Pottery Vases

A beautiful wheel thrown studio pottery vase by ceramicist, Barbara Sebastian of Marin, CA. Decorated in purple and blue glazes. Signed on the base.

Shiny dark forest green and light blue colored glaze running down over raw dark brown chamotte clay. Designed and hand-crafted by Danish designer Robert Bentsen...

Pair of Stamped Edition Padilla Picasso Pottery Conical Face Vases After Pablo Picasso Each one stamped 'Femo 1944 Edition Picasso Padilla hv Mexico ' A fine pair of stamped editio...

PAIR of MOORCROFT art pottery Nicola Slaney Design Vase, Ragged Poppy 143 and 231 of 350, 2000. Cheerful and amazing Vases designed by Nicola Slaney for Moorcroft Ceramic. Numbered ...

Article: Pottery ceramic vase Producer: Karlsruher Majolika, Germany Decade: 1950s Original vintage 1950s pottery ceramic vase in Germany. High quality German production ...

A beautiful Japanese Satsuma pottery studio vase featuring multiple kesa-clad enlightened Buddhist monks on each side of the vase. The piece is finely detailed with rich raised gilt highlights throughout and beautifully decorated in gold and various hand painted other colors. From the Meiji period (1868-1912). This piece has the all-important Shimazu Family crest mark (red circle with a cross inside) on the base authenticating the work as an old and original Satsumaware work. The mark shows the pottery was made under the rule of the Shimazu clan. From a Los Angeles Collection...

Scandinavian midcentury modern ceramic vase with chocolate and caramel brown colors on tiered geometric relief pattern. Designed by Göran Bäck for Finnish A...

Danish soft shaped vase with hand-painted elephants and palmtrees. Light yellow glaze with blue top edge and green organic decor. Manufactured by Grimstrup Keramik. Signed and stampe...

Article: Pottery ceramic vase Producer: ILKRA Ceramics, Germany Decade: 1970s Original vintage 1970s pottery ceramic vase made in Germany. High quality German production...

Antique handmade Middle Eastern triangular ceramic tea bottle with hand painted colorful decor and clear glaze. Green and blue colored organic floral de...

Voluminous smooth glazed blue and sand colored midcentury modern vase likely manufactured in the 1960s. Shiny two color glaze applied in cloud...

Beautifully glazed Nordic modern warm parchment white and pastel seafoam green amphora stoneware vase manufactured by Skottorp Stengods Hantwerk in Sweden in the 1970s. Two small sof...

Giant Mid-century Modern Vallauris Ceramid Shell Shaped Vase. France, 1950s-1960s. Colorful vase with mussel / shell design in glazed ceramic. The exterior part is covered by glazed ceramic in brown color with fat lava decorations in beige, yellow and blue glaze. Rare find due to its shape. Use it as decorative vase or flower vase adding a fresh accent in any Mediterranean, Contemporary, or Midentury decoration. Great gift idea! Measures: 32 cm H x 16 cm W x 13 cm D Vallauris Maiolica Mussel Vase // French Vallauris Midcentury Vase // Falt Lava Vallauris Ceramic Shell Vase...

This is a small pot made in the late Muromachi period (1400-1500s), which is older than the Edo period in Japan. This is a pottery called Tokoname ware. Tokoname is a kiln located i...

Caramel brown vase by Scheurich, Western Germany. This 1970s pottery vase is marked 282-53, Western Germany and wears a purple paper label. Can be used as vase or floor vase as this ...

Handmade bottle shaped Swedish midcentury modern chamotte vase with bright blue turquoise glaze. Slender neck and cylinder shaped body. Bottom part left raw and unglazed and right ab...

Vintage Nemadji Vase Dimensions. 4 1/2 W ; 4 1/2 D ; 5 H.

Dutch Arnhem Holland "Elrakka" Pottery, ca 1915 2 vases from the Arnhemsche Fayence factory by the Vet brothers, The Netherlands. Ca. 1915. The set is colored in green, brown, blue and yellow with black lines with craquelure. 1 vase has craquelure line Details , view in the pictures with a magnifying glass. Klaas and Jacob Vet open their pottery factory in Purmerend in 1903. They already had the necessary ceramic experience. Klaas acquired this as a modeller at Plateelbakkerij De Distel...

