"0024XXL" Pendant Lamp in Glass and Brass Designed by Gio' Ponti for FontanaArte
About the Item
- Creator:Gio Ponti (Designer),Fontana Arte (Manufacturer)
- Dimensions:Height: 54.5 in (138.43 cm)Diameter: 55.7 in (141.48 cm)
- Style:Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2017
- Production Type:New & Custom(Current Production)
- Estimated Production Time:11-12 weeks
- Condition:
- Seller Location:Brooklyn, NY
- Reference Number:1stDibs: LU163929330691
Gio Ponti
An architect, furniture and industrial designer and editor, Gio Ponti was arguably the most influential figure in 20th-century Italian modernism.
Ponti designed thousands of furnishings and products — from cabinets, mirrors and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan, and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in the spheres of modern art and design.
The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre.
In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern, but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged, and after the conflict, Ponti — along with designers such as Carlo Mollino, Franco Albini, Marco Zanuso — found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, and colorful; equally elegant and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes, and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo and others.
Ponti's signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.)
Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956.
Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph, which was written for the London show, offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic.
Find a range of vintage Gio Ponti desks, dining chairs, coffee tables and other furniture on 1stDibs.
Fontana Arte
Best known for its elegant and innovative vintage lighting fixtures, the Milan-based firm Fontana Arte pioneered one of the key features of 20th-century and contemporary Italian design: the union of artistry and industry wrought by partnerships between creative talents — chiefly architects — and entrepreneurial businesses. Fontana Arte is further distinguished by having had as artistic director, in succession, four of Italy’s most inventive modernist designers: Gio Ponti, Pietro Chiesa, French transplant Max Ingrand and Gae Aulenti.
The bread and butter of the glassmaking company that Luigi Fontana founded in 1881 was plate-glass panels for the construction industry. In 1930, Fontana met Ponti — then the artistic director of the Richard Ginori ceramics workshop and the editor of the influential magazine Domus — at a biannual design exhibition that became the precursor to today’s Milan Design Triennale, and the two hatched an idea for a furniture and housewares firm. Fontana Arte was incorporated in 1932 with Ponti as its chief of design. He contributed several lamps that remain among the company’s signature works, including the orb-atop-cone Bilia table lamp and the 0024 pendant — a stratified hanging sphere.
The following year, Fontana Arte partnered with the influential Milan studio glassmaker and retailer Pietro Chiesa, who took over as artistic director. Chiesa’s designs for lighting — as well as for tables and items including vases and ashtrays — express an appreciation for fluidity and simplicity of line, as seen in works such as his flute-shaped Luminator floor lamp and the 1932 Fontana table — an arched sheet of glass that is held in the permanent collection of the Museum of Modern Art.
Six years after Chiesa’s 1948 death, the École des Beaux Arts–trained Max Ingrand took over as head of design at Fontana Arte. Ingrand brought a similarly expressive formal sensibility to wares such as lamps and mirrors, but he also had a masterful eye for the manipulation of glass surfaces — whether they be cut, frosted, acid-etched or sand-blasted. His classic design is the Fontana table lamp of 1954, which has a truncated cone shade and curved body, both of which are made of pure, chic white-frosted glass.
Following Ingrand, the often-audacious Italian architect Gae Aulenti served as the company’s artistic director from 1979 to 1996, and while she generally insisted that furnishings take second place aesthetically to architecture, she made an exception for Fontana Arte pieces such as the Tavolo con Ruote series of glass coffee and dining tables on wheels, bold lighting pieces such as the Parola series and the Giova, a combination flower vase and table lamp. As a key incubator of modern design under Aulenti’s tenure, Fontana Arte remained true to its long-held commitment — creating objects that have never been less than daring.
Find vintage Fontana Arte lighting fixtures such as pendants, table lamps and more on 1stDibs.
- ShippingRetrieving quote...Ships From: Bordentown, NJ
- Return PolicyThis item cannot be returned.
