Prints and Multiples

Julio LE PARC (1928-) Diffraction (Transformation), 1988 Original lithograph, airbrush and stencil Signed in ink Numbered / 100 copies On black wove paper, 56 x 38 cm (c. 22 x 15 in...

The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Anti-Umbrella with Atomized Liquid MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Merrill Chas...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Reuben, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by An...

The project is based in the contrast of the two images, the air waybill and the postage stamp, from different times but similar in their function. The artist seeks to enlighten the c...

ELLA FITZGERALD is a limited edition lithograph by the renowned artist/caricaturist Al Hirschfeld (1903-2003) printed using traditional lithography techniques on archival printmaking...

​Tom Otterness's offset lithograph print, titled "9/11," serves as a poignant tribute to the tragic events of September 11, 2001. Hand-signed and dated by the artist, this piece feat...

This is a contemporary black and white photograph of Northern California Wild Mustangs. "They represent the ultimate expression of American freedom" 60 x 40 Signed edition of 10...

Artist: Rembrandt Van Rijn (Dutch, 1606-1669) Title: Bust of a Man Wearing a High Cap, The Artist's Father Year: 1630 Medium: Etching Paper: Verge paper Image (plate mark) size: ...

Artist: Joanne Seltzer Title: Don't Give Up Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 200 + AP's Paper Size: 22 x 30 inches

Medium: offset lithograph (after the watercolor sketch). Printed in 1955 by Draeger Freres, this composition is from George Braque's Intimate Sketchbooks (Carnets Intimes). Braque ha...

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With experience as an art director in ci...

Lips in Perspective Roberto Carbone, Italian (1949) Date: 1979 Lithograph, signed and numbered in pencil Edition of 250 Size: 27 in. x 20 in. (68.58 cm x 50.8 cm)

Pure Evil Elizabeth Taylor - Put on some lipstick, 2021 Screenprint in colours 50 x 35 cm 60 x 45 cm - Framed Edition of 100 + 1 AP signed and numbered by the artist

JAMES ABBOTT McNEILL WHISTLER (1834-1903) THE RAG GATHERERS 1858 (Glasgow 29 v/v, - K.23) Etching on laid paper, signed and dated in the plate, image 5 7/8” x 3 ½”, full sheet 8 x...

This double-page offset lithograph, printed on pages 20 and 21 of Derrière le Miroir (DLM) No. 182, features a fold line down the center, as originally issued. The artwork depicts a ...

Andreani, Andrea (Italian, about 1558–1610), after Andrea Mantegna (Italian, 1431-1506) Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Forme Orange (Orange Shape), originates from the historic 1958 folio Derriere le Miroir, No. 110. Published by Maeght...

Double Portals is a cyanotype diptych that plays with depth, geometry, and light. Composed of layered indigo gradients, the work creates a rhythmic sense of movement, drawing the vie...

Artist: Keith Haring (American, 1958-1990) Title: "Pop Shop" *Signed by Haring in the plate (printed signature) center right Year: 1986 Medium: Original Offset-Lithograph, Poster on ...

Original “Never So Few” vintage linen-backed movie poster, NSS 59/348. Very clean and bright, with original theater-issued fold marks touched up. Grade A-. Ready to frame. Nev...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism TOPIARY II by Fran...

Karl Michel, 'Mehr Sonne fur 1924. Viel Gluck Wunscht Karl Michel U. Frau', woodcut, 1924, edition 20. Signed, dated, and numbered 'op. 162' and '15/20' in pencil. Signed in the image, lower left. A fine, richly-inked impression on buff wove paper, with full margins (1 1/2 to 2 3/4 inches), in very good condition. Printed by the artist. Scarce. Matted to museum standards, unframed. New Year's Greeting – English translation: "More Sun for 1924. Good Luck Wishes from Karl Michel and his Wife." Image size 4 5/8 x 4 3/4 inches (118 x 121 mm); sheet size 7 3/4 x 10 inches (198 x 254 mm). ABOUT THE ARTIST Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat...

Color lithograph on Arches paper, edited in 1958 Limited edition of 200 copies Current copy numbered: 125/200 on the lower left corner Signed in pencil by artist in lower right corne...

Côte d'Azur is a lithograph designed by Pablo Picasso in collaboration with Henri Deschamps, depicting a view from Picasso's balcony overlooking the Côte d'Azur. Created in 1962, thi...

