Women Prints and Multiples
1,688
to
2,726
10,683
9,279
2,306
8,021
14,120
5,798
820
9,907
3,702
3,782
1,982
1,434
Overall Height
to
Overall Width
to
5,379
3,620
1,540
963
886
519
435
293
292
288
185
43
42
8
39,583
20,916
13,692
12,467
11,411
9,246
8,295
6,303
3,936
3,886
3,749
3,607
3,492
3,355
3,297
3,022
2,824
2,758
2,739
2,724
1,235
2,915
12,672
4,089
287
333
742
607
650
1,138
1,893
2,371
1,293
734
1,019
375
340
173
157
151
8,034
5,001
3,178
1,530
1,334
Art Subject: Women
JIMI (PINK)
Located in Aventura, FL
Screen print on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition of 70. Artwork size 30 x 22.5 inches. Frame size appr...
Category
2010s Street Art Figurative Prints
Materials
Paper, Screen
COVER GIRL (KATE MOSS)
Located in Aventura, FL
Screen print in colors on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso Mr. Brainwash. Edition of 95. Artwork size 36 x 36 inches. Frame ...
Category
2010s Street Art Figurative Prints
Materials
Paper, Screen
Tarot Reader (~50% OFF LIST PRICE - LIMITED TIME ONLY)
Located in Kansas City, MO
Sara Rosa Corazon
Tarot Reader
Archival Pigment Print on Heavy Paper
2020
19.5 x 13.25 inches
Signed and dated by hand, lower right
COA provided
Sara Rosa Corazon, an Argentine tatt...
Category
1890s Modern Figurative Prints
Materials
Archival Pigment
D.R.E.I.
Located in Kansas City, MO
Giclee on handmade cotton paper
Year: 2016
Size: 19.68 x 24.01 inches (50 x 61cm)
Edition: 75, not individually numbered
Signed by hand
COA provided
Paul Indrek Kostabi (also known...
Category
2010s Contemporary Portrait Prints
Materials
Handmade Paper, Giclée
SOMEWHERE IN TIME
Located in Aventura, FL
Giclee on canvas. Hand signed and numbered by Hessam Abrishami. Canvas size 36 x 48 inches. Gold floating frame as pictured. Frame size approx 37.5 x 49.5 inches. From edition ...
Category
Late 20th Century Contemporary Portrait Prints
Materials
Canvas, Giclée
Rene Magritte 'Les Amants (Lovers) (Mini)' 2012- Poster
Located in Brooklyn, NY
Paper Size: 8.25 x 11.75 inches ( 20.955 x 29.845 cm )
Image Size: 7.5 x 10 inches ( 19.05 x 25.4 cm )
Framed: No
Condition: A: Mint
Shipping and Handling: We ship Worldwide....
Category
2010s Prints and Multiples
Materials
Offset
Pablo Picasso ( 1881 – 1973 ) – hand-signed etching on wove paper – 1968
Located in Varese, IT
etching on wove paper, Edited in 1968
Limited edition of 50 copies
Current copy numbered: 37/50 on the lower left corner
signed in pencil by artist in lower right corner
paper size: ...
Category
1960s Surrealist Prints and Multiples
Materials
Paper, Lithograph
Original Hawaii Now, Fly United Air Lines Jets vintage Hawaiian travel poster
Located in Spokane, WA
Original Hawaii Now, Fly United Air Lines Jets. Archival linen-backed in very fine condition, ready to frame. There is no restoration on this mint original United Airlines vintage...
Category
1960s American Realist Portrait Prints
Materials
Offset
Daumier, Les Gens de Justice, Law and Justice (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Honoré Daumier, Law and Justice, Twenty-Four Lithographs, 1944. Published by Pan...
Category
1940s Realist Landscape Prints
Materials
Lithograph
Carzou, Composition, Bouddhas et Bouddhisme (after)
By Jean Carzou
Located in Auburn Hills, MI
Lithograph on Grand Bouffant des Papeteries Buhn paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Ce Panorama du Bouddhisme en Asie au Xxe Siecle Es...
