keith Haring was achieved with Untitled (1982), which sold for $6.5 million USD at Sotheby’s, New York, on May 16, 2017, solidifying his status as one of the most influential, beloved, and enduring artists of the modern era. Keith Haring Untitled Against All Odds 20 drawings Oct 3 1989 Bebert Publishing House Rotterdam 1990 lithograph...

Heart (Open Candy Box) is an offset lithograph from a portfolio of five Andy Warhol prints published by te Neues, now long out of print and increasingly sought after by collectors. I...

1926. Etching in sepia ink on Japon paper, 9 5/8 x 11 1/2 inches (245 x 292 mm), full margins with the lower margin slightly notched. Signed, titled and dated in pencil in the lower ...

This evocative image by Robert Mapplethorpe, titled Antinous, reflects the photographer’s reverence for classical beauty and sculptural form. The statue of Antinous—Hadrian’s famed c...

Robert Rauschenberg American (1925-2008) Untitled, for ROCI offset color lithograph, signed and dated lower right "Rauschenberg 84" 25 3/4 x 22 3/4 in. (sheet) Framed: 31 1/4 x 29 x...

Pablo Picasso (1881-1973) - Jacqueline Lithograph from 1964. Dimensions of work: 30 x 27 cm. Plate signed. Publisher: Éditions Cercle d'Art, Paris. The work is in Excellent cond...

This exquisite lithograph by Alexander Calder (1898–1976), titled Anneaux sur noir (Rings on Black), originates from the historic 1973 folio Derriere le Miroir, No. 201. Published by...

One print from Jos Sances cycle concerning Moby Dick. A vast sperm whale drifts below the surface, scarred by harpoons, while above floats a lone survivor on a coffin raft—a haunting...

This exhibition poster for "Image after Image" at the Louisiana Museum of Modern Art, held from February 4 to May 29, 2005, was originally printed by Verlag der Buchhandlung Walter K...

This stunning Artist's Proof is an one-off, hand-painted with highlights by the artist , signed at front and on the back label too; this proof is 80% hand painted with original oil a...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for the art revue Verve in 1960 for a special edition devoted exclusively to Chagall's original Bibl...

This abstract, limited edition print by Elwood Howell features a predominantly green palette, with a muted yellow area at the top of the composition. Subtle circle shapes and long ve...

JERZY DMITRUK (born in 1960) He studied at the Academy of Fine Arts at the Faculty of Paintings and Graphics. Dmitruk graduated in 1986 from the atelier of professor Juliusz Joniak a...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting sin...

MAX LIEBERMANN (1847 1935) SELF PORTRAIT DRAWING (Selbstportrat) c. 1922 (Schiefler, 341, III b) Etching, signed in pencil, Scarce signed example found in Max Liebermann “Sein Leb...

Pablo PICASSO Carmen, The Small Moon, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog ra...

Banned Book Series. A definite "conversation" piece of art. This is the only limited edition print in the Book Stack Series, which contains 24 different themed stacks. BANNED is in a...

Rare and giant vintage poster of Pablo Picasso Exhibition Milan, Palazzo Reale, 1953.  Limited edition of 1,000 copies, most of which lost or badly damaged overtime. Mounted on canv...

This stunning Artist's Proof is an one-off, oil hand-painted and gilded by the artist , signed at front and on the back label too; each proof is 80% hand painted and gold gilded by S...

Night Shadows. 1921. Etching. Levin 82. 7 x 8 3/8 (sheet 10 x 13 7 1/16).s Series: Six American Etchings: The New Republic Portfolio, 1924. Edition approximately 500-600. Illustrate...

Original Andy Warhol 1968 Vintage Poster "Gaudy Savings by RCA Color Scanner" Authentic Pop Art Collectible First Edition Print. Archival linen-backed in excellent condition, Grad...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

This fold-out card showcases Donald Judd's Series of Ten Woodcuts in Three Color States: Cadmium Red Light, Ultramarine Blue, and Ivory Black. Published by Brooke Alexander, the card...

JEAN COCTEAU ( 1889 - 1963 ) " Octogone & Vé " framed . 3 pieces . " Octogone " circa 1958 pendentif octogonal terre blanche forme irrégulière 6,5 x 5 cm 4eme variante "...

This rare X-large Limited Edition is 80% hand painted and highlighted with original paint and brushstrokes painted by artist Shizico Yi. Only 10 Limited Edition has been made, last ...

-Pedro Friedeberg signed print featuring a fantastical surrealistic scene. Includes whimsical figures, optical art elements, and surreal details. framed in a hand-painted black and g...

"Stone of Unction, Church of the Holy Sepulchre" is a framed 19th century hand-colored lithograph by David Roberts from the large folio edition of his monumental 6 volume publication...

