Women Prints and Multiples

This original 1932 movie poster, designed after H. Cerutti, captures the essence of "Fanny", the second installment in Marcel Pagnol’s legendary Marseille Trilogy. Directed by Marc A...

PEPPER JELLY LADY is a hand drawn, limited edition lithograph by one of the most important American artists of the 20th century, Romare Bearden whose...

Screen print on Lenox museum board. Hand signed lower front by Andy Warhol. Hand numbered 3/60 lower front (there were also 10 AP's, 3 PP's and 15 TP's). Each print is unique. Pu...

The Little Mermaid Disney Animation Film The Little Mermaid is a 1989 American animated musical fantasy film produced by Walt Disney Feature Animation and Walt Disney Pictures. The 28th Disney animated feature film, it is loosely based on the 1837 Danish fairy tale of the same name by Hans Christian Andersen. The film tells the story of a mermaid Princess named Ariel, who dreams of becoming human and falls in love with a human prince named Eric, which leads her to make a magic deal with an evil sea...

Kabuki Actor in Water Lily Robe with Samurai Sword- Japanese Woodblock Print Finely detailed woodblock by Utagawa Toyokuni (Japanese, 1769-1825). A kabuki actor ("Master Haranyuki Sawamura") is standing on stage with mountainous backdrop, wearing a robe in a water lily pattern. He is wearing a samurai sword. Presented in a gold colored frame with a silk mat. Frame size: 20"H x 14.25"W Image size: 14"H x 9"W Utagawa Toyokuni (Japanese, 1769-1825) was born in Edo, the son of Kurahashi Gorobei, a carver of dolls and puppets...

Pablo PICASSO (1881-1973), Knight, Nude Woman and Man Wearing a Mask , 1954 Lithograph (Mourlot workshop) Unsigned Printed date in the plate On paper 26 .5 x 35.5 cm (c. 10,2 x 13....

A lithograph and etching on Arches paper after Salvador Dali The Cycles of Life portfolio, made in 1977. This was printed by Forte and published by Duall Graphics for DALART. It is r...

Original Cruise to South America, Moore-McCormack (cruise) lines. Artist: Dong Kingman. Archival linen backed in fine condition, ready to frame. Grade A. Bring the allure of...

SOLACE (2015)by HUSH Timed edition from 3rd Dec to 6th Dec 2015 580mm x 580mm (22,8" x 22,8") - Image Size approx: 540mm x 540mm Archival Pigment Print with a Screen Printed Archiva...

An original hand-signed lithograph by Native American artist, RC Gorman. Numbered AP 15.

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Peintres mes amis, 1965. Published by Éditions d'art Les Heures Cla...

M.F. Husain - Horse - 14 x 20 inches (unframed size) Serigraph on Paper, Edition 238/250 ( Unframed & Delivered ) MF Husain , world acclaimed artist has been famous for various of his series ,  however Ganeshas have been a close favorite by him which he has painted over and over again. The set of serigraphs make his works more affordable and helps us have a piece of Husain in our lives. Needless to mention they satiate the much needed space for the very auspicious imaginary of Ganesha in our spaces. This work is from the series of Ashtavinayak , meaning Eight Ganeshas of which the series comprised. A wonderful wonderful work to collect by one of the famous Indian Artist...

ITZCHAK TARKAY "Jacqueline" serigraph signed and numbered comes with coa. Buyer is responsible for any additional shipping costs due to the size. Measures 56x42

WAITING FOR THE BOYS by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on arch...

Salvador Dali (1904-1969) Casanova : Spiky Woman, 1967 Original etching Signed in the plate On vellum Rives 38 x 28 cm (c. 14.9 x 11 inch) REFERENCES : - Catalog raisonné Field #67...

GOING TO CHURCH was the very first limited edition print created by the self-taught African American artist William Tolliver (b.1951-2000) in 1987. GOING TO CHURCH is an original han...

Original poster, Marine Nationale. Engagements, devancements d'appel. Service des engagements de la Marine: 3, avenue Octave Greard, Paris VII “Bureau d'engagement, LYON, Caserne de la Part-Dieu". Archival linen backed in Grade A condition, ready to frame. Images shown are...

Banksy, Ukraine Framed First Day Stamp "FCK PTN (ПТН ПНХ!), 2023 (Framed) Framed postcard and stamp with 1st day cancellation 24 x 23 cm (9.44 x 9.05 in) Edition of 1000 In Februar...

La Soeur de Didon is a black and white lithograph realized by Auguste Legrand (French artist active between 1825 and 1860), after Guérin. Signed on plate on the lower right margin. This is the 32nd plate from a suite of young artists, published by Blaisot, Paris. Printed by Ducarme. In very good conditions, except for very light foxing along the edges. An orange cardboard passepartout is included: 32.5 x 25 cm. This modern artwork represents a wonderful female mythological portrait...