- Gio Ponti Fontana Arte 0024 Suspension Lamp in Glass and Brass, Designed in 1932By Fontana Arte, Gio PontiLocated in Brooklyn, NYDesigned by Gio Ponti and manufactured by Fontana Arte, the 0024 suspension lamp was designed in 1932 and made from transparent tempered glass discs, tubular sandblasted glass diffuser and a chrome-plated brass frame with canopy and all frame trim in chromed. The lamp features a series of horizontal discs in clear tempered glass for a true light...Category
Vintage 1930s Italian Modern Chandeliers and Pendants
MaterialsBrass
- "Tavolino 1932" Coffee Table Designed by Gio' Ponti for FontanaArteBy Fontana Arte, Gio PontiLocated in Brooklyn, NY"Tavolino 1932" is a classic coffee table, originally designed by Gio' Ponti in 1932 and manufactured by FontanaArte, made of two 0.59" th. discs of float glass and featuring a frame in polished nickel plated brass. Indoor use only. DIMENSIONS: Ø 24", H. 24" GIO' PONTI, right from the start, was active in the fields of architecture, painting, graphics and set design as an eclectic character. He graduated from Milan Polytechnic in 1920 and was art director for Richard Ginori from 1923-1930. In 1926, with editor Gianni Mazzocchi, he founded the magazine Domus, staying on as editor until his death. He was invited to take over the art direction of Luigi Fontana in 1931 and in 1932 he founded FontanaArte with Pietro Chiesa. He was one of the promoters of the Compasso d’Oro Award and a founder member of the ADI (Italian association for industrial design), as well as curating programmes for the Milan Triennale on many events and teaching at Milan Polytechnic. He designed numerous famous public and private buildings, including the houses in Via De Togni, the tower-house in Corso Venezia, offices for RAI and Ferrania, the Littoria tower in Parco Sempione, the Pirelli skyscraper in Milan, Taranto Cathedral, Villa Planchart in Caracas and Denver Museum of Modern Art. In the field of design he created timeless furniture, lighting and objects for FontanaArte, as well as the Superleggera chair and furniture for Cassina, Christofle cutlery and Richard Ginori china.Category
21st Century and Contemporary Italian Modern Coffee and Cocktail Tables
MaterialsBrass, Nickel
- "Kanji" Blown Glass Thin Pendant Lamp Designed by Denis Guidone for FontanaArteBy Denis Guidone, Fontana ArteLocated in Brooklyn, NY"Kanji" is a thin pendant lamp, designed by Denis Guidone and manufactured by FontanaArte, made in blown glass with two finishes, transparent smoky gray and frosted white, and structure and handle in black painted metal. It cab be provided with a dimmer and lighting source is 10W LED (2700K, CRI>80, Lumen 1000). Dimensions: Ø 12.2", H. 20.2" (lamp) plus 98.4" "Kanji" is a collection of lighting elements that reinterprets traditional Oriental portable lanterns in a contemporary vision. Available in tabletop and ceiling models, it draws inspiration from Chinese porcelain dating from the Ming dynasty. The hand-blown glass diffuser, in frosted white and translucent smoky gray, is adorned with a pleated surface decoration. A LED ring runs inside the structure and magically illuminates the diffuser. Evocative of Far East not only as form but also as a name, as "Kanji" are characters of Chinese origin used in Japanese writing in conjunction with the Hiragana and Katakana syllabaries, "Kanji" is designed to be used alone or in pairs, with each form amplifying the aesthetic power of the other. Denis Guidone studied architecture at the Politecnico di Milano and at FAUP in Oporto. He won numerous international awards, including the IDA Design Award in Los Angeles. He was also given the Bruno Munari Prize by Gillo...Category
21st Century and Contemporary Italian Modern Chandeliers and Pendants
MaterialsMetal
- "Kanji" Blown Glass Wide Pendant Lamp Designed by Denis Guidone for FontanaArteBy Denis Guidone, Fontana ArteLocated in Brooklyn, NY"Kanji" is a wide pendant lamp, designed by Denis Guidone and manufactured by FontanaArte, made in blown glass with two finishes, transparent smoky gray and frosted white, and structure and handle in black painted metal. It cab be provided with a dimmer and lighting source is 10W LED (2700K, CRI>80, Lumen 1000). Dimensions: Ø 16.8", H. 15.3" (lamp) plus 98.4" "Kanji" is a collection of lighting elements that reinterprets traditional Oriental portable lanterns in a contemporary vision. Available in tabletop and ceiling models, it draws inspiration from Chinese