Toma Yovanovich Prints and Multiples

This is an exclusive handprinted limited edition cyanotype. "Miami Art Deco Pool" shows the movements of water over a tiled swimming pool floor. Details: + Title: Miami Art Deco Poo...

Artist: Gene Davis (1920-1985) Title: Royal Curtain Year: 1980 Medium: Silkscreen on Arches paper Edition: 41/250, plus proofs Size: 30 x 21.5 inches Condition: Excellent Inscription...

Sam Gilliam Cuatro, 1994 Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper Hand signed, dated, titled and annotated P/P by Sam Gilliam...

"Night Views" Silkscreen Print by The Skyscape Artist, 25/100. By Tetsuro Sawada ( Japanese, 1933-1998) This raven black geometric abstraction focuses on hard-edged horizontal lines, color, and light, giving the impression of dusk through the "bokashi," or shading, technique, which is most difficult in the silkscreen medium, a good example of Sawada's theme of the infinite beyond, the silent emptiness of the universe. Signature in the bottom right corner reads, "T. Sawada '87," titled in the bottom center, "Night Views," and numbered, "25/100," in the bottom left corner. Presented in a new white mat. Paper size: 34"H x 22"W, Mat size: 39"H x 27"W Born in Hokkaido, Tetsuro Sawada (1933-1998, Japanese) graduated from Musashimo Art University where he majored in Western painting. In 1960, he began painting abstract oils...

Artist: Gene Davis (1920-1985) Title: Yellow Jack Year: 1979 Medium: Silkscreen on Arches paper Edition: 241/250, plus proofs Size: 22.5 x 25 inches Condition: Excellent Inscription:...

Jean Arp, Untitled from Soleil Recerclé XVIII, 1966 woodcut on auvergne paper, Sheet: 19 x 15 in Image: 14 x 13.5 in Frame: 23 x 27 in Edition: 12/60 Signed in pencil

Artist: Gene Davis (1920-1985) Title: Lilac Year: 1980 Medium: Silkscreen on Arches paper Edition: 247/250, plus proofs Size: 22.5 x 28.5 inches Condition: Good Inscription: Signed a...

Artist: Gene Davis (1920-1985) Title: Yellow Jack Year: 1979 Medium: Silkscreen on Arches paper Edition: 232/250, plus proofs Size: 22.5 x 25 inches Condition: Good Inscription: Sign...

Vasarely - Kinetics 4 Silkscreen printing Vasarely Foundation numbered 14/50 Circa 1965 76x85 1300€

Central Park is part of a group of prints based on a visit to New York City, Because I live and work in quiet isolation and often don't meet anyone apa...

"Shapes of Noyo" Woodblock Print on Paper (Artist's Proof) Bold woodblock print by notable artist Emmy Lou Packard (American, 1914-1998). Large dark grey shapes are placed over a lighter grey background. Both of them have strong woodgrain texture. There are this white shapes floating around the composition, with a large block of blue in the upper right corner and a smaller block in the lower left. Titled, numbered, and signed along the bottom edge: Shapes of Noyo Proof Packard Presented in a dark wood frame with a grey mat. Frame size: 18.75"H x 26.75"W Image size: 11.5"H x 19.5"W Emmy Lou Packard was born on April 15, 1914, near El Centro, California. In 1927, the Packard family traveled to Mexico. Emmy, then 13 years old, was already painting and drawing. Her mother introduced her to artists Diego Rivera and Frida Kahlo, marking the beginning of a long friendship and mentorship. In 1934, she eloped to Nevada with the architect Burton Cairns, a recent graduate of the University of California, Berkeley. In 1936 Packard graduated from the University of California, Berkeley with her bachelor's degree and later studied sculpture, mural and fresco painting at the San Francisco Art Institute. In 1939, her husband died in a car accident. After his death, she traveled to Mexico to live with Rivera and Kahlo, working as their studio assistant. During the time she stayed with Rivera and Kahlo, she took a number of photographs of the couple. When Diego Rivera came to San Francisco in 1940 for the Golden Gate International Exposition (GGIE), he asked Emmy to be the chief assistant for painting the Pan American Unity mural. Between 1944 and 1945, she briefly worked as an illustrator of a labor newspaper for the San Francisco Bay Area shipyards. Packard designed and executed the mural on the exterior of the dining commons at the University of California, Berkeley in the Lower Sproul student union center. She also designed the terrace parapet which is embellished with an 85-foot long, 5-foot high, bas-relief, Modernist mural depicting California landscape features, including coastal bluffs, cultivated fields, mountains, and rivers located in the central façade of Chávez Student Center at the University of California, Berkeley in the Lower Sproul. On May 29, 1959, she married artist Byron T. Randall; they divorced in 1972. Packard was an active community member in the Mission District of San Francisco and San Francisco's community mural movement. In 1974 she served as a mural technical adviser for the Bank of America building mural located at Mission Street and 23rd Street; the local artists that painted this mural are Jesús “Chuy” Campusano, Luis Cortázar and Michael Rios...

Drawing on his extensive travels, Robert Kelly’s painted collages contain found print and material from around the world. Kelly has included antique botanical drawings...