Hyland Mather AKA X-O Photography

a mesmerizing sea of dark green and brown tones from an ongoing photography project since the late 1990s, capturing the details of the human eye and a pupil's unique abstractions Ir...

'Wa-Kal-La' Archival photographic triptych. Limited Edition of 25. Hand signed and numbered, unframed. _________________ Reflected in the rippling surface of the Merced river, the ...

'The Optimism of Spring' ('Mono No Aware' Series) 24 x 36" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ The cherry blossoms burst...

'Spring Couplet' ('Mono No Aware' Series) 40 x 60" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ The dance of the cherry blossoms ...

a mesmerizing sea of abstract grey blue and aqua water color tones, from an ongoing photography project since the late 1990s, capturing the details of the human iris and a pupil's un...

Black and white fine art landscape photography print. Bent tree in fog in the fairy forest on the island of Madeira, Portugal. Archival pigment ink print, edition of 5. Signed, title...

Altstadt Rêveries #06, 2008 [From the series Goldenbogen & Zouzou] Digital color print based on original Polaroid on beautiful PHOTO RAG ULTRA SMOOTH 305gsm - 100% cotton by HAHNEMÜHLE, Hand signed & numbered by the artist, edition of 7 - nr 02 Unmounted. Carmen De Vos - Artist statement Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Chroniqueur and Archiver. Founder and Editor-in-Chief of the late TicKL-Magazine. The Belgian artist Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She shoots Polaroids to frame these mental escapades, they get so easily out of hand. She enormously longs for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Once upon a time she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She never really got cured from naughtiness. She can’t help but traveling back to these blessed times of free-love photography...

'Spring Couplet' ('Mono No Aware' Series) 24 x 36" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ The dance of the cherry blossoms ...

RANONKEL #1, 2009 [From the series Need to Be] Published in her book The Eyes of the Fox, 2018 30x40x2cm. Digital archival pigment print based on an original Polaroid on museum qual...

Michele Landel creates intensely textured and airy collages using burned, quilted, and embroidered fabric, photographs and paper to explore the themes of exposure, absence, and memor...

© Gerald Berghammer - Limited edition of 7. Archival fine art pigment print. Printed to order and signed, titled, dated and numbered by artist to order. Certificate of authenticity ...

Camisole - 2018 Published in Carmen De Vos's new book 'The Eyes of the Fox'. 80x80cm, Edition of 5, Digital archival pigment print 
based on an original Polaroid
 on beautiful PHO...