Robin Tanner Art

Untitled is an original artwork realized by Eugène Corneau in the first years of the 1930s. Etching and drypoint on paper. Monogram of the artist on the lower left. Excellent conditi...

Hand signed. Signed and titled on plate. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 50 years ago by an a...

Image dimensions: 34 x 45 cm. Venice is an original lithograph realized by an unknown artist (Michel Kingl) in the 1960s. Colored lithograph on paper. Hand-signed in pencil by the ...

Landscape is an original artwork realized by the French artist Léopold Lévy (1882-1966) in the first half of the XX century. Etching and drypoint on paper. Hand-signed by the artist on the lower right corner; signed on plate on the lower left margin. Very good conditions, except for some small spots on the surface of the sheet. Very beautiful artwork representing a natural landscape with some human figures. The composition is characterized by great softness; the strokes are refined and very rapid and smart. The whole composition is very well-balanced and is characterized by a soft chiaroscuro. Léopold Lévy (Paris, 1882 - Paris, 1966) a French painter and engraver. The edition of De la nature (De Rerum Natura) illustrated with 41 original etchings is considered one of the most beautiful artist books of the XX Century. He was one of the friends of Charles Edmond Kayser...

Chez François Bouvin is a wonderful etching realized in 1891 by Charles Courtry, after François Bouvin. This Modern artwork representing a scene of ordinary life, is a beutiful arti...

Le Peseur d'Or (The Money Exchanger) is a wonderful black and white etching on wire rod cream-colored paper, realized by Léopold Flameng, an after by the Flemish artist Gabriel Metsu...

For a print that's nearly one hundred years old it feels very contemporary. Signed and titled in pencil. Besides the etching I think there is some false biting that adds tone here.

This is such an interesting image. Are there 'Four women'? Is the head on the upper right from a hat store or is she another person in the scene. And what a...

Interiors VII: The Train from Munich Robert E. Townsend, 1991. Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113]. When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...

Paris Landscape, Title Page" Eaus Fortes" is an original etching artwork on paper realized in 1838 by Eugène Bléry (1805-1887). Signed on the plate lower center of the image. The State of preservation is very good except for diffused foxing along the white margin which does not affect the image. The artwork represents in an oval frame the landscape. The artwork is depicted skillfully through confident and precise strokes with harmonious composition.Eugène Stanislas Alexandre Bléry (Fontainebleau, March 3, 1805 - Paris, June 10, 1887) was a French engraver and draftsman.He also made large collections of etchings, such as Forests and landscapes and the surroundings of Fontainebleau, starting from his drawings or from works by Dutch authors such as Meindert Hobbema and Jacob van Ruisdael.

Chateau De Choisy View is an original print realized by Anonymous artist at the end of XVIII century (about 1760). Titled below "Vue du Chateau de Choisy le Roy du côté du jardin"....

Conversation is a splendid etching engraved by Anonymous Artist in 1930 ca. The state of preservation of the artwork is good. Not signed.