porcelain dating from the Ming dynasty. The hand-blown glass diffuser, in frosted white and translucent smoky gray, is adorned with a pleated surface decoration. A LED ring runs inside the structure and magically illuminates the diffuser. Evocative of Far East not only as form but also as a name, as "Kanji" are characters of Chinese origin used in Japanese writing in conjunction with the Hiragana and Katakana syllabaries, "Kanji" is designed to be used alone or in pairs, with each form amplifying the aesthetic power of the other. Denis Guidone studied architecture at the Politecnico di Milano and at FAUP in Oporto. He won numerous international awards, including the IDA Design Award in Los Angeles. He was also given the Bruno Munari Prize by Gillo Dorfles...Category
21st Century and Contemporary Italian Modern Chandeliers and Pendants
MaterialsMetal
- "Pinecone" Large Pendant Lamp Designed by Paola Navone for FontanaArteBy Fontana Arte, Paola NavoneLocated in Brooklyn, NY"Pinecone" is a large pendant lamp, designed by Paola Navone and manufactured by FontanaArte, with a lampshade in transparent or frosted white blown glass and a metal cage with nicke...Category
21st Century and Contemporary Italian Modern Chandeliers and Pendants
MaterialsMetal
- "Flute Magnum" Glass and Aluminum Pendant Lamp by Franco Raggi for FontanaArteBy Franco Raggi, Fontana ArteLocated in Brooklyn, NY"Flute Magnum" is a pendant lamp, designed by Franco Raggi and manufactured by FontanaArte, with a transparent borosilicate glass diffuser, a reflector in polished chromed aluminum a...Category
21st Century and Contemporary Italian Modern Chandeliers and Pendants
MaterialsAluminum, Chrome
- Gio Ponti for Fontana Arte Suspension lamp mod. 0024 metal and glass design 1933By Gio Ponti, Fontana ArteLocated in Milan, ITAn iconic design by Gio Ponti for Fontana Arte in 1933, this chandelier is a classic of Italian design. With its timeless elegance and a geometrically simple idea, this chandelier ca...Category
Vintage 1930s Italian Chandeliers and Pendants
MaterialsMetal
- Floor lamp mod. 0024 Grande, design by Giò PONTI for FONTANA ARTE. ItalyBy Fontana Arte, Gio PontiLocated in Torino, ITFloor lamp mod. 0024 Large, design by Giò PONTI for FONTANA ARTE. Dimmable diffused light on the floor with slide switch. ORIGIN Italy DESIGNER Gio PONTI (1891-1979) was an influen...Category
1990s Italian Floor Lamps
MaterialsMetal
- Gio Ponti for Fontana Arte brass crystal frosted glass chandelier 1938By Fontana Arte, Gio PontiLocated in Paris, IDFThis superb chandelier, designed by Gio Ponti for Fontana Arte in 1938, is a variation of the Padelle chandelier designed in the early 1930s. It consists of a large flat disc of crys...Category
Vintage 1930s Italian Mid-Century Modern Chandeliers and Pendants
MaterialsBrass
- Italian Midcentury Gio Ponti for Fontana Art Glass Gilt Brass 8-Light ChandelierBy Gio Ponti, Fontana ArteLocated in Coimbra, PTThis original brass chandelier from the 1950s is attributed to Gio Ponti (1891-1979) and Emilio Lancia (1890-1973). Made of solid polished brass, white lacquered aluminum and 8 bevel...Category
Mid-20th Century Italian Mid-Century Modern Chandeliers and Pendants
MaterialsAluminum, Brass
- Gio Ponti Luna Suspension Lamp in Brass for Tato ItaliaBy Gio Ponti, Tato ItaliaLocated in Glendale, CAGio Ponti Luna Suspension Lamp in Brass for Tato Italia. Designed by Italian design icon Gio Ponti, this authorized Tato Italia re-editi...Category
21st Century and Contemporary Italian Mid-Century Modern Chandeliers and...
MaterialsBrass
- Venini Gio Ponti Chandelier in Grey and Green by Gio PontiBy Gio Ponti, VeniniLocated in Brooklyn, NYGlass chandelier with gold plated metal finishes and chain. A colorful chandelier with a touch of elegance that adds color to any living room or entrance space. Also available in var...Category
21st Century and Contemporary Italian Modern Chandeliers and Pendants
MaterialsArt Glass
Recently Viewed
View AllRead More
Barnaba Fornasetti’s Hallucinatory House Has His Father’s Spirit
Behind a nondescript facade in northeastern Milan is the magical residence of Barnaba Fornasetti. It's a shrine to the style developed by his design-legend father, which still defies categorization.
Billy Cotton Layers His Interiors with Lived-In Comfort
The Brooklyn-based designer is adept at styles ranging from austere to over-the-top, espousing an architectural, detail-oriented approach also evident in his line of furniture and lighting.