Dan Christensen, American (1942 - 2007) - Shanidar, Year: circa 1980, Medium: Screenprint, Signed and numbered in Pencil, Edition: 175, Size: 29.5 x 43 in. (74.93 x 109.22 cm)

Framed 19 x 17.75 in No. 194 in the Catalogue Raisonne of Chagall's lithographs This lithograph was created by Chagall especially for this edition of the book "Chagall" by Jacques ...

Charles Turzak, 'Dancers', 1939, wood engraving, edition 100. Signed, titled, and numbered 72/100 in pencil. A fine, richly-inked impression, on off-white Japan paper, with full marg...

Work of the Spanish artist SALVADOR DALI. Engraving of the series LA VIDA ES SUEÑO. Printed signature and date, as issued Catalog. OFFICIAL CATALOG GRAPHYC WORKS BY ALBERT FIELD Page...

This reproduction of Edingsville by renowned American artist Jasper Johns, published by Edition 5 in Germany, offers a faithful and striking representation of the original artwork. J...

Artist: Salvador Dali (1904-1989) Title: Femme à tete de Roses Year: 2004 Medium: Lithograph on wove paper Size: 30.25 x 22 inches Condition: Excellent Inscription: Unsigned and unnu...

Michel Rauscher's "Friends at Dusk" is an offset lithograph created in 2004, measuring 27.25 x 27.25 inches. The artwork portrays two women standing under the moonlight, holding hand...

Edward Landon 'River View, color serigraph, 1942, edition 50, Ryan 159. Signed in pencil in the image, lower right. Titled, dated, and annotated '9 COLORS – 50 PRINTS' in the screen,...

This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 2 (Plate No. 2), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters o...

Original Andy Warhol 1968 Vintage Poster "Gaudy Savings by RCA Color Scanner" Authentic Pop Art Collectible First Edition Print. Archival linen-backed in excellent condition, Grad...

Hand signed and numbered. Edition of 150 prints. Excellent condition.

Hand printed silkscreen print, numbered and signed by Sir Peter Blake. The original photograph for the cover was taken at Michale Cooper's Flood Street Studio in Chelsea on March 30th 1967. The copyright of the photo remains with Apple, the Beatles management company. In 2007, after 40 years of trying, Peter Blake managed to get the Beatles to agree to publish a limited edition of 500 silkscreen prints on 410gsm Somerset cotton linter archive fine art paper medium, with the sheet size being 27 inches high by 26.25 inches wide. The image size being 19.5 inches square. Archival pigment inks were used with specialist glazing and an additional spot varnishing. 29 screens were hand applied to print the edition, being 27 colours plus 2 glazes. Every print bears the Apple logo embossed in the bottom centre. Published by Pete Smith of Pierre Optique, who negotiated the rights, Peter Blake was paid £10 for each signature and allowed to keep the 50 Artists Proofs. No 499 and No 500/500 were purchased by the Saint Giles Street Gallery and No 499 was embellished on the mount with original ticket stubs, bubblegum cards, official SPLHCB stamps issued by the Royal Mail along with other sundry paper ephemera and sent to Dublin to the Leinster Gallery to form part of their Unseen Beatles Show of Frank Herrmann...

La Redoute set of six French vintage color prints of roses size: each print is 16 x 12.5 inches, unframed. Condition report: each print is in sound condition, minor age related st...

His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always being more obsessed with aesthetics than with simulacrum. If he worships more than one of these predecessors who poured into more outrage, it is freely that he suggests to the imagination to imagine without capturing the fantasy of the viewer. The choice had been made of very high quality prints: cotton fiber base baryta paper without chlorine and high grammage (310 gr / m²), pigment inks. They carry on the back an authentication label signed by Eric Ceccarini The enhancement of this limited edition of 100 copies is ensured by the use of a unique high-quality box to keep the 12 fine art prints This is edition #1/100 Eric is a Belgian artist born in 1965. He gained a Degree in Photography from INFAC, Brussels in 1987. Since then he has been a fashion photographer working with many of the top houses. Elle, Marie-Claire, L'Oréal, Levi's, Coca Cola, Virgin, Saab, Delvaux, Lowe Lintas and Ogilvy are some of his clients. Among other distinctions, his photography for the Saab cabrio 9-3 campaign was awarded the Silver Lion at the Cannes International Advertising Festival. Eric is set apart from many of his colleagues by his way of shunning technical artifice and working in natural light. This results in soft, velvety, almost painterly images. Nowadays in his artistic works, he captures women's essence and soul, transcending mere physical representation. Eric's "AMNIOS" series of soul portraits- the model appear in suspended animation, as if they were about to born, and full of hidden secrets. This represents a new conceptual departure for Eric, who began as a fashion photographer, moving on to classic artistic nudes...