Medium: lithograph (after the drawing). Printed in Paris in 1951 at the atelier Dreux-Barry in an edition of 1000. Sheet size: 12 1/4 x 9 1/4 inches (310 x 235 mm). Image size: 8 3/8...

Marc Chagall, Russian (1887 - 1985) - Spring Day from Derrier Le Miroir, Year: 1972, Medium: Lithograph, Size: 15 x 11 in. (38.1 x 27.94 cm), Printer: Mourlot, Paris, Publisher: Ma...

'Tropical Wash Day', aquatint, edition 100, 1946. Signed in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, on heavy cream wove paper, with full...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

This artwork "Ballet Dancer" 1989 is a color offset lithograph by American artist Robert Olson. It is hand signed and numbered 140/1275 in gold felt pen. ...

Pablo Picasso "Portrait of Jacqueline, Right Profile" Original Lithograph The 3rd and final state, executed on zinc Hand signed in pencil, numbered 21/50 from the edition of 50 Paper...

I Understand Difference Btw Right & Wrong, I Prefer Wrong By The Connor Brothers The Connor Brothers are a contemporary British art duo known for blending fiction with reality, oft...

Nobuyoshi Araki Geisha Skateboard Triptych, ca. 2014 Set of (3) Skateboards of Silkscreen on 7 ply Canadian Maplewood Deck Signed in plate, Each signed on the deck and hand numbered ...

Artist: Keith Haring (American, 1958-1990) Title: "Keith Haring: Tony Shafrazi Gallery" *Signed and dated by Haring in the plate (printed signature) lower center Year: 1988 Medium: O...

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CCC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...

Studies for Sculpture on Blue Grey Background - Signed Lithograph, #30/60 Lithograph of six studies for a sculpture by Henry Moore (British, 1898-1986). These six drawings depict a ...

Le Batard, David (as Lebo), “ A Very Fine Balance”. Needs a new frame due to the damage. Frame measures 30x30

Artist: Lebadang, Vietnamese (1922 - 2015) Title: Horses in Moonlight Year: circa 1975 Medium: Lithograph, signed in pencil Edition: Epreuve d'Artiste Size: 25.25 x 19.5 in. (64.14 x...

Beautiful late 19th century Japanese woodblock print diptych of two kabuki actors by Kunichika Toyohara (Japanese, 1835-1900). This pair of prints is united by a continuous landscape...

Seven Statues Thomas McKnight, American (1941) Screenprint, signed and numbered in pencil Edition of LVII/LXXV Image Size: 34 x 23 inches Size: 42 x 30.5 in. (106.68 x 77.47 cm) Fram...

"Brooke (Blue Waves)" Photography 30" x 22" inch Edition 2/7 by Larsen Sotelo NOT FRAMED - ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin fin...

Artist: Dali, Salvador Title: The Lovers Condemned Series: Tristan et Iseult Date: 1970 Edition: 587 (numbered on justification page only) Medium:...

Marc Chagall (1887-1985) - Night in Paris Lithograph from 1954. Dimensions of work: 38 x 28 cm. Plate signed. Publisher: Maeght Éditeur, Paris. Sought after copy from a ""legend...

Medium: Lithograph and stencil on vélin paper Year: 1945 Paper Size: 13 x 17 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Degas, Ten Ballet Sketches,...

Medium: etching. Etched by Joseph Benwell Clark after the George Frederick Watts painting. This impression on cream laid paper was printed in sepia ink in 1880 by Francois Lienard an...

Etching and aquatint realized by Henry Alken in 1846. Plate from "The Analysis of the Hunting Field". Very good condition. Henry Alken (1765-1851) was en english painter and engrav...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Artist: Lambrecht Hopfer (German, Active c. 1525-1550) Title: "The Crucifixion (Christ on the Cross)" Portfolio: (after) The Engraved Passion *Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right Circa: 1530 (second state of three, published c. 1690) Medium: Original Etching on laid paper Limited edition: Unknown Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass Framed size: 14.88" x 13.88" Sheet size: 5.5" x 3.63" Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition Very rare Notes: Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74). "The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK Biography: Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...

Eugène Grasset’s medieval-inspired Art Nouveau poster, commissioned by Sarah Bernhardt to promote her 1894 role as Joan of Arc in Jules Barbier’s Jeanne d'Arc. Grasset portrays Bernhardt in the spirit of her historic role: standing bravely with a flowing flag embellished with fleur-de-lis amidst an onslaught of arrows and spears. This antique lithograph is the only color small-format edition of the original poster design, from an extremely rare folio published in conjunction with a landmark exhibition of poster design in St. Petersburg in 1897. This poster design for Jeanne d’Arc is especially important as being the collaboration that led Sarah Bernhardt to discover Alphonse Mucha, as she wanted a new artist...

