Items Similar to Pierre Jeanneret PJ-SI-32-A Sofa Chair / Authentic Mid-Century Modern

Pierre Jeanneret PJ-SI-32-A Sofa Chair / Authentic Mid-Century Modern

Pierre Jeanneret PJ-SI-32-B Sofa / Authentic Mid-Century Modern

Pierre Jeanneret PJ-SI-59-A Kangaroo Chair / Authentic Mid-Century

Two Pierre Jeanneret PJ-SI-48-A Lounge Chairs / Authentic Mid-Century Modern

Pierre Jeanneret PJ-SI-25-A Low Chair / Authentic Mid-Century Modern Chandigarh

Pierre Jeanneret PJ-Rare Chair / Authentic Mid-Century Modern

Want more images or videos?

Request additional images or videos from the seller

1 of 8

Pierre Jeanneret PJ-SI-32-A Sofa Chair / Authentic Mid-Century Modern

Name: Pierre Jeanneret PJ-SI-32-A Sofa Chair / Authentic Mid-Century Modern
Brand: Pierre Jeanneret
Price: 41700 USD
Availability: InStock

About the Item

Here the silhouette is strong. It is presented through the outline and shape of the piece. The relationship between the different shapes ensures a balanced composition. The careful alignment and proportions create an equilibrium, giving a sense of coherent design. Both tension and harmony create a unity, which is seen in the relationships of elements which are done in different materials. All massive wood parts are authentic. They are done in Indian teak. Rich in texture, the wood is vivid and comes in chocolate colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. Charming irregularities show that each piece is unique. Solid wood is carrying the weight of the upholstered elements which visually appear even more heavy than they really are. Chandigarh items are famous for A-shaped legs. Many desks, chairs, armchairs, and sideboards have these legs, so the pieces remind us of sturdy structural constructions, such as bridge pillars that carry their weight, or some of Le Corbusier’s buildings. The A-shaped legs have sharper corners and are strict and sturdy in their geometry. Their angle and position show that Pierre Jeanneret, together with Jean Prouvé and Le Corbusier, had a structural, not decorative, expression. The upholstery is redone in a traditional way. As foam or wire springs were used for the original seat, we upholster it accordingly or per your choice. However, wire springs in this case are the better option. We recommend cow hides, vintage leathers, suede, or any other fabric. It is also possible for you to forward us your own upholstery. We do it with or without piping and with wire springs or high-quality foams. I think the piece blends well with many interior styles. It can support pure, modern aesthetics by giving them an inviting, though sharp, touch. As an easy chair with a strong character, it fits in a living area or in a reading corner. It introduces a serene atmosphere. P! Galerie’s selection is mainly focused on rare French mid-century modern design artefacts by Pierre Jeanneret, Jean Prouvé, Le Corbusier, and Charlotte Perriand. Artefacts from our carefully curated collection are handpicked, and all traces and important indicators of authenticity are evaluated professionally. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Each object comes with a certificate of authenticity, offering you the opportunity to own a valuable artefact originating from a UNESCO-designated World Heritage Site. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: Eric Touchaleaume and Gerald Moreau, Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture, (Paris: Gourcuff Gradenigo, 2011), 564.

Creator:

Pierre Jeanneret (Designer)

Dimensions:

Height: 32.29 in (82 cm)Width: 27.17 in (69 cm)Depth: 30.71 in (78 cm)Seat Height: 14.97 in (38 cm)

Style:

Mid-Century Modern (Of the Period)

Materials and Techniques:

Teak,Upholstery

Place of Origin:

India

Period:

1950-1959

Date of Manufacture:

1950-1959

Condition:

Refinished. Wear consistent with age and use. Has been softly restored. Upholstery is not done. It can be done on your request in any fabric you want. Presented photo is example in black skai.

Seller Location:

Zürich, CH

Reference Number:

Seller: P47-31stDibs: LU2566330595692

View Invoice

Shop All Pierre Jeanneret

Pierre Jeanneret

If his famed cousin and longtime colleague Charles-Édouard Jeanneret — better known as Le Corbusier — was the visionary, then Pierre Jeanneret was the member of the architecture and design team who got things done. In recent years, Jeanneret has emerged from Le Corbusier’s shadow, as collectors have discovered his simple and striking chairs, benches, coffee tables and other furniture creations.

Jeanneret studied at the École des Beaux-Arts in Geneva and after he graduated in 1921 he became a partner in Le Corbusier’s office in Paris. The pair collaborated on numerous residential projects, most notably the Villa Savoye, the iconic modernist house in suburban Paris completed in 1931.

Jeanneret also worked with the great Charlotte Perriand on the Grand Modele line of tubular metal furnishings that was a sensation at the annual Salon d’Automne design expo in 1929. A rift developed between Jeanneret and his cousin during World War II, as the former joined the French resistance, while Le Corbusier cooperated with the occupying authorities in Vichy. The two did not work together again until 1950, when Le Corbusier persuaded Jeanneret to help execute the master plan for the new city of Chandigarh in Punjab, India. Jeanneret lived and worked there until the final years of his life.

A hallmark of Jeanneret’s furniture designs is his great sensitivity to materials. In contrast to the tubular-steel chairs produced by Marcel Breuer and other members of the Bauhaus, the chromed metal pieces designed by Jeanneret and Perriand — including such as the now-classic LC4 chaise longue and the Grand Confort lounge chair — have a sensuous, relaxed and welcoming look. Conversely, while Jeanneret uses essentially geometric forms for his wooden seating pieces, they exude warmth by nature of the material.

One of Jeanneret’s first manufactured designs in wood is the Model 92 Scissors chair, licensed by Hans and Florence Knoll when they were touring postwar France. But Jeanneret’s finest work in furniture was done in Chandigarh, and these are the pieces that have earned him recent renown.

Crafted of teak, the Chandigarh designs range from low-slung lounge chairs and armchairs with cane seats to desks and tables, most with Jeanneret’s signature drafting compass-shaped legs. Many such pieces on the market today are refurbished, having been found by dealers languishing in scrapyards in India in the late 1990s. Chandigarh is now taking better care of its modernist heritage, making available Jeanneret works all the rarer.

Find authentic vintage Pierre Jeanneret chairs, case pieces, tables and other furniture today on 1stDibs.