Joyce Tenneson Art

Rapture - 2020 50x50cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2020-925. Not mounted. ...

'You used to call me on my Cell Phone', 2017, Collage of 16 original Polaroids, Unique Piece. Framed and signed on verso. Kirsten Thys van den Audenaerde ...

Gabriela at Seven (2015) 40x40 cm, Edition of 10 plus 2 Artist Proofs. Giclée Print on Hahnemühle Fine Art Baryta, based on a Fuji Instant Film. Signed on back with Certificate. N...

'Amaluna's Day Off' #08 50x50cm, Edition 1/7, 2015 [From the series Cirque du Soleil] Art print based on an expired Polaroid mounted on Dibond 0,2mm - 50x50cm - gloss coating Hand...

'10525 (Stranger than Paradise) 1999, 5 pieces, each 128x125 cm plus 10 cm in between each print together 128x640cm, Sold out Edition of 3. Artist Proof 1 of 2, analog C-Prints, pr...

"An image taken in Pushkar during what was to be a memorable trip and the last link with normality before the pandemic took hold. We travelled around India, the days becoming more and more precious as we got the sense of Covid's restrictive net closing in around the world. The image was finished some months later, while fully in the grasp of a second lockdown. The addition of gold leaf symbolised for me a sense of hope and the spiritual energy with which I will always associate India, and especially Pushkar." - Valda Bailey...

Cloud Nine (Shot 2013 on SX70 Film) Edition of 10 - 40 x 40 cm Digital C-Print based on a on a Polaroid, not mounted. Signed on back and certificate. Clare Marie Bailey Works an...

Cloud Nine (Shot 2013 on SX70 Film) Edition of 10 - 20 x 20 cm Digital C-Print based on a on a Polaroid, not mounted. Signed on back and certificate. Clare Marie Bailey Works an...

RANONKEL #1, 2009 [From the series Need to Be] Published in her book The Eyes of the Fox, 2018 30x40x2cm. Digital archival pigment print based on an original Polaroid on museum qual...

Lucid Dreams - 2020 50x50cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2020-942. Not moun...

Bling Bling #05 [From the series Odd Stories], 87x66cm digital print based on an original Polaroid mounted on Dibond - matt coating Hand signed & numbered by artist edition 2012, 1 o...

Altstadt Rêveries #06, 2008 [From the series Goldenbogen & Zouzou] Digital color print based on original Polaroid on beautiful PHOTO RAG ULTRA SMOOTH 305gsm - 100% cotton by HAHNEMÜHLE, Hand signed & numbered by the artist, edition of 7 - nr 02 Unmounted. Carmen De Vos - Artist statement Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Chroniqueur and Archiver. Founder and Editor-in-Chief of the late TicKL-Magazine. The Belgian artist Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She shoots Polaroids to frame these mental escapades, they get so easily out of hand. She enormously longs for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Once upon a time she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She never really got cured from naughtiness. She can’t help but traveling back to these blessed times of free-love photography...