British Porcelain

This is a beautiful slop bowl made by Coalport around the year 1820. The bowl has a gadrooned rim, a deep moss green ground with a gilt trellis pattern, and beautiful hand painted fl...

This 18th-century First Period Worcester Porcelain sugar box was hand painted featuring beautiful swags painted with green leaves, purple berries, and two-tone blue and yellow apples. Each swag is tied with a purple ribbon in an elegant bow. Green leaves and two-tone plums hang from each ribbon. The cover finial is crafted as a budding rose painted in gorgeous pinkish purple and yellow with two green leaves. The sugar box's border and cover are both adorned with a band of underglaze blue and a chain of golden ribbons and are gently lobed, which adds visual excitement as light plays over the curved surfaces. Made in England circa 1775, this sugar box is a gem! Dimensions: 5" tall x 4.5" diameter Condition: Excellent Marks: On the underside is the Worcester First Period crescent in underglaze blue (see last image). Early Worcester Porcelain marks are rarely seen—a blue crescent mark (seen here) dates pieces back to the 'First' or 'Dr Wall...

A very special English Royal Doulton for luxury retailer Davis Collamore & Co LTD, espresso coffee or tea demitasse cup and saucer set, ci...

Shelley England Fine Bone China Enameled and Gilt Demitasse Cups and Saucers Offered for sale is a set of five fine china cups and saucers from Shelly...

Porcelain plates by Wedgwood with Florentine Turquoise Rim, 1960s Porcelain plates set by Wedgwood with the pattern Florentine Turquoise colored rim, Prestige collection Circa 1967...

This is a charming Derby figure of a shepherdess with a garlanded lamb, made in or shortly after 1760. The figure is one half of a set called the "Garland...

Pair of 18th Century English Bow Figures of Hunter and Companion (a Lady Falconer) , circa 1755, he modelled to the left with a gun leaning against his left arm, seated on a rock wit...

Pair of 18th Century Derby Figures of 'Jewish Pedlar and Companion' , circa 1760 , made from polychrome enamelled porcelain, both depicted in colourful pink and yellow outfits decora...

This is a beautiful set of 6 dessert plates made by Machin around 1825, which is known as the Regency period. The items have the famous "moustache" moulding picked out in gilt, a sim...

Royal Albert, England. A set of four "Lady Hamilton" coffee cups with saucers. Polychrome floral motifs. Gold decoration. Circa 1930s. Marked. In excellent condition with minimal ...

Limoges, France. Five pieces of porcelain consisting of a lidded jar, two vases, a lidded three-footed jar, and a dealer advertising sign. Decorated with 22-karat gold leaf. Beautifu...

This is a beautiful "true trio" consisting of a teacup, a coffee cup and a saucer, made by Spode in about 1815. It is decorated with pattern 2234 with a striking lavender or periwinkle blue border and finely painted flower sprays. In the late 18th and early 19th Century a "true trio" is how cups and saucers were sold; as you would never drink tea and coffee at the same time, why invest in an extra saucer? Josiah Spode was the great pioneer among the Georgian potters in England. Around the year 1800 he perfected the bone china recipe that has been used by everyone ever since, and he was also the leading potter behind the technique of transferware, making it possible for English potters to replace the import of Chinese china that had come to an end around that time, with their own. This was fundamental to a thriving industry that would last for about 150 years and provide half the world with their tableware. This set is made in the famous "London" shape, which was brought out by Spode in 1812 and was quickly copied by all other makers. It then remained the most popular shape for about 10 years. The set is potted in fine white porcelain - by the year 1810 Spode had perfected his recipe for bone china and it became beautifully smooth, white, thin and translucent. All three items are marked with the red hand painted SPODE mark and the pattern number 2234. CONDITION REPORT The set is in excellent antique condition without any damage, repairs or crazing. There is some minimal wear as visible in the pictures...