Category
1970s Modern Landscape Prints
Materials
Lithograph
Mourlot, Composition, De Goupil a Margot, Histoires de Bêtes (after)
Located in Auburn Hills, MI
Lithograph in colors on Grand Vélin Blanc paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, de Goupil a Margot, Histoires De Bêtes et Lithographies Originales de Maurice Mourlot, 1948. Published by Henri Kaeser, Éditeur, Lausanne; printed by Mourlot Frères, Paris, March, 1948. Excerpted from the volume (translated from French), This edition of "de Goupil a Margot" by Louis Pergaud, produced under the direction of Henri Kaeser, was completed to be printed on the presses of l'imprimerie centrale de Lausanne, in March, One Thousand Nine Hundred and Forty-Eight. The lithographs are by Maurice Mourlot. They were shot on the presses of Mourlot Frères in Paris. Justification of the draw—this edition was drawn on Grand Vélin White, has MMM examples numbered from I to MMM.
MAURICE MOURLOT (1906-1983) was a French painter, lithographer, engraver and draughtsman. His brother, Fernand Mourlot (1895-1988), was the director of the l’imprimerie lithographique Mourlot. Maurice is the youngest of a family of nine children. His father, Jules Mourlot, a printer-lithographer, noticed his youngest son's talent as a drawing very early on and reported several of his drawings on lithographic stone. Although admitted to the Estienne school...
Category
1940s Modern Landscape Prints
Materials
Lithograph
Dalí (M/Löpsinger 342D; Field 69-15), Les métamorphoses érotiques (after)
Located in Auburn Hills, MI
Lithograph in colors on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Catalogue Raisonne Reference: Michler/Löpsinger 342D; Field 69-15. Good condition. Not...
Category
1960s Surrealist Figurative Prints
Materials
Lithograph
Nude Woman - Lithograph by Franco Gentilini - 1970s
Located in Roma, IT
Nude Woman is a modern artwork realized by Franco Gentilini in 1970s.
Mixed colored lithograph.
Hand signed and numbered on the lower margin
Edition of 44/99
Includes frame.
Category
1970s Contemporary Figurative Prints
Materials
Lithograph
Picasso, Composition (Bloch 1276; Czwiklitzer 23), Toros y Toreros (after)
Located in Auburn Hills, MI
Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...
Category
1960s Modern Landscape Prints
Materials
Lithograph
Picasso, Composition (Bloch 1276; Czwiklitzer 23), Toros y Toreros (after)
Located in Auburn Hills, MI
Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...
Category
1960s Modern Landscape Prints
Materials
Lithograph
Composition, Réflexions Simples Sur Le Corps, Hans Erni
By Hans Erni
Located in Auburn Hills, MI
Lithograph on vélin chiffon de Rives paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Réflexions Simples Sur Le Corps, Ay...
Category
1960s Modern Figurative Prints
Materials
Lithograph
Composition (Bloch 605-608; Mourlot 177; Reuße 519-522), Elegy of Ihpetonga
Located in Auburn Hills, MI
Lithograph on hand made Fabriano vélin paper mounted on museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Elegy of Ihpetonga and Ma...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Composition (Bloch 605-608; Mourlot 177; Reuße 519-522), Elegy of Ihpetonga
Located in Auburn Hills, MI
Lithograph on hand made Fabriano vélin paper mounted on museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Elegy of Ihpetonga and Ma...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Composition (Bloch 605-608; Mourlot 177; Reuße 519-522), Elegy of Ihpetonga
Located in Auburn Hills, MI
Lithograph on hand made Fabriano vélin paper mounted on museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Elegy of Ihpetonga and Ma...
Category
1950s Modern Landscape Prints
Materials
Lithograph
Vuillard, Bouquet De Fleurs, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Still-life Prints
Materials
Stencil, Lithograph
Vuillard, Le Parasol Orange, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Landscape Prints
Materials
Stencil, Lithograph
Vuillard, Dans Le Bois Des Clayes, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Landscape Prints
Materials
Stencil, Lithograph
Vuillard, La Tourelle, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Landscape Prints
Materials
Stencil, Lithograph
Vuillard, La Chambre De Vuillard Aux Clayes, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Landscape Prints
Materials
Stencil, Lithograph
Picasso, Jeu de la cape (B. 1014-47; C. 113), A Los Toros Avec Picasso (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, A Los Toros Avec Picasso, 1961. Published by André Sauret, éditeur, Paris; prin...