16 inch clean lines Van Briggle vase, Ming turquoise glaze

Vintage Nemadji Pottery Vase mcm home décor antique mid century decorative pot flower vase Dimensions. 6 W ; 4 1/2 D ; 7 1/2 H

Large scale pottery vase by Weller Pottery from the 1920s with a seldom seen shape. In a Sky Blue color outside and a soft white interior. Signed with 1...

Bright emerald green round and heavy stoneware bottle vase with large curved handle on one side. Stamped under base. Great vintage condition consistent with age and wear. Denmark, 19...

Curved rustic ceramic vase with sand colored cylinder shaped body. The rounded top has shiny dark blue running glaze while the base is left raw and unglazed. Manufactured in Denmark ...

Large William Moorcroft Wisteria Plum Vase, c1935 Additional Information: Heading : Large William Moorcroft pottery vase Date : c1935 Origin : Burslem, Engl...

We have a wonderful Japanese antique pot in stock. This is "Shigaraki ware". Shigaraki is a historical kiln located in Shiga Prefecture, Japan. It is said to have originated in the 8...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Very Rare Belgian Hugria Chimney Vase, c1965 The avant garde Belgian pottery Higria was founded in 1961 by Hugo dr Putter and Victoria Blansaer. Midcentu...

A beautiful sculptural post-modern ceramic vase by Jesper Packness, Denmark. A decorative piece with a cobalt blue shiny glaze and stripes in different colors. Signed on its undernea...

Egyptian Revival Ceramic vase, unsigned and apparently unmarked, possibly 1940s or later, the sides with Egyptian motifs, and showing ancient Egyptian workers in an ancient landscape...

REDUCED FROM $350...Mid century Italian modern tall cylindrical vase by Aldo Londi for Bitossi probably retailed by Rosenthal Netter. Decorated with...

This is a large Japanese pottery. It is from the Meiji period (1860s-1900s). The entire pottery is covered with paper. It comes with a wooden...

An absolutely stunning Tamba (Tanba) ware Japanese pottery vase/jar/pot - produced sometime during the Edo Period (1603-1867). Tamba-yaki ware is a type of Japanese pottery and ceram...

Mid-century “Grofit” vase by Mari Simmulson for Upsala-Ekeby, made in Sweden. The vase is very dark brown, with a handle and a patterned base. Marked on the underside and with a stic...

Article: Ceramic pottery vase Origin: Germany Producer: Carstens Tönnieshof, Germany Decade: 1950s This original vintage pottery object was produced by Cartens Tönniesho...

A striking stylish vintage Studio pottery vase of rounded bulbous teardrop shape in a typical Mid Century modern style, a vert elegant yet substantial piece. This heavy rounded ston...

This unusual double bulb shaped faience vase is in the manner of Edmond Lachenal but there are no markings on the bottom. The rich mottled turquoise blue glaze gives it the feeling o...

Exotic gourd shape Kutani ceramic vase with flying Cranes decoration from Mid Century Japan. The hand painting was done with great care and artistic knowledge. The vase is painted ...

A stylish Leach Pottery, St Ives hand thrown twin handled studio pottery vase decorated in haresfur effect glazes by renowned potter Trevor Corser (British, 1938-2015) and dating fro...

Dutch Arnhem Holland "Elrakka" Pottery, ca 1915 2 equal long neck vases and a round jug from the Arnhemsche Fayence factory by the Vet brothers, The Netherlands. Ca. 1915. The set is colored in green, brown, blue and yellow with black lines with craquelure. 1 vase has thickening of glaze on the edge and the other viewed with a magnifying glass, probably a miniscule chip. This has been added via photo (enlarged with a loupe) Klaas and Jacob Vet open their pottery factory in Purmerend in 1903. They already had the necessary ceramic experience. Klaas acquired this as a modeller at Plateelbakkerij De Distel...

A fabulous vintage Italian Art pottery jug. Done by the highly collectible Manlio Bacosi. Signed on the vase. A beautiful pastoral scene in bright clear ...

Palace Size Meiji Period Japanese Kutani Porcelain Trumpet Shape Vase, 1880 This exceptional Japanese Kutani vase, boasts a palace-size trumpet shape that stands at an impressive 3...