Longton Hall Figure of Milkman, circa 1755, with two pails, one on his head the other by his side, wearing a black tricorn hat, white shirt, yellow and puce spotted neckerchief, puce...

air of flat demitasse cup and saucer sets was made of fine bone china by Royal Worcester. One cup and saucer set is decorated with Z2621 pattern; the pattern can be described as mu...

Late 18th century Georgian English New Hall partial fine porcelain tea/china set with rose colored fish-scale border, scrolling garland and florets, circa 1781-1835. Included in this...

Mid-late 19th century "Herald" pattern Gaudy Welsh cup & saucer. (The banner of a heralding trumpet.) Deep flow blue underglaze. Pink luster lines & copper luster trim. Saucer: 5 7/8...

Royal Albert, England. A set of six "Lady Hamilton" plates with polychrome floral motifs and gold decoration. Ca. 1930s. Marked. In perfect condition. Dimensions: D 15.5 cm.

Royal Albert, England. A set of four "Lady Hamilton" dinner plates with polychrome floral motifs. Gold decoration. Ca. 1930s. Marked. In perfect condition. Dimensions: 25.5 cm.

Royal Albert, England. A set of six "Lady Hamilton" plates with polychrome floral motifs. Gold decoration. Ca. 1930s. Marked. In perfect condition. Dimensions: D 18.0 cm.

This is a rare and beautiful true trio made by H&R Daniel in about 1827. The set is potted in the "second gadroon" shape and bears pattern 4516 with a green ground and beautiful flow...

Set of five Spode Flower Cross pearlware plates. Set includes five matching plates.

This is a rare and beautiful true trio made by H&R Daniel in about 1829. The set is potted in the "second gadroon" shape and bears pattern 4479 with a green ground, gilt vines and be...

English porcelain plates and compote from the 19th century, with floral décor, priced and sold individually. Born in England during the 19th century, each of these serving dishes fea...

Two English porcelain bowls from the 20th century, with ribbon-tied pink roses and gilt accents, priced and sold individually. Charming our eyes with their graceful lines and delicat...

English porcelain compotes and plates from the 20th century, with floral décor and gilded trim, priced and sold $275 individually. Attracting our attention with their lovely silhouet...

This is a beautiful square dessert dish made by Hicks & Meigh in about 1820. The dish has a deep cobalt blue ground, lavish gilding and panels with beautiful hand painted flowers. ...

A charming vase by the storied English firm of Coalport. This sweetie features 2 handles, and an interesting hand painted scene with river, mountains, flora fauna accented with white...

This is a rare and beautiful plate made by H&R Daniel in about 1842. The plate is potted in the "pierced" or "Queens" shape and bears an unknown pattern of gilt vermicelli on a cobal...