Category
1960s Modern Landscape Prints
Materials
Lithograph
J. M. W. Turner, Swiss Bridge, Mont St. Gothard, Liber Studiorum (after)
Located in Auburn Hills, MI
Sepia-toned etching on cold press wove paper. Unsigned and unnumbered, as issued. Fair condition in the original state from 1878-1879; will be professionally conserved to very good c...
Category
1870s Romantic Figurative Prints
Materials
Etching
Rivera, Composition, Diego Rivera, Acuarelas 1935-1945 (after)
By Diego Rivera
Located in Auburn Hills, MI
Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Diego Rivera, Acuarelas 1935-1945, Colección Frieda Kahlo, 1948. Published by Edi...
Category
1940s Modern Figurative Prints
Materials
Lithograph
Rivera, Composition, Diego Rivera, Acuarelas 1935-1945 (after)
By Diego Rivera
Located in Auburn Hills, MI
Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Diego Rivera, Acuarelas 1935-1945, Colección Frieda Kahlo, 1948. Published by Edi...
Category
1940s Modern Figurative Prints
Materials
Lithograph
Rivera, Composition, Diego Rivera, Acuarelas 1935-1945 (after)
By Diego Rivera
Located in Auburn Hills, MI
Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Diego Rivera, Acuarelas 1935-1945, Colección Frieda Kahlo, 1948. Published by Edi...
Category
1940s Modern Figurative Prints
Materials
Lithograph
Rivera, Composition, Diego Rivera, Acuarelas 1935-1945 (after)
By Diego Rivera
Located in Auburn Hills, MI
Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Diego Rivera, Acuarelas 1935-1945, Colección Frieda Kahlo, 1948. Published by Edi...
Category
1940s Modern Figurative Prints
Materials
Lithograph
Rivera, Composition, Diego Rivera, Acuarelas 1935-1945 (after)
By Diego Rivera
Located in Auburn Hills, MI
Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Diego Rivera, Acuarelas 1935-1945, Colección Frieda Kahlo, 1948. Published by Edi...
Category
1940s Modern Figurative Prints
Materials
Lithograph
Rivera, Composition, Diego Rivera, Acuarelas 1935-1945 (after)
By Diego Rivera
Located in Auburn Hills, MI
Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Diego Rivera, Acuarelas 1935-1945, Colección Frieda Kahlo, 1948. Published by Edi...
Category
1940s Modern Figurative Prints
Materials
Lithograph
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category
1940s Impressionist Figurative Prints
Materials
Lithograph
Thomas Hart Benton Original Lithograph, 1939 - "Shallow Creek"
Located in Phoenix, AZ
Original stone lithograph by well-known Regionalist Thomas Hart Benton (1889-1975).
Titled: "Shallow Creek.” The print has full margins and is in excellent condition.
AAA print creat...
Category
1930s Landscape Prints
Materials
Paper
Tour de Lumière (Catharsism, Brush Strokes, Surrealism, ~35% OFF LIST PRICE)
Located in Kansas City, MO
Archival Pigment Print on Linen
Year: 2022
Size: 33.4 x 25.5 inches
Signed and titled by hand
COA provided
The style reflects the need for constant self-perfection and development, ...
Category
2010s Contemporary Portrait Prints
Materials
Linen, Archival Pigment
Diable (Catharsism, Brush Strokes, Surrealism, Semi Abstract, +35% OFF)
Located in Kansas City, MO
Archival Pigment Print on Linen
Year: 2022
Size: 33.4 x 25.5 inches
Signed and titled by hand
COA provided
The style reflects the need for constant self-perfection and development, ...
Category
2010s Contemporary Portrait Prints
Materials
Linen, Archival Pigment
Bain de Soleil Nocturne (Catharsism, Brush Strokes, Surrealism, ~35% OFF)
Located in Kansas City, MO
Archival Pigment Print on Linen
Year: 2022
Size: 25.5 x 33.4 inches
Signed and titled by hand
COA provided
The style reflects the need for constant self-perfection and development, ...
