French Art Deco Table Lamp by Loetz, 1920s

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French Art Deco Table Lamp by Loetz, 1920s

About the Item

Art Deco table lamp in blackened and hammered wrought iron decorated with leaves and geometric lines, beautiful base and a tulip glass paste by Loetz Powolny in orange color decorated with a black serpent snake around. In a very good general and working condition, electric part has been checked, France, circa 1925 Dimensions: Height 30 cm Diameter 11 cm weight 1 kg About Loetz Witwe The beginnings Loetz factory: In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic and called Klášterský Mlýn. His heirs sold the glassworks to Martin Schmid in 1849, and two years later Schmid sold it to Frank Gerstner, attorney-at-law, and his wife Susanne. Susanne was the widow (‘Witwe’ in German) of Johann Loetz, a glassmaker about whom we know very little. Gerstner transferred sole ownership to Susanne shortly before his death in 1855 and she successfully led and expanded the company during the subsequent 20 years, manufacturing mainly crystal, overlay and painted glass. In 1879, Susanne transferred the company, now called ‘Johann Loetz Witwe’, to Maximilian von Spaun, the son of her daughter Karoline. One year later, von Spaun hired Eduard Prochaska and the two of them modernized the factory and introduced new, patented techniques and processes. The historicist period The first fruits of this collaboration were exciting innovations in Historicism glass, including Intarsia and Octopus glass and the very popular marbled (‘marmorisierte’) glass which imitated semi-precious stones like red chalcedony, onyx and malachite. Success at exhibitions in Brussels, Munich and Vienna were crowned by awards at the Paris World’s Exposition in 1889. In 1897, von Spaun first saw Tiffany Favrile glass exhibited in Bohemia and Vienna, and this convinced him that the Art Nouveau style was also the way to go for Loetz Witwe. The next eight years were to be the most artistically significant and profitable period in the entire history of the company. The Art Nouveau period, the Glory Years Loetz Paris Expo1900Loetz Paris Expo1900The glassworks created large numbers of its own new designs of iridescent, trailing Art Nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The Zenith of Loetz Art Nouveau glass was epitomized by the so-called Phänomen series of designs, much of it designed by Hofstötter, which won a Grand Prix (alongside Tiffany, Gallé, Daum and Lobmeyr) at the Paris World’s Exposition in 1900. The company’s success during this period had two prime drivers, the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel (London). The Dawn of Art Deco, a Difficult Transition Although 1904 saw yet another award, a Grand Prix at the St. Louis World’s Fair, sales started to lose momentum as interest in Phänomen glass waned. New artistic impulses were needed to compensate for a lack of in-house innovation, and Loetz Witwe intensified its collaboration with Viennese designers like Leopold Bauer, Otto Prutscher and Josef Hoffmann before, in 1909, appointing Adolf Beckert, a specialist for etched decoration, as its new artistic director. In the same year, von Spaun transferred management of the glassworks to his son, Maximilian Robert. Maximilian Robert was less effective n managing the glassworks than his father had been, and financial problens worsened culminating in Loetz Witwe declaring bancruptcy in 1911. Injections of von Spaun family money and the continuing efforts of Prochaska meant that the glassworks could still operate, noticeably with etched designs by Hoffmann, Hans Bolek and Carl Witzmann, but the company was dealt another blow when Beckert left in 1913. The new etched designs plus newly introduced Tango glass were shown at the Deutsche Werkbund exhibtion in 1914, but then came the doubly blow of a major fire at the glassworks and the outbeak of the First World War. The Decline and Fall of Loetz Loetz FireLoetz FireAfter the war, temporary respite was achieved thanks to the production of popular colored opal glass, but then unavoidable investments in renovation of the glassworks in 1920 led to new financial problems. Lacking new ideas, Loetz Witwe reverted to adapting its old, Art Nouveau decors to the Art Deco style, and to making old-fashioned and low-quality cameo glass and glass animals; but sales continued to decline. The Great Depression in the late twenties and another fire in 1930 hit the company hard, and during the thirties the glassworks changed ownership several times, often had to close down for long periods and finally declared bancruptcy once more in 1939, following the German invasion of Czechoslovakia. The glassworks manufactured utilitarian glassware for the Third Reich throughout the war, but then ultimately closed down completely in 1947.

Creator:
Loetz Glass (Maker)
Dimensions:
Height: 11.82 in (30 cm)Diameter: 4.34 in (11 cm)
Style:
Art Deco (In the Style Of)
Materials and Techniques:
Glass,Wrought Iron,Blackened,Hammered
Place of Origin:
France
Period:
1920-1929
Date of Manufacture:
circa 1925
Condition:
Wear consistent with age and use.
Seller Location:
Paris, FR
Reference Number:
1stDibs: LU254637191433

Shop All Loetz Glass

Loetz Glass

Best known to collectors for their magnificent Marmoriertes and Phänomen glass creations, the Loetz Glass company was a leading Art Nouveau producer of fine glass vases, bowls and other decorative objects through the mid-19th and early 20th centuries.

Shortly before his death in 1855, attorney Frank Gerstner transferred sole ownership of his glassworks company to his wife Susanne. The company, which was founded in what is now the Czech Republic in 1836 by Johann Eisner, was renamed Johann Loetz Witwe by Susanne Gerstner as a tribute to her late husband who preceded Gerstner, a glassmaker named Johann Loetz (Loetz was also known as Johann Lötz).

For 20 years, Gerstner led the company, expanding its manufacturing and distribution capacity. It proved profitable, but the glassworks' popularity didn't start gaining significant momentum until after Gerstner transferred sole ownership to her grandson Maximilian von Spaun in 1879.

Von Spaun and designer Eduard Prochaska developed innovative techniques and solutions for reproducing historical styles of decorative glass objects, such as the very popular marbled Marmoriertes glass — a technique that lends glass an appearance that is similar to semi-precious stones such as onyx or malachite. Under von Spaun’s leadership, the firm’s works garnered them success in Brussels, Vienna and Munich, and Johann Loetz Witwe won awards at the Paris World Exposition in 1889. In 1897 von Spaun first saw Favrile glass in Bohemia and Vienna.

The work in Favrile glass, a type of iridescent art glass that had recently been developed and patented by Louis Comfort Tiffany, founder of iconic American multimedia decorative-arts manufactory Tiffany Studios, inspired von Spaun to explore the era’s burgeoning Art Nouveau style — or, as the firm was established in a German-speaking region, the Jugendstil style.

The company partnered with designers Hans Bolek, Franz Hofstötter and Marie Kirschner and thrived until von Spaun passed it down to his son, Maximilian Robert.

With the Art Deco style taking shape around the world, the company was unable or unwilling to adapt to change. Loetz Glass collaborated with influential names in architecture and design, including the likes of Josef Hoffmann, a central figure in the evolution of modern design and a founder of the Vienna Secession. Unfortunately, the glassworks’ partnerships did them little good, and the company’s mounting financial problems proved difficult to navigate. Two World Wars and several major fires at the glassworks took their toll on the firm, and in 1947 the Loetz Glass Company closed its doors for good.

Today the exquisite glass produced by Loetz Glass Company remains prized by collectors and enthusiasts alike.

On 1stDibs, find antique Loetz Glass Company glassware, decorative objects and lighting.