Medium: original lithograph. Printed in 2012 on BFK Rives paper for a special issue celebrating the re-launch of the legendary art revue Cahiers d'Art. Size: 12 3/8 x 9 1/2 inches (3...

Serge LASSUS (1933-) Horses : Riders in Autumn, 1983 Original Lithograph Handsigned in pencil Numbered / 600 (the number you can see can be different) On Coated paper 56 x 76 cm (c....

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

Title: 4 Liberty Heads Year: 2005 Medium: Offset lithograph in colors on gloss archival paper Size: 15 x 19 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as iss...

This exquisite heliogravure after Nicolas de Stael (1914–1955), titled Ciel a Honfleur (Sky at Honfleur), from the folio Nicolas de Stael, Peintres d'aujourd'hui (Nicolas de Stael, P...

Artist: Banksy Title: Love Rat Medium: Screenprint in colors Date: 2004 Edition: 18/600 Framed Size: 26 1/2" x 20 1/2" Sheet Size: 19 3/16" x 13 1/2" Image Size: 13 7/8" x 11 7/8" Si...

Zaida del Rio (Cuba, 1954) 'Hojas' (Portrait of a woman #3), 2016 A/P (Artist Proof) Digital print on paper 11.1 x 8.3 in. (28 x 21 cm.) Hand signed in pencil. Unframed Ref: DER-203 ...

JUN'ICHIRO SEKINO (1914-1988) TWO SIAMESE CATS Japanese Woodblock Print, c. 1960, 1st edition, pencil signed, titled and numbered 90/200 with red Sekino pub...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact when they're placed next to each other. I experiment with intensity of colours and the different sensations colours evoke. Why a Circle? When I explore my fascination with this shape I discover that the circle represents all that is familiar and comforting. It is the shape of the rising sun, of a mother's nipple, of the iris of the eye, and of a full moon. I use the latest digital technology as a medium to create my circles. ABOUT THIS ARTIST: Ruth Adler is a Canadian artist whose mediums include paintings, works on paper, animated films and textiles. She is inspired by the city of Tel Aviv, music (she plays the harmonica) and her personal memories. Jim Kempner Fine Art...

This exquisite lithograph by Pablo Picasso (1881–1973), titled La Petite Corrida (The Little Bullfight), from the album XXe Siecle, Nouvelle serie, XXe Annee, N° 10 (double) Mars 195...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

North Shore Motel Steps, mid-century architecture photography captured by Richard Heeps as part of his Salton Sea series. This artwork is a limited edition of 25 gloss photographic ...

David Jones (1895-1974) ‘And the Angel Said: Fear not’ Woodcut Image: 9.0 x 5.5 cm Frame: 21.0 x 19.5 cm David Jones CH, CBE (1 November 1895 – 28 October 1974) was a Welsh paint...

This exquisite lithograph by Marc Chagall (1887–1985), titled Vision de Paris (Vision of Paris), from the album The Lithographs of Chagall, Volume I, originates from the 1960 edition...

Yoshitomo Nara Missing in Action Poster on paper 20 3/10 × 14 3/10 in 51.5 × 36.4 cm

René Magritte (1898-1967) - Les bijoux indiscrets Lithograph from 1975. Edition 70/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Plate signed. Ea...

ABOUT THIS PIECE: This series explores the color and composition of our most recognizable form of transportation. A photographer and art director, Thomas Eigel brings an inspired eye...

Marc CHAGALL Music Angel (L'Ange de la Musique), 1966 Stone lithograph Engraved by Charles Sorlier under the supervion of Marc Chagall in Atelier Mourlot Printed signature in the pl...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Marc Chagall created a series of posters at the atelier of Mourlot Freres...