Gaspar Riera Moragues Art

Charming 1940's Claude Bouteur landscape Oil on a wood panel painting in a Post Impressionist style representing the banks of Seine River and the Pont Marie Bridge, a lovely composit...

Pieter Fraterman (Dutch, * 12th April 1910, Den Haag – † 18th March 1969, Den Haag) In the Orchard Garden • Oil on Fibre board ca. 50 x 60 cm • Frame ca. 64 x 73 cm • Signed lower right Worldwide shipping for this object is complimentary - There are no additional charges for handling & delivery. Pieter Fraterman begann his studies by attending the evening classes held by H. Meijer and J. Giessen at the Royal Academy of Art in Den Haag from 1930 to 1936. In a second period during the war Pieter continued his studies at the Royal Academy from 1941 to 1944 under H. Meijer, H. van Dam and W. Schrofer. Pieter received plenty of recognition during his career. In 1937 he received a Royal grant, the Jacob Maris...

This gorgeous porcelain sculpture from Hutschenreuther porcelain is of two galloping horses, sculpted in exquisite detail and signed by the sculptor, Max Hermann Fritz...

Bronze Warthog Bust on Sandstone base H 16 cm x W 13 cm x D 8 cm. Base size 8 x 8 x 4 cm. Edition 2 of 9 - ready for shipping. Meticulously crafted, this bronze artwork captures the ...

Eliyahu Boxer Facets and Faces (triptych), 2023 acrylic and ink on canvas 60 x 150 cm 24 x 59 in Eliyahu was born in the United States and moved to Israel with his family at a ver...

Miriam Sommerburg (American female artist, born Germany, Hamburg, 1900–1980 New York) Modernist Wood Carved Sculpture, Carving depictin...

About Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloquially referred to as the hormone of love and happiness. Why is this organic che...

A perfect study in post impressionism both in subject matter and technique. Cahours captures both the mood and the realism of Breton life, his figures are excellent and believable a...

Aharon Bezalel (Afghani-Israeli, 1925-2012) 1984 Edition 4/9 Family Grouping Hand signed in Hebrew with initials and in English Movable figures that fit together like puzzle pieces in solid cast bronze with original patina on a lucite bench base. 23 X 19 X 6 base is 24 X 6 X 6 Aharon Bezalel (born Afghanistan 1926) Born in Herat, Afghanistan in 1926 and immigrated to Israel at an early age. His father, Reuven Bezalel, was a rabbi and kabbalist. As a youth Aharon studied gold and silver casting as well as applied arts and worked in these fields as a silversmith and judaica craftsman, and was a student of the sculptor Zev Ben-Zvi at the Bezalel Academy for Art & Design where he also studied with Isidor Ascheim and Mordecai Ardon. There he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources. He also studied miniature carving with the artists Martin and Helga Rost applying himself at their workshop. Aharon Bezalel worked and resided in Jerusalem, he taught art for many years. His sculptures - works of wood, bronze, aluminum, Plexiglas - were shown at his studio in Ein Kerem. “I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.” (Aharon Bezalel, excerpt from an interview with David Gerstein) “The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome, the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together. The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense. His work bears a similarity to Berrocal as well as affinities to Henry Moore, Lynne Chadwick and Kenneth Armitage. Two poles of unity, potentially alone, exist in A. Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in A. Bezalel figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously. (Gideon Ofrat) EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman...

This is a favourite place of the world famous Scottish Watercolour artist. Possibly more famous for his ever popular depictions of beautiful semi naked models but he himself said of...

Post Impressionist Beautiful watercolor representing the Pont Neuf in Paris by Fernand Herbo. The work is titled and dated 1930 and signed Fernand Herbo at the lower left. The waterc...

Post Impressionist Style landscape Oil on canvas painting signed by Polish artist Jan Znosko representing a life scene in Brittany, France in the beginning of the 20th Century. In ...