Regency Books

Woodstock Handmade Houses by Robert Haney, David Ballantine. Published by Ballantine, new York, 1974. Illustrated softcover binding, many photos, shelf and edge wear.

Privately published in 1990 by the office of Thierry Despont to celebrate the 10th anniversary of Thierry W Despont Ltd, . One of a limited edition o...

This book is a wonderful social record of the bright young things and how they lived in the early years of the 20th century, told and photographed ...

Collection of Leather Bound Art Deco Photo Albums of European Travel, the actual albums are probably French, circa 1920's. They document fabulous trips throughout Europe in the 1920'...

The definitive collection of artist profiles by legendary journalist and New Yorker writer Calvin Tomkins, from the 1960s to today In 1959, Calvin Tomkins interviewed Marcel Duchamp for Newsweek, beginning his six decade- long career writing about art. He then joined The New Yorker, where he has contributed dozens of profiles on the most interesting artists of the time, from Jasper Johns and Robert Rauschenberg to Cindy Sherman and Mark Bradford. This six-volume set includes 82 of Tomkins's most significant profiles dating from 1962-2019. Part art history, part human interest, Tomkins offers insights and observations about the artists, their work, and the ever-changing art world they inhabit. Calvin Tomkins has been a staff writer for The New Yorker since 1960. He has written more than a dozen books, including The Bride and the Bachelors, Merchants and Masterpieces, Living Well Is the Best Revenge, Off the Wall, Duchamp: A Biography, and Lives of the Artists...

Bruce Weber by Bruce Weber. Published by Twelvetrees Press, Los Angeles, 1983. Stated 1st Limited Edition (1/5000) hardcover with dust jacket. Beautifully illustrated with over 50 full-page photogravure plates of male models and actors, a few tinted with halftone colors. Contains subjects: Brothers, Matt...

A beautiful antique copper book stand, decorated with bronze ornaments. Gothic style, from circa 1900. The front has ben re-upholstered recently, with a nice blue fabric. The book...

This is a gorgeous magazine rack or centerbury which can be used for sheet music or of course magazines. The piece is in good condition and has minimal signs of wear. Measures 24 wid...

The English Country House By: James Peill Foreword by Julian Fellowes Photographs by James Fennell “I am sure that this book will give great pleasure to any who open its covers.”　—Julian Fellowes, from the Foreword Stately, grand, and a testament to the generations who have cared for them, the 10 English country houses featured in this volume are architecturally distinctive and filled with evocative family memorabilia, from commissioned portraits to monogrammed heirloom dinner services to the bells that once summoned the downstairs staff. Like the fictional Downton Abbey, these real homes are still in the hands of descendants of the original owners. From Kentchurch Court, which has been the seat of the Scudamore family for nearly 1,000 years, to a delightful Gothic house...

A House in the Country By: Peter Pennoyer and Katie Ridder with Anne Walker Photography by Eric Piasecki Nestled amid the lush, gently rolling hills of cattle and horse farms in Millbrook, New York, is a handsome Greek Revival house that looks like it’s always been there. In fact, it is brand new—the collaborative effort of architect Peter Pennoyer and his wife, interior designer Katie Ridder...

Transform your space with the timeless allure of our antique decorative books. Crafted with exquisite handbinding, these antique leatherbound books...

Van Gogh a Retrospective 1986 1st edition. Large beautiful heavy hardcover coffee table book. New York: Hugh Lauter Levin Associates, 1986. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Dimensions:13.50 X 10.5 X 1.50 inches. * Publisher ‏ : ‎ Hugh Lauter Levin Associates; First edition. (January 1, 1986) * Language ‏ : ‎ English * Hardcover ‏ : ‎ 385 pages Synopsis: This is a very useful book. If you are interested only in the reproductions (good drawings as well as paintings), you will enjoy their high quality--and the breadth of Vincent's work that they cover. If you are interested in primary resources about van Gogh's life--newspaper articles; letters and reminiscences from friends, fellow artists, relatives--this volume is a real treasure. Between the excellent reproductions and the extraordinarily fine collection of biographical materials, this must be the best one-volume source on van Gogh. By the time he died in 1890 at the age of thirty-seven Vincent van Gogh had painted hundreds of pictures, yet sold only a few. Today his paintings sell for millions of dollars each, and his life as an artist is legendary. He is the quintessential modern artist, operating on the edge of his sensibilities, where life and art are inextricably bound together. Van Gogh : a retrospective tells the story of the great Dutch artist as a single volume has never told it before, illuminating his work with a fascination selection of primary texts, including some of Van Gogh's letters. In 125 superb color reproductions and 103 black-and-white illustrations, the struggles and triumphs of Van Gogh's art are surveyed from the early dark landscapes and paintings of Dutch and Belgian laborers to the bright, intense visions of Paris, Arles, Saint Remy, and Auvers, where he took his life. Complementing the works are pertinent photographs from the period and portraits of the artist by Toulouse-Lautrec, Emile Bernard, Paul Gauguin, and others. Vincent Willem van Gogh was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. From Publishers Weekly "He did not paint his pictures; it was like he exhaled them in a gasping, boiling breath," one German critic aptly wrote of Van Gogh. Reminiscences of the artist by friends and passing acquaintances, letters from his brother Theo and appreciations by critics and artists make up the text of this handsomely packaged potpourri. For Margritte, the blind force of Van Gogh's obsessions made the tortured artist an unfree man. To Kokoschka, the tension in the painter's famous sunflowers and undulating cypresses speak of the fragility of an easygoing lifestyle in a mechanized age. Each artist seems to confront his or her own concerns when analyzing Van Gogh. Jean Renoir, Francoise Gilot, Gauguin and Klee are among the commentators. One hundred twenty-five superior color reproductions and 103 halftones remind us that Van Gogh could do a very formal Still Life with Coffeepot, a street scene ablaze with fauve-like color or the solemn, biblical Raising of Lazarus...