Andy Warhol Deluxe Collectors' Edition of Exposures (Hand Signed and Numbered), 1979 Hardcover Monograph in leather with gilt edge and stamped in gilt. Hand signed by Andy Warhol on...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the fleeting surfaces and monochromatic nature of oceanic water and dramatic cloudscapes ...

Artist: Chagall, Marc Title: Le peintre et son double (Derriere le Miroir 246) Series: Derriere le Miroir Date: 1981 Medium: Lithograph (double page, folded in center) Unframed ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Portrait de l’Artiste (Portrait of the Artist), from the album Portraits par Henri Matisse (Portraits by Henri Matis...

Medium: original etching. Executed in 1883; this is a rich, dark impression on heavy cream wove paper, from the "Original Etchings by American Artists" portfolio, published in 1883 b...

This framed piece celebrates the beloved character Babar, the charming elephant who has captivated children and adults alike for generations. Created by Jean de Brunhoff in the 1930s...

Basquiat Galerie Hans Mayer Düsseldorf 1988: A rare, exceptional 1980s exhibition poster designed & illustrated by Basquiat during his lifetime; published in 1988 on the occasio...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Naoko Matsubara, 'Drop of Life' for the portfolio 'Solitude', color woodcut, 1971. A fine impression with fresh, vivid colors, on cream laid Japan paper, the full sheet with margins,...

'Picotees' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Paradis I (Paradise I), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This radiant and dreamlike composition envisions the Garden of Eden as a symbol of divine harmony and innocence, where life, color, and spirit coexist in perfect unity. Through lyrical forms and glowing tonal contrasts, Chagall expresses a vision of creation that transcends narrative, merging spiritual wonder with emotional warmth. Paradis I embodies the artist’s enduring fascination with the sacred origins of life and the poetic balance between the earthly and the eternal. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Paradis I (Paradise I), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Paradis...

Ads: Life Savers (Blue) By Andy Warhol 2004 Medium: Offset Lithograph Paper Size: 34 x 34 inches ( 86 x 86 cm ) Image Size: 26 x 26 inches ( 66 x 66 cm ) Edition Size: Unknown

This stunning original lithograph from around 1960 presents one of Vincent Van Gogh’s most iconic compositions: the Portrait du Père Tanguy, originally painted in 1887. The piece off...

Very rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Imagine," first released on the LP of the same name in 1971. The best-selling single of his s...

M.C. ESCHER (1898-1972) Flock of Birds, 2008 Facsimile after the original woodcut from 1938 Unsigned Numbered / 450 copies (the number you can see can be different) On vellum 45 x 3...

Medium: original lithograph. Printed in Paris in 1967 at the atelier of Clot, Bramsen et Georges and published in an edition of 2500 for "Les Temps Situationistes" (The Situationist ...

This is an exclusive handprinted limited edition cyanotype. Stunning image of a breezy "Malibu Pine Sea View". Details: + Title: Malibu Pine Sea View + Year: 2025 + Edition Size: 50...

Still Life with Flowers is a high-quality reproduction included in a 1994 portfolio published by Taschen and printed in Germany. This vibrant composition exemplifies Marc Chagall’s u...

This exhibition poster commemorates Robert Rauschenberg's "Night Shades + Urban Bourbons" showcase, held in Denmark in 1995. Known for his groundbreaking work in mixed media and coll...

Antique British Steamship Etching This moody etching by Joseph Kirkpatrick (British, b. 1874 d. 1936) features a steamboat in the midst of choppy w...

Marc CHAGALL Paris : Ceiling of Opera Garnier Original stone lithograph Not signed and not numbered On paper 32 x 25 cm (c. 13 x 10 inch) Edited by Sauret, 1962 REFERENCES : Catalo...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Thomas Hart Benton (American, 1889 - 1975) was a painter, muralist, and printmaker whose sinuous, rhythmic style came to define the Regionalist movement. His paintings and lithograph...

Medium: original lithograph. The catalogue reference is Mourlot 284. This print was pulled in Paris in 1960 by the Mourlot Freres atelier. The total sheet measures 12 1/2 x 9 5/8 inc...

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame M.P. (Mrs. M.P.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from th...

This is a contemporary black and white photograph of a American Wild Mustang. "They represent the ultimate expression of American freedom" 36 x 48 (Only 3 unsigned prints were prin...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

'Peony' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand and...

-Pedro Friedeberg signed print featuring a collection of various dogs. Includes whimsical figures, optical art elements, and surreal details. framed in a hand-painted black and gold ...

David Hockney, 'K' from 'Hockney's Alphabet', 1991 Edition of 250 Free delivery within the UK From the special edition of Hockney's Alphabet, published in 1991, and signed on the ...

Artist: Roy Lichtenstein Title: Girl Portfolio: 1¢ Life Medium: Lithograph on white wove paper Date: 1964 Edition: 2000 Frame Size: 20 3/4" x 18 5/8" Sheet Size: 16 1/4" x 11 1/2" Im...