This original poster was created by Chinese-American New Yorker T.F. Chen for the Statue of Liberty Centennial in 1986. Chen’s signature use of vibrant, bold colors forms the backdro...

Leonetto Cappiello produced yet another stunning poster in 1922 for Veuve Amiot Champagne. It was noted as the "sparkling wine of kings," hence Cappiello's choice of a royal central ...

This original 1899 lithograph, Le Roi de Rome – L’Aiglon, by the renowned French illustrator and caricaturist Charles Léandre, is a rare and evocative piece from the Belle Époque era...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Contemporary colorful figurative surrealistic print on paper by Polish artist Rafal Olbinski. This print shows a woman on sky background, crossing her arms and covering her chest. Th...

Artist: Andre Brasilier (French, born 1929) Title: Femme en Rose Avec un Arbre Year: c.1975 Medium: Color lithograph Edition: Inscribed "Bien Amicalement" (With Friendship) in pe...

“Nascita di Telefo, Bassorilievo” (Birth of Telefo, Bas-relief) is a beautiful black and white burin and etching on paper, realized by the artist Angelo Campanella, after Bernardino Nocchi, as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Angelo Campanella incise Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. IX" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a beautiful piece of the Borghese's collection, a classical bas-rilief representing the birth of Telefo, a Greek hero and myth. In excellent conditions with some light signs of the time with some sporadic minor stains along the higher margins,this wonderful etching has preserved still today his beauty and his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Angelo Campanella (Rome, 1748 – 1815) Angelo Campanella was an Italian painter and engraver, learned his art under Giovanni Volpato. He engraved the statues of twelve apostles found in the church of St. John Lateran in Rome, and some of the plates for Gavin Hamilton's Schola Itálica including The Presentation in the Temple after Fra Bartolommeo...

Image dimensions: 16.5x10 cm Signed on plate by the artist. Bibliography: A.Baboni, L’Ottocento: le incisioni di Giovanni Fattori, Museo Civico “Giovanni Fattori”, Livorno 2001, p. 7...

Paper Size: 23.75 x 31.5 inches ( 60.325 x 80.01 cm ) Image Size: 22 x 31.5 inches ( 55.88 x 80.01 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additi...

CLINIQUE CHÉRON is a fine art lithographic re-creation after the original 1905 vintage French advertising poster created by Théophile Steinlen for the veterinary CLINIQUE CHÉRON Fran...

As an artist trained in the applied arts, Gustav Klimt valued all forms of art, including the graphic arts. This final design from 1896 for inclusion in Allegorien published by Gerlach & Schenk demonstrates respect for artistic precedent and for a wide range of media and technique. The publication was printed in an unknown number of copies. Klimt’s rendering in latin of the title, “SCVLPTVR.,” with three-dimensional effect on the wall, is a figurative allusion to this medium as well as a literal reference to Ancient Rome. By doing the same with his signature and date in roman numerals on the right hand side of the image, Klimt places himself, The Artist, firmly in this linear and legitimizing context of art history and as its modern standard-bearer. Playing on Classical mythology and the story of Pygmalion, in which a statue comes to life, Klimt presents his modern Venus holding an apple. Klimt’s Venus exhibits a curvilinear softness; there are no angles. Klimt deftly shows the possibilities in a graphic image to give life to dark, wavy hair and tenderness to swelling breasts and belly. To further emphasize the allegory of thriving modern art, he contrasts his Venus with the cold, hard ancient classical head whose eyes are vacuous and whose hair is but a stylized mass of curls. Klimt’s living Venus stands in front of the large bust and large classical pillar upon which is a sculpture of a Sphinx and a Greek Attic bust. As if a gallery to represent sculpture’s “best of” through the ages, the upper horizontal panel includes bust depictions in marble, cast metal and wood...

Venus III Roberto Carbone, Italian (1949) Date: 1979 Lithograph, signed and numbered in pencil Edition of 250 Size: 27 in. x 20 in. (68.58 cm x 50.8 cm)

Pablo Picasso's ,,Les Saltimbanques" is a captivating drypoint etching created in 1905. The work is unnumbered and part of the catalog raisonné. The artwork explores the lives of cir...

Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...

Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 26 x 20 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Soutine, I, Collect...

Théophile-Alexandre Steinlen's "Lait pur de la Vingeanne stérilisé" poster, created in 1897 for Les Maîtres de l'Affiche in plate number 95, is an outstanding...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...