Chris Maynard Art

Signed on reverse, 22"x30" available unframed. Thomas Broadbent has shown extensively throughout the U.S. as well as internationally. Broadbent’s work won the Pulse Prize for best s...

Hunt Slonem Original signed & inscribed drawing held in elegant hardback monograph, ca. 2012 Unique marker drawing bound in first front end page of lavishly illustrated hardback mono...

This piece titled "Dragon City" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measures 10"h x 0.75"w x ...

This color pencil drawing is reminiscent of a John James Audubon drawing with its precision and attention to detail, from the top of its downy head to its craggy feet. A baby heron ...

"Wanderer's Pizza" is an original paper, enamel, pastel, inkjet prints, chain, wire, and tubing artwork by Drew Leshko measuring approx. 11.5"h x 7.25"w x 0.75"d. Drew Leshko is a P...

Tina Figarelli is a classically trained artist whose favorite subject matter in her artwork is ideas with a strong narrative. Tina leaves the viewer hin...

Original miniature water tower sculpture by Drew Leshko made from archival paper, basswood, acrylic, enamel, dry pigments, birch wood strips, and steel mea...

With its long, earlike tufts, intimidating yellow-eyed stare, and deep hooting voice, the Great Horned Owl is the quintessential owl of storybooks. This detail color pencil drawing captures the eerie beauty that mother nature has given us. This artwork is framed in a simple grey toned walnut frame and a heavy mat measuring 13h x 15.5w inches. Sylvia Beckman Owl colored pencil on paper 11h x 14w in 27.94h x 35.56w cm SUB025 Sylvia Beckman, b. 1938, Detroit, MI Education University of Michigan, School of Arch. & Design University of Wisconsin, Botany Private apprenticeship in stone sculpture, bronze, gilding and painting Exhibitions 2017 “Coming Attractions”, Gallery Victor Armendariz, Chicago, IL 1997 S.O.F.A. exhibition, Ann Nathan Gallery, Navy Pier, Chicago, IL 1997 Monumental Bronze Sculpture Commisson, Olbrich Park, Madison, WI 1994 Sculpture, Olbrich Botanic Gardens, Spring Display, Madison,WI 1994 Paintings & Drawings, North Seas Gallery, Charlevoix, MI 1994 Paintings & drawings, Olbrich Botanic Center, Madison, WI 1988 Monumental Stone Sculpture...

Figurative abstract collage with goats and other media layered to form an interesting visual texture by Karen Druker (American, 1945). Signed "Druker" in the lower right corner. Pres...

This is a mixed media painting on paper done in an illustrative style. It is set in a winter forest. The birch trees are set in an almost pattern like composition. There are several animals in the piece, including deer, foxes, wolves, ferrets, bunnies, and owls. The painting is titled "Protect Our Winters" after a group dedicated to protecting Montana's environment from climate change. Jennifer Lowe has combined the landscapes, animals and the people of her native Montana with a unique approach to painting. Born in Missoula, Jennifer spent parts of her childhood working in the fields of her grandparent's homestead property in Montana's Grasshopper Valley. Lowe's paintings are rendered in the vivid color and rich texture of livestock markers and capture the whimsical images from her imagination and the memories of her Montana upbringing. Jennifer began using the oil paintsticks in 1985 while a student at Montana State University. Since graduating in 1987, Lowe has been shown alongside such well know western artists as Thorn Ross, Howard Post...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. Johnson Hs. & Guest Hs. is an exact replica of an art history slide made in the 1950s picturing Philip Johnson’s Glass House. The slide has been replicated digitally on a much larger scale (23” x 23”) and like the original is made of a cardboard mount that contains a color transparency. The original slide is faded from years of use and most of the color, other than red, has been bleached out. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you and that that you decide to follow. Shipping: Please note this artwork will be shipped in a professional, wide art tube and will be sent rolled. The cost for shipping will therefore be considerably cheaper than that quoted Artwork Details: Isabel Rock, The Dancing Horse of the Day, mixed media on archival paper , 153cm x 122cm, unframed, 2013 The Long Story of the Dancing Horse of the Day In Rock's own words, 'With seven long strides I traversed a might ocean, the salt spray dried my throat and crusted my lips with crystals. With eight huge hops I vaulted a vast desert of sand dunes, hot sand blew in my eyes, blocked my nostrils and burnt my hooves. With nine large leaps I scaled a stone wall that stretched to the skies, the cold grey lumps seemed to penetrate my heart with their silent indifference. I had come to dance before the Queen who had heard rumours of my beauty. I knelt before her in the great long throne room. 'Your majesty,' I said, 'I will dance for you but you must know that this comes with a price. How great the price will be I cannot tell, it will depend on your deepest heart.' 'Dance,' she commanded, 'I care not for such things. There is no price, I am the Queen.' So I tapped my hooves and jiggled my legs, I tossed my mane and I shook my head. I danced and I danced. My body shimmered and shone, radiant in the light of the chandeliers. As I danced a rumble began, it got louder and louder as the walls of the castle crumbled and fell around me. I carried on dancing until nothing was left and the Queen was nowhere to be seen. I assumed she was crushed under the rocks, but I had given her fair warning...