Australian Furniture

Single Black Honey Wall Sconce by Coco Flip Dimensions: D 22 x W 22 x H 7 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: 2kg Standard fixtures included 1 x cer...

Woodland Grey Table 02 by Coco Flip Dimensions: D 48 / 85 x H 32 / 36 / 40 / 42 cm Materials: Mild steel, powder-coated with zinc undercoat. Weight: 20 kg Coco Flip is a Melbourne ...

Woodland Grey Table 01 by Coco Flip Dimensions: D 48 x W 48 x H 32 / 36 / 40 / 42 cm Materials: Mild steel, powder-coated with zinc undercoat. Weight: 12kg Coco Flip is a Melbourne...

Raw and Pink Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: Pink. Ce...

Surfmist Table 03 by Coco Flip Dimensions: D 48 / 122 x H 32 / 36 / 40 / 42 cm Materials: Mild steel, powder-coated with zinc undercoat. Weight: 30 kg Coco Flip is a Melbourne base...

Green and White Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: White...

Green and Pink Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: Pink. ...

Blue and Pink Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: Pink. C...

Earth and White Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: White...

Blue and White Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: White ...

Raw and White Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: White. ...

Earth and Pink Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: Pink. ...

Black and Pink Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: Pink C...

Solid Brass Aesop Oil Burner by Henry Wilson Dimensions: W 13 x D 11 x H 7 cm Materials: Brass An object of substance and beauty, a unique, refined alternative to traditional burners. Designed for Aesop by Studio Henry Wilson...

Onda Coffee Table in Verde Bianco designed by Just Adele. Made to order just for you locally in Melbourne. The Onda Coffee Table is characterised by its ...

An exceptionally rare pair of John Campbell planter pots. The design is attributed to John Cambell's son, Rupert John Campbell. John Campbell produced decorative pots at his brick works and pottery in Launceston, Tasmania from 1880 until 1975. Rupert John inherited his father's works and was a skilled artisan and potter. He developed presses for decorative pottery. This beautiful pair of jardinières likely date to the early 1900s. They were passed down through three generations. The original owner gave them to her son. In the 1980s the (then elderly) son gifted them to a friend (the last owner before this sale). At the time they received them they were made aware of their age and rarity. Now, another forty years later, they are potentially the only pair in existence. Only one similar John Campbell un-glazed terracotta 'umbrella stand' can be found on record. It was sold in 2008 in Tasmania, at a 'Fine Colonial Decorative Arts' auction run by Mossgreen Auctions, a reputable auction house, though since closed. I can find no other reference to this model, except an acknowledgement of the existence of an un-glazed terracotta umbrella stand, in the definitive record of Campbell's work by Kevin Power, 'John Campbell Pottery: Recollections and Collections' published 2014. These are of the same design and size but were manufactured with drainage holes in the base. They were clearly decorated using a press but the clay slabs were pushed into the press by hand. The interior of each pot shows the marks of hammers used to force the clay into the face of the press pattern. They have a hand-crafted appearance, with hand finished mould lines to each side and there are pressing faults apparent in various areas of the pattern. Tasmania was notably independent in production of most household goods, due to the isolation of the colony right up until the turn of the 19th century. Being at the farthest reaches of the British Empire, settled as a penal colony, with a relatively low consumer population, it was not a market for the high-volume import of domestic goods. As a consequence, household wares and decorative pieces produced in Tasmania through the 19th century represent a wholly independent category of Australian colonial design, production and craft. These pots are highly collectable and scarce artifacts of one of Tasmania’s earliest industries. In aesthetic terms, many Tasmanian artifacts are notable for following British, Georgian and Victorian fashions but with a colonial character of their own devising. Local characteristics became a stronger feature of Tasmanian decoration over time. Note the classical Georgian/Victorian chinoiserie motif of a bird foraging among rushes. In this case, the local interpretation depicts a Brolga (the largest Australian wetland bird) foraging amongst native Australian reeds and water lilies. Another of the things that sets early Tasmanian artifacts apart is the way in which necessity forced artistic production in pottery to be less refined than that of their British counterparts. A broad range of products had to be produced to meet local requirements, often by a single producer. John Campbell’s pottery is a great example of this practical necessity. It produced everything from industrial drainage pipes and bricks to household pottery and decorative items, all from a relatively small family run factory. Their domestic wares were so well trusted and appreciated that they by the 1940s they made their way all over the mainland of Australia. Under these circumstances, the refinement of decorative technique was not as great a priority as utility, consistent quality of production and durability. As a consequence, Australian colonial works and their early 20th century descendants such as these pots, are hugely appealing. They have an idiosyncratic and vernacular appearance, with British and European stylistic trends of their day overlaying a base of inventiveness, local interpretation and sturdy functionality. We hope you can appreciate the rarity and significance of this well-preserved pair of planter...