This is an extremely rare Belleek cabaret set for two, or "tête-à-tête", made in the Erne series brought out in the 1890s. The items carry the 2nd Black Mark, used between 1891 and 1926. The set consists of a teapot, a milk jug, a sugar bowl, two teacups and saucers, and a large matching tray. This set is very fine and with its restrained cream-white colour it would make a wonderful wedding gift! If you ever thought Belleek fine china looks, sounds and feels unique, you are right. There is a back story to this extraordinarily fine Irish eggshell porcelain, which has an unusually high amount of "frit" and therefore is thinner and finer than any other china. Pottery in Belleek (in the now Northern-Irish area of Fermanagh) had started in 1849 with John Caldwell Bloomfield, who was a wealthy land owner. During the Irish famine he realised that unless he would find a way for his tenants to make a profit off the land, they would starve. Agriculture had become impossible due to the agricultural diseases. This caused millions to starve and more millions to leave. As an amateur mineralogist, John Caldwell Bloomfield realised that his land had exactly the right mineral deposits to be used as clay for porcelain. He involved several investors and scientists and after many years of research, trial, error, the building of a railway line to import coal from England, and building a factory, the Belleek pottery resulted, employing the local people and soon producing the finest china made with clay from the Belleek area. What had started as a way to fend off famine among the local tenants had became a story of incredible success by the 1880s as Queen Victoria fell in love with the fine white china and the many homely, slightly bizarre but nature-loving designs; this was different from English tradition, yet it was very much to the taste of the British who had developed a real love for home-made fine china since it was introduced in the late 18th Century. Belleek not only brought out many tea services, but started a new tradition of intricately woven porcelain baskets. Soon the English nobility started to place big orders and the pottery is still flourishing today and selling its wares the world over, while in England most potteries have long disappeared. Belleek made many cabaret services, often called breakfast services or "tête-à-tête" services; these were used to carry breakfast tea up to the bedroom. Queen Victoria bought one in the Echinus style during a visit to the factory in the 1860s, and ever since Belleek's cabaret services have been in great demand. Nowadays there are very few of these left and it is rare to find a full service like this. The Erne series was named after the river right besides the Belleek factory. This river forms the border between the Republic of Ireland and Northern Ireland, with the factory on the Northern Irish end of the bridge at Belleek. The pattern seems to be a play on the baskets and nets of the fishermen who once fished the abundant trout and salmon on the river Erne and the lake that belongs to it. The items carry the second Black Mark, which was used between 1891 and 1926, however the very fine quality of the porcelain indicates that most pieces of the set are more likely to be from the 1890s than from the 20th Century. You will see that the shade of cob lustre is different on each item; this is normal for Belleek tea sets...

Set of three Spode Flower Cross Clobberware Dishes. Set includes two matching plates and one shallow bowl. Clobbered bowl measures: 10" diameter x 3" ta...

18th-century Derby Porcelain of Jupiter, Circa 1775-80 The Derby porcelain figure depicts the mythical figure of Jupiter. Jupiter stands on a square base with his right arm extende...

Fabulous set of three Crown bowls, designed by Gunnar Nylund for Rörstrand, Sweden Beautifully crafted fine porcelain of the purest white, each decorated with bright gilded bands Bel...

Made in England in 1920s. It is made in orange iridescent lacquered porcelain with decorations. This bowl - vide poche is vintage, therefore it might show slight traces of use, but ...

Pair Worcester First Period / Dr Wall chestnut baskets and lids. circa 1780. Blue underglaze porcelain, the body incised with honeycomb pattern and decorated w...

This is a good quality coffee can that we attribute to the Coalport Porcelain works, Shropshire, England, made during the John Rose period of the George 111rd years, circa 1805-1810. The coffee can is nominally parallel, tapering slightly to the base, with a simple loop handle with one lower kink and pointed attachments. It has a shallow foot recess with obtuse corner and is unmarked to the base. The pattern is beautifully hand painted in an all gold gilt floral upper border pattern with further gilding on the body above the base rim, around the upper rim and to the outer handle. We date this piece to the late George third...

This is a beautiful "true trio" consisting of a teacup, a coffee cup and a saucer, made by Flight & Barr between 1792 and 1804. The items are decorated with a sohpisticated abstract-looking pattern of brown and gilt daisies playfully trailing between brown half circles set in a gilt band. In the late 18th and early 19th century cups and saucers...

Antique English "Mintons" Majolica porcelain cobalt blue & seafoam green porcelain oyster plate, circa 1875.

This very pleasing early porcelain early English porcelain vase was made at the Chamberlain and Co. Factory in Worcester which had London showrooms at 155 New Bond Street and Coventr...

Rare antique English "Joseph Holdcroft" Minton Majolica porcelain hand-painted emerald green and mottled beige oyster plate, circa 1880-1890.

Antique English "Mintons" Majolica porcelain seafoam green and burnt umber radial oyster plate, circa 1860-1870. Large 12 well format.

An exceptional Barr Flight Barr Worcester porcelain platter c.1804-1813 made for the Cookesfamily of Bentley, Worcestershire, Hand Painted with their family crest and motto, DEO REGI...

