Carlo Levi Art
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Artist: Carlo Levi
Face - Lithograph by Carlo Levi - Mid-20th Century
By Carlo Levi
Located in Roma, IT
Face is a modern artwork realized by Carlo Levi.
Mixed colored lithograph.
Includes frame
Hand signed and numbered on the lower margin.
Edition of 52/100.
Category
Mid-20th Century Modern Carlo Levi Art
Materials
Lithograph
Lovers - Etching by Carlo Levi - Mid-20th Century
By Carlo Levi
Located in Roma, IT
Lovers is an original modern artwork realized by Carlo Levi in the mid-20th Century.
Black and white etching.
Hand-signed and numbered on the lower margin...
Category
Mid-20th Century Modern Carlo Levi Art
Materials
Etching
Mother and Child - Lithograph by Carlo Levi - Mid-20th Century
By Carlo Levi
Located in Roma, IT
Mother and Child is an original litograph realized by Carlo Levi in mid-20th century.
Good condition.
Hand signed by the artist.
Carlo Levi (29 Novembe...
Category
Mid-20th Century Modern Carlo Levi Art
Materials
Lithograph
Adam and Eve - Lithograph by Carlo Levi - Mid 20th Century
By Carlo Levi
Located in Roma, IT
Adam and Eve is an original lithograph realized by Carlo Levi in mid-20th Century.
Good condition on a red cardboard.
Hand signed by the artist.
Carlo Levi (29 November 1902 – 4 ...
Category
Mid-20th Century Contemporary Carlo Levi Art
Materials
Lithograph
Autograph Letter by Carlo Levi - 1950
By Carlo Levi
Located in Roma, IT
This is an Autograph Letter Signed by Carlo Levi to the Countess A.L. Pecci Blunt.
Rome, December 9th 1950. In Italian. One page, single-sided. Excellent condition, perfecly readable. Including original envelope.
Carlo Levi (Tourin,1902 – Rome, 1975), the Italian painter, writer, activist, anti-fascist, best-known for his "Cristo si è fermato a Eboli" (Christ Stopped at Eboli),writes this letter to the Countess and patron of arts, A.L. Pecci Blunt to introduce the Italian playwright and director Alessandro Fersen (Łódź, 1911 - Rome, 2001). Artistic Intentions and common initiatives could arise.
The background:
In the same year of this letter, in 1950, Alessandro Fersen together with Walter Cantatore and Emanuele Luzzati...
Category
1950s Modern Carlo Levi Art
Materials
Paper, Ink
The Motherhood - Lithograph by Carlo Levi - 1970s
By Carlo Levi
Located in Roma, IT
The Motherhood is an original lithograph on paper by Carlo Levi in 1960s
Hand-signed on the lower right.
Artist's proof.
good conditions except for a lon...
Category
1960s Contemporary Carlo Levi Art
Materials
Lithograph
Untitled - Lithograph by Carlo Levi - 1971
By Carlo Levi
Located in Roma, IT
Image dimensions: 47x40 cm.
Hand signed and numbered. Edition of 99 prints in Arabic numbers plus 25 prints in Roman numbers. In Excellent condition.
After the last edition, the ma...
Category
1970s Contemporary Carlo Levi Art
Materials
Lithograph
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Portrait Woman Original French Mourlot Modernist Lithograph 1951 Francoise Gilot
By Françoise Gilot
Located in Surfside, FL
Rare vintage limited edition Stone Lithograph printed at Mourlot in Paris. this is from a signed and numbered portfolio but the individual sheets are not hand signed and numbered.
Francois Gilot, (1921-) studied English Literature at Cambridge University, and then,
encouraged by her father, studied international law, though she
secretly also took art lessons at the same time. In 1943, during her
first exhibition in Paris, Gilot (then 21) met Pablo Picasso (who was
61) for the first time. In 1946, Gilot started a 10-year relationship
with the notorious womanizer and had two of his children,Claude and
Paloma. As a result of her relationship with Picasso, Gilot "became
both a witness and a participant in one of the last great periods of
the modern art movement in Europe. Their circle included poets,
philosophers, writers, and many of the legends of the art world, such
as Braque, Chagall, Cocteau and Matisse. In 1953, Gilot left Picasso
and the home they shared in Vallauris and moved back to Paris.
"Lithographs are printed from stones and each stone is an echo of my
artistic voice," said Gilot. "Many artists use their art as a personal
catharsis. I have never done that. I am more intellectual. Each
artistic process -- oils, lithographs, monotypes -- allows me a
different freedom and suits a different mood." While Gilot did her
first lithograph in 1950 at the Mourlot Atelier, the same studio used
by Picasso, Henri Matisse, Marc Chagall, Jean Miro and Jean Dubuffet,
it was in the 1970s that she really began to experiment with the
process.
"In the beginning I turned to lithography because I wanted to show off
my technical skills. Now I am more interested in color," said Gilot.
"I also thought that lithographs would make my works more accessible
to young collectors." While her oils are priced up to $100,000, her
lithographs begin at $2,000 and her monotypes range from $1,000 to
$2,500.