Art Deco silver plate cocktail shaker of exaggerated geometric form with incised line decoration to the foot and body, an exaggerated handle and spout with a threaded cap secured by ...

A monumental Australian aboriginal throwing club, crafted from a very hard wood and it dates to the early 20th century. Incised longitudinal fluted design with a pitch coated handle. Condition: Very good condition. Display base not included. Dimensions: 26.5 inches in length. Lifetime guarantee of authenticity: All of our works of art come with our lifetime authenticity guarantee. Red base not included. History: The throwing stick...

A lovely kiln-formed and wheel cut mosaic glass bowl from Klaus Moje's time in Canberra. Cf.: Dan Klein, "Artists in Glass - Late twentieth Century Masters...

Aegis Vase 350 by Lost Profile Studio Dimensions: ⌀ 15 x H 35 cm Materials: Brass, White Glass Finishes: Aged Brass (waxed) only Notes: The brass...

Aegis Vase 450 by Lost Profile Studio Dimensions: ⌀ 20 x H 45 cm Materials: Brass, White Glass Finishes: Aged Brass (waxed) only Notes: The brass...

Introducing the Pietra Dining or feature table; a new addition to the Pietra collection. Designed by Just Adele. Handcrafted in Italian natural stone combined with steel in bronze pa...

Continuum 500 Wall Sconce by Lost Profile Studio Dimensions: W 22 x D 9 x H 50 cm Materials: Brass, Glass, Aluminium, LED Finishes: Aged Brass (wa...

Continuum 900 Wall Sconce by Lost Profile Studio Dimensions: W 38 x D 12 x H 90 cm Materials: Brass, Glass, Aluminium, LED Finishes: Aged Brass (w...

Missing link wall sconce by Volker Haug Dimensions: Diameter 15 x height 34 cm Material: Brass. Finish: Polished,aged, brushed, bronzed, blackened, o...

Onda Side Table in Verde Bianco designed by Just Adele. Made to order just for you locally in Melbourne. The Onda Side Table is characterised by its ...

Altus Hall Table by Lost Profile Studio Dimensions: W 180 x D 40 x H 90 cm Materials: Brass, Aluminium (substrate under stone), Four Seasons Quart...

'Into The Inferno' is a sculptural coffee table, inspired by the process in which the elements and continuity of time shape our world. This piece conv...

Rene Coffee Table in Walnut stained natural oak and Travertine. Designed by Just Adele and handcrafted locally by skilled Artisans. Organic shapes with soft curved edges, elevate...

Aluminium Bottle Bracket by Henry Wilson Dimensions: W 4 x D 7 x H 8 cm Materials: Aluminium, Brass, Black Bronze Bottle Bracket is a solid, hand poured form available in dual or si...

Sofia Coffee Table designed by Just Adele. Designed with soft curved edges allowing the natural veins in travertine and texture to shine. Each piece is hol...

Simple cylindrical ceramic forms define the Terra 1 range, which comes in pendant light, wall light, and in long and short articulating wall light formats. The Terra 1 Short Articula...

Sofia Side Table designed by Just Adele. An occasional table, designed with soft curved edges allowing the natural veins in travertine to shine. Each piece...

Original vintage movie poster for the Australian release of the Japanese science fiction film Godzilla vs. Gigan "The Entire World Gripped by Terror!" (the 12th film in the Godzilla ...

Rene Side Table in Walnut and Travertine. Designed by Just Adele and handcrafted locally by skilled Artisans. Organic shapes and soft curved edges, elevated by the perfect mix of ...

White Onyx Stool by Henry Wilson Limited Edition Of 8 Pieces Dimensions: D 67,5 x W 61,5 x H 62,5 cm. Materials: White onyx. Henry Wilson's work combines a rational, democratic util...

Conical Bronze Wall Light by Henry Wilson Dimensions: W 19 x D 20 x H 12 cm Materials: Bronze Lost wax cast in solid bronze, the conical up light is our most complex production cast...

