Sylvia Vander Sluis Art

Mychaelyn Michalec is a textile artist and painter working in Dayton, OH. Her work depicts the private, awkward, and mundane moments of family life through a medium traditionally ass...

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Yayoi Kusama Yellow Pumpkin Mascot (Yellow and black), 2019 Parachute Nylon 3 x 3 9/10 x 3 9/10 in 7.5 × 10 × 10 cm

Customized piece, delicately made with pins. This beautiful work was handmade in Mexico City. It is the largest native cat species of the New World and the third largest in the worl...

Yayoi Kusama Yellow Pumpkin Mascot (Red and white), 2019 Parachute Nylon 3 x 3 9/10 x 3 9/10 in 7.5 × 10 × 10 cm

Yayoi Kusama Pumpkin Plush Yellow (Small), 2004 Nylon 6 x 9 2/5 in diameter 15.24 x 24 cm diameter

Yayoi Kusama Pumpkin Plush Red and White (Small), 2004 Nylon 6 x 9 2/5 in diameter 15.24 x 24 cm diameter

Yayoi Kusama Large Set of 2 Pumpkin Plush Yellow and Black & Red and White, 2004 Polyester, Nylon 13 4/5 × 21 7/10 × 21 7/10 in 35 × 55 × 55 cm (each)

Yayoi Kusama Pumpkin Plush Yellow (Small), 2004 Nylon 6 x 9 2/5 in diameter 15.24 x 24 cm diameter

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—generally found in screen doors, windows and filters—he creates contemporary abstract sculptural artworks and installations, which resemble flowers, clouds, and other natural phenomena. Working in metal, Adams effortlessly transforms rigid material into airy, effervescent artworks. This 12 by 12 by 8 inch silver metal wall sculpture...

Yayoi Kusama Large Set of 2 Pumpkin Plush Yellow and Black & Red and White, 2004 Polyester, Nylon 6 × 9 9/20 × 9 9/20 in 15.2 × 24 × 24 cm (each)

Yayoi Kusama Large Pumpkin Plush Red and White, 2004 Polyester, Nylon 13 4/5 × 21 7/10 × 21 7/10 in 35 × 55 × 55 cm