An absolutely stunning Tokoname ware stoneware vase/jar/vessel - produced sometime during the late Muromachi period (1336-1573 to early Edo Period (1603-1867). Tokoname-yaki ware is ...

Midcentury decorative piece with shiny burgundy and lime running glaze. Golden round base and leaf shaped top on the organic floral like shape. Original label under base. Manufacture...

Article: Ceramic pottery vase Origin: Germany, GDR Producer: VEB Haldensleben, Germany GDR Decade: 1970s This original vintage pottery object was designed and produced by...

The vintage ceramic jug vase by Marcello Fantoni from the 1960s is an exceptional and artistic piece that exemplifies the mastery of Italian cerami...

a striking RED FAT LAVA FLOOR VASE no. 284-47 by SCHEURICH SCHEURICH had its origins in a joint venture launched in 1928 by Alois Scheurich and his cousin Fridolin Greulich in the small town of Schneeberg near the Czech border in Saxony—wholesaling glass, porcelain, and ceramics. The business was moved to the market community of Kleinheubach in the northeast corner of Bavaria in 1938, and ten years later the partners began producing household ceramics of their own, selling them under the name Scheurich & Greulich. In 1954 the partnership was dissolved, and Alois founded Scheurich GmbH & Co. KG to continue production on his own. The celebrated designer Heinz Siery was recruited in 1955 as Scheurich’s lead form designer, but in addition to an extensive range of shapes, he was also key in helping the company develop a successful overarching production strategy, which was to produce a wide array of simple forms that could be produced cheaply and decorated in a great variety of glazes. This resulted in a range of pieces that were both varied and economically adaptable. The approach proved altogether successful and led to Scheurich’s hegemony beginning in the late 1960s. The company's strategy of keeping its prices low combined with an enormous range of attractive designs resulted in millions in sales and the designs were adapted twice a year to the changing tastes of the public. Scheurich mainly made vases and flowerpots but also produced ashtrays, piggy banks, candle stands, beer mugs, buffet clocks, wall reliefs, and Christmas tree holders...

2 lidded vases by Ivora Gouda, Model 170 ca 1915 2 lidded vases earthenware with floral hand-painted decoration in Art Nouveau style, made by pottery factory Ivora Gouda (P. van der...

Richard Tuck Studio Pottery Vase Weed Pot Large studio pottery vase by Richard Tuck, Virginia c1980's Round vessel with narrow opening and minimalist details Signed to underside Ri...

Danish midcentury modern ceramic vase by Marianne Starck for Michael Andersen & Son. Blue stylized floral decor around the belly of the grey cylinder shape with persia crackle glaze ...

Vintage shiny glazed Midcentury Modern bottle vase with a big belly and a large white handle on one side. Thick snow white and clear blue running glaze with caramel beige accents. Sm...

A collection of three studio pottery vases in earthy browns. Belgium,circa 1970 Largest Dimensions: 4W x 4D x 8H

A giant sized handmade Rimini blue ceramic vase designed by Aldo Londi and manufactured by Bitossi. Italy, 1960s. Blue glazed ceramic with engraved patterns adorning the top of the ...

A Large Riessner, Stellmacher & Kessel large Amphora vase decorated with water lilies; attributed to Paul Dachsel, Turn-Teplitz, Bohemia; c. 1903; n...

FLOOR VASE Siershahner Feinsteinzeugfabrik DEKOR CAPRI 1950s Ritzdekor (sgrafitto) A huge 50s or 60s studio quality 'Klinker' floor vase nr. 54/50 with an sgraffito decor designed ...

Stunning Guido Gambone Modernist Ceramic Pottery Bud Vase, INK MARKed , Italy "dONKEY" wonderful , proportion.color ,glaze. Classic Italian Modernist form..

This copper glazed raku pottery vase from NW Raku Gallery is a stunning addition to any traditional or modern décor, such as art deco, mid-century modern, or farmhouse style. This ra...

Pair Japanese cobalt blue flambe mottled pattern pottery vases. One vase is signed.

Article: Ceramic pottery vase set of 2 Origin: Germany, GDR Producer: VEB Haldensleben, Germany GDR Decade: 1970s This original vintage p...