Original Copper Engraving of Koroni 'or Corone', Greece, 1688

Antique print titled 'Die Stadt und Vestung Coron, wie dieselbe durch die Venetianische Waffen beschossen und erobert worden Anno 1685'. Copper engraving of Koroni (or Corone), Greec...

Antique print Greece titled 'De Klip van Kaloiero'. Old print of the Island Kaloiero or Panaia, Greece. This print originates from 'Nauwkeurige Be...

Antique print Greece titled 'Het Eilant Standia'. Old print of the island Standia, near Crete, Greece. This print originates from 'Nauwkeurige Bes...

Antique print Greece titled 'Bergh Cinthus'. Old print of Mount Cinthus (birth place of Apollo), Delos, Greece. This print originates from 'Nauwkeurige Beschrijving der eilanden in de in de Archipel der Middellantsche Zee' by O. Dapper. Mount Cynthus (Kýnthos) is located on the isle of Delos, part of the Greek Cyclades. In Greek mythology, Leto gave birth to Apollo and Artemis...

Description: Untitled print of one of the islands of Greece, most likely Gavdopoula (located south of Crete). Gavdopoula is an islet located north-west of its larger neighbour, G...

Attractive minature map of Greece or 'Graecia" Maker/Publisher: A. Ortelius/A. en F. Arsenius / M Coignet / J. van Keerbergen - 1601-1620 With a si...

Great map of Ancient Greece. Showing the region of Phocis, including the Gulf of Corinth Drawn by J.D. Barbie Du Bocage Copper plate engraving by P.F Tardieu Original hand c...

Print by engraving on copper plate from the Panckoucke Encyclopédie méthodique, end of the 18th century, volume Marine Planches (more than 1,500 figures dealing with all subjects on ...

Print by engraving on copper plate Tav III TIX fig. 17-22 from the volume Navigazione; with frame 28 x 33. Some calculations are depicted. Very good condition. Shipping is insured by...

"The Small Horse" copper plate engraving by Albrecht Dürer, circa 1505. This is a 19th century engraving, printed in black on laid paper, framed by a beautiful gilt and ebonized carv...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Cartographer from Germany 1678-1757. Hand colored. Gilt wood frame. Estate of William Hodgins.