Category
2010s Contemporary Portrait Prints
Materials
Archival Pigment, Linen
Agencement de Couleurs (Catharsism, Brush Stroke, Surrealism, Abstract, 35% OFF)
Located in Kansas City, MO
Archival Pigment Print on Linen
Year: 2022
Size: 33.4 x 25.5 inches
Signed and titled by hand
COA provided
The style reflects the need for constant self-perfection and development, ...
Category
2010s Contemporary Portrait Prints
Materials
Linen, Archival Pigment
Nous Sommes Faits Pour la Lumière du Jour (Catharsism, Surrealism, ~35% OFF)
Located in Kansas City, MO
Archival Pigment Print on Linen
Year: 2022
Size: 33.4 x 25.5 inches
Signed and titled by hand
COA provided
The style reflects the need for constant self-perfection and development, ...
Category
2010s Contemporary Portrait Prints
Materials
Linen, Archival Pigment
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category
1940s Impressionist Figurative Prints
Materials
Lithograph
Marc Chagall Original Hand Colored Etching, 1931 - 1939 - Samson and Delilah
By Marc Chagall
Located in Phoenix, AZ
Artist: Marc Chagall (1887 - 1985)
Title: Samson and Delilah (from the Bible Series), 1931-1939.
Reference: Cramer #30. Vollard #252, Illustrated on page 399.
Medium: Etching with h...
Category
1930s Nude Prints
Materials
Paper
Rembrandt, Moses and the Burning Bush, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category
1940s Baroque Figurative Prints
Materials
Lithograph
Rembrandt, Jacob Exhorting the Brothers to Watch over Benjamin (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category
1940s Baroque Figurative Prints
Materials
Lithograph
Rembrandt, Joseph Interpreting the Dreams of Pharaoh's Officers (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category
1940s Baroque Figurative Prints
Materials
Lithograph
Rembrandt, Jacob's Dream, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category
1940s Baroque Figurative Prints
Materials
Lithograph
Rembrandt, Isaac Refusing His Blessing to Esau, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category
1940s Baroque Figurative Prints
Materials
Lithograph
Rembrandt, Abraham About to Sacrifice Isaac, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category
1940s Baroque Figurative Prints
Materials
Lithograph
Rembrandt, The Offerings of Cain and Abel, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category
1940s Baroque Figurative Prints
Materials
Lithograph
Rembrandt, The Lament for Abel, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category
1940s Baroque Figurative Prints
Materials
Lithograph
Herman Volz Original Woodcut, Social Unrest of the 1960's, Disbursing the Riot
Located in Phoenix, AZ
An original woodcut print depicting the social unrest of the 1960s by Herman Roderick Volz.
Pencil signed by the artist lower right. Image measures 14" x 24," sheet measures 18 1/2"...
Category
Mid-20th Century Figurative Prints
Materials
Paper
Gauguin, Change of Residence (Changement de résidence), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Figurative Prints
Materials
Woodcut
Gauguin, Delightful Land (Nave nave fenua), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Figurative Prints
Materials
Woodcut
Gauguin, Women at the River (Auti te pape), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Figurative Prints
Materials
Woodcut
Gauguin, The Creation of the Universe (L'Univers est créé), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Figurative Prints
Materials
Woodcut
Gauguin, The Long Night (Te Po), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Figurative Prints
Materials
Woodcut
Howard Cook Original Wood-Engraving, 1932 - "Acapulco Girl"
Located in Phoenix, AZ
Wonderful wood-engraving by Taos artist Howard Cook (1901-1980).
Titled: “Acapulco Girl (alternate title: Coconut Palm).” Edition: 30.
Image size: 10 1/16"h x 8"w. Sheet size: 12"h...
Category
1930s Portrait Prints
Materials
Paper
Gauguin, The God (Te atua), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category
1940s Post-Impressionist Figurative Prints
Materials
Woodcut
Gauguin, Here We Make Love (Te Faruru), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category
1940s Post-Impressionist Figurative Prints
Materials
Woodcut
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