This is a beautiful plate made by Copeland in 1848. It is decorated with a sublimely painted flower arrangement by the artist Greatbatch. We have two sets of 8 of these plates available, as well as a few more separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. This plate was potted in fine white bone china, the rim meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made this plate expensive. The sublimely painted flower arrangement painted in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. This plate would have belonged to a sublimely expensive dessert service. It is stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and...

Stunning and quite rare Hand Painted English Porcelain Coalport Pair of Cabinet or Wall Plates Still Life of Fruits, hand decorated by renowned English Artist Frederick H Chivers, of...

This is a beautiful chocolate cup set made by Chelsea-Derby between 1770 and 1775, which was the Rococo era. The set consists of a cup, a saucer and a cover, and is decorated in a st...

Set of 12 antique English fluted edge porcelain dessert or salad "Royal Crown Derby" plates, Circa 1900-1920's.

This is a beautiful true trio made by Barr, Flight & Barr, consisting of a teacup, a coffee can and a saucer. The set has a deep maroon ground and a very gracious gilt neoclassical b...

This is a beautiful plate made by Copeland in 1848. It is decorated with a sublimely painted flower arrangement by the artist Greatbatch. We have two sets of 8 of these plates available, as well as a few more separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. This plate was potted in fine white bone china, the rim meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made this plate expensive. The sublimely painted flower arrangement painted in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. This plate would have belonged to a sublimely expensive dessert service. It is stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and...

This is a beautiful tea bowl and saucer made by Derby in about 1785. The set has the distinctive "artichoke" moulding and a bright turquoise ground with the white artichoke surface ...

This is a very good hard paste porcelain early Coffee Can or cup with a loop handle, hand decorated in the Royal Lily pattern by Worcester during the Barr p...

This is a beautiful plate made by Copeland in 1848. It is decorated with a sublimely painted flower arrangement by the artist Greatbatch. We have two sets of 8 of these plates available, as well as a few more separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. This plate was potted in fine white bone china, the rim meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made this plate expensive. The sublimely painted flower arrangement painted in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. This plate would have belonged to a sublimely expensive dessert service. It is stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and...

A rare set of two (2) Wedgwood Dynasty collection porcelain bread plates, circa late-20th century, England. A beautiful set of Wedgwood 'Dynasty' coll...

This is a stunning tea service made by Spode in about 1810, consisting of a large teapot with cover, a milk jug, a sucrier with cover, a slop bowl, a saucer dish and 4 teacups with s...

This is a stunning set of 8 reticulated plates made by Copeland in 1848. Each plate is decorated with a unique sublimely painted flower arrangement by the artist Greatbatch. We have a second set of 8 of these plates available, as well as a few separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. These plates were potted in fine white bone china, the rims meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made these plates expensive. The sublimely painted flower arrangements in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. These plates would have belonged to a sublimely expensive dessert service. They are all stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and Porcelain...

20th c., English, Royal Tuscan for Harrold's of London (52) pieces, white porcelain dinnerware, with gilt rim decorated in gold Greek Key de...

This is a sublimely made porcelain figure of the female "Ranelagh Dancer", made by Derby between 1759 and 1769, which was the Rococo era. The figure would originally have had a male ...

This is a fabulous set of large plates made by Barr, Flight & Barr between 1804 and 1813. The plates are decorated with a beautiful and famous pattern of bright iron red/orange vines...

This is a stunning set of 8 reticulated plates made by Copeland in 1848. Each plate is decorated with a unique sublimely painted flower arrangement by the artist Greatbatch. We have a second set of 8 of these plates available, as well as a few separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. These plates were potted in fine white bone china, the rims meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made these plates expensive. The sublimely painted flower arrangements in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. These plates would have belonged to a sublimely expensive dessert service. They are all stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and Porcelain...

Antique English Wedgwood Jasperware Porcelain Cheese Dome and Cover, Circa 1890-1910.