HONORS
Officier de la Legion d'Honneur, Presidence de la Republique, France
Chevalier de la Legion d'Honneur, Ministere de la Culture, France
SELECTED MUSEUM COLLECTIONS
Metropolitan Museum of Art, New York
Musee d'Art Moderne, Paris
Musee Picasso, Antibes, France
National Acadamy of Design, New York
Musee de Tel Aviv, Tel Aviv, Israel
Museum of Modern Art, New York
Bibliotheque Nationale, Paris (complete collection of original prints)
SELECTED IMPORTANT EXHIBITION CATALOGUES
2012 Françoise Gilot, Paris - Vallauris, 1943 - 1953, The Gagosian
Gallery, New York
Essays: John Richardson, Françoise Gilot, Charles Stuckey and Michael Cory
2011 Françoise Gilot, at 90, Drawings 1941 - 2010, Kunstsammlungen
Chemnitz, Germany
Essays: Françoise Gilot and Louise Tolliver Deutschman (exhibition curator)
2006 Françoise Gilot, Portraits From a Life, The Elkon Gallery Inc., New York
2003 Françoise Gilot Painting...
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Large George Grosz 1923 Lithograph Die Rauber German Expressionism WPA Realism
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Young man in a toga elegant man Latin American hyperrealist Hockney style
By Claudio Bravo
Located in Norwich, GB
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H 30.32 in W 24.02 in D 0.4 in
Large George Grosz 1923 Lithograph Die Rauber German Expressionism WPA Realism
By George Grosz
Located in Surfside, FL
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Horse, Ink on Paper by Indian Modern Artist Sunil Das "In Stock"
By Sunil Das
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Chaim Gross Judaica Jewish Watercolor Painting Rabbi Klezmer Music WPA Artist
By Chaim Gross
Located in Surfside, FL
Chaim Gross (American, 1904-1991)
Watercolor with pencil painting
Rabbi Klezmer music concert, flute player.
Hand signed
framed: 15 X 28.5, paper: 9.5 X 23
Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator.
Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume.
In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God.
In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others.
Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick.
In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel.
In 1949 Gross sketched Chaim Weizmann, Israeli President, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. He also did some important Hebrew medals.
In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work.In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others.
Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick.
In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel.
In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953.
In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work.
Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...
Category
Mid-20th Century American Modern Carlo Levi Art
Materials
Paper, Watercolor
Marc Chagall - The Bible - Rachel - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograh depicting an instant of the Bible.
Technique: Original lithograph in colours (Mourlot no. 234)
On the reverse: another black and white original litho...
Category
1960s Modern Carlo Levi Art
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Lithograph
H 13.98 in W 10.24 in D 0.04 in
Tied Up II - Contemporary, 21st Century, Lithograph, Limited Edition, Female
Located in Zug, CH
Sarah Slappey, Tied Up II, 2020
Tied Up II - Contemporary, 21st Century, Lithograph, Limited Edition, Female
12-colour lithograph with Marinoni lithograp...
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2010s Contemporary Carlo Levi Art
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Lithograph
Hiding Head Original French Mourlot Modernist Lithograph, 1950s Francois Gilot
By Françoise Gilot
Located in Surfside, FL
Francois Gilot, (1921-) studied English Literature at Cambridge University, and then,
encouraged by her father, studied international law, though she
secretly also took art lessons a...
Category
1950s Modern Carlo Levi Art
Materials
Lithograph
Previously Available Items
Portrait of Girl - Drawing by Carlo Levi - Mid-20th Century
By Carlo Levi
Located in Roma, IT
Portrait of Girl is an original modern artwork realized by Carlo Levi in the mid-20th Century.
Black and white charcoal drawing.
Hand signed on the lower ...
Category
Mid-20th Century Modern Carlo Levi Art
Materials
Charcoal
H 25.99 in W 33.86 in D 0.04 in
Lovers - Etching by Carlo Levi - Mid-20th Century
By Carlo Levi
Located in Roma, IT
Lovers is an original modern artwork realized by Carlo Levi in the mid-20th Century.
Black and white etching.
Hand signed and numbered on the lower margin...
Category
Mid-20th Century Modern Carlo Levi Art
Materials
Etching
H 11.42 in W 15.75 in D 0.04 in
Lovers - Original Etching by Carlo Levi - 1964
By Carlo Levi
Located in Roma, IT
Lovers is an original black and white etching realized by Carlo Levi in 1964.
Hand signed on the right margin. Numbered on the lower left.
Image dimension...
Category
1960s Contemporary Carlo Levi Art
Materials
Etching
Lovers - Original Lithograph by Carlo Levi - 1970s
By Carlo Levi
Located in Roma, IT
Lovers is an original lithograph, realized by Carlo Levi, the state of preservation of the artwork is very good, signed.
Image dimension: 38.5 x 29 cm
She...
Category
1970s Contemporary Carlo Levi Art
Materials
Lithograph
Peasants - Original Lithograph by Carlo Levi - 1970s
By Carlo Levi
Located in Roma, IT
Interesting b/w litograph, representing a couple farmers' portrait. Hand-signed and numbered with pencil on lower margin. Edition of 100 prints. In Excellent condition.
Category
1970s Contemporary Carlo Levi Art
Materials
Lithograph
H 19.69 in W 27.56 in D 0.04 in
Carlo Levi art for sale on 1stDibs.
Find a wide variety of authentic Carlo Levi art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of orange and other colors. You can also browse by medium to find art by Carlo Levi in lithograph, charcoal, etching and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Carlo Levi art, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of Mario Logli, Antonio Recalcati, and Enrico Benaglia. Carlo Levi art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $267 and tops out at $1,248, while the average work can sell for $384.