A Brutalist earthenware wall hanging or plate. This is a recent production (2012), but with an intentional 60s/70s vibe. We love the ocean-blue central glaze. It is deeply crackled...

This round fur ottoman will be the wow factor that your decor needs. The snow white Mongolian fur ottoman will look and feel super lush in any in...

Baby wall swing by Volker Haug Pyramid Scheme series Dimensions: W 15 D 10 H 9.5 cm Material: Brass Finishes: Polished, brushed or bronzed brass; ...

ADT Handle Brass by Henry Wilson Dimensions: D 3 x W 9 x H 1.8 cm Materials: Brass This versatile handle can be used for cabinetry, sliding doors and sash windows. Can be specif...

Banded Iron Fossil Formation Circa 2.9 Billion y/o This spectacular banded iron formation from Port Hedland, Western Australia, provides evid...

Brass Gio Hook by Henry Wilson Dimensions: W 2 x D 8 x H 12 cm Materials: Brass Note: Hooks come with matching screws. The Gio Hook is sand cast in solid bra...

Brass Palais Door Handle by Henry Wilson Dimensions: W 13 x D 8 x H 2 cm Materials: Brass Palais lever handle in high tensile brass or aluminium. Each ha...

Handmade in solid brass in Sydney, Australia by Dunlin. A new classic. A heavyweight brass spotlight. 22 cm Long x 10 cm diameter (8.6"L x 3.9"D) Finish: Noir Blackened Brass Av...

A total commitment to experimentation with materials. This piece is unsigned, but we note the muscular slab-built Brutalism of this piece and wonder about the influence of American Brutalist sculptor...

Very nicely hand turned bespoke wooden bowl, made from Jarrah Wood originating from Australia. Turned by hand, the bowl has a wonderful thick rim to it, giving a very nice chunky ap...

Lean back into a life of diplomatic trade agreements with this Arthur Stutchbury office chair. Blackbean frame with vinyl cushions freshly restored. Swivels, reclines and rolls. Adj...

Small granite top bistro table. imported by James Richardson. Seats four. Could work indoors or out. Two available. H 72cm, D 90cm Located ...

Carl Cooper (1912-1966) was born in Williamstown, Victoria, Australia.  He was a ceramicist associated with the influential Boyd family and in the mid-1940s he worked with Arthur Merric Boyd and John Perceval at the AMB pottery in Murrumbeena just outside Melbourne. ​Cooper lost the use of his legs from polio contracted in his twenties.  Each day, Arthur Boyd’s brother David would push Cooper’s wheelchair to the pottery. Cooper’s earthenware pieces were incised or painted in designs often influenced by Aboriginal bark paintings...

Longton in aluminium by Volker Haug Anton series Dimensions: W 18 x H 51 x D 10 cm. Materials: Cast aluminium Finish: Raw (aluminium) Lamp: S14s LED, Opal (240V / 120V US) Weight: 4kg Longton is cast as raw aluminium or polished gunmetal. Form follows force. The Anton series explores the structural weight of light through cast materials. Punctuated by the lamp, the internal lit face of the Anton holds light and reflects its surrounds. Each cast surface is unique and variations may occur. Volker Haug Studio...

We offer an exquisite Aboriginal artwork created by Tjunkiya Napaltjarri (1927-2009) in 2002, sourced from the Papunya Tula Art Center. Her work can be found in the collections of th...

A set of four original Pop Art serigraph (screen) prints by Australian artist Catherine Ford, signed and dated 1974. These can be hung in a pattern or any ...

It's the season of wild and exotic leopard prints, so set your interiors free with this glamorous leopard fur pillow. A beautifully designed print, ...

Fantastic modern and sculptural wall light by Melbourne based studio Lost Profile. The unique pieces exposed for the Salone del mobile 2018 in Milan, then...

Introduce rich and irresistible tactile elements to your decor with this sumptuous pink fur pillow. Featuring a silky wool pile with superior softness, this collection of hand-crafte...

Ghanem Rectangular Dining Table by Daniel Poole Dimensions: D 120 x W 300 x H 74 cm. Materials: American Back Walnut with 10% gloss lacquer. This table includes a certificate of au...

Kingston Dining Table by Daniel Poole Dimensions: D 90 x W 240 x H 74 cm. Materials: American Back Walnut with 10% gloss lacquer. This table includes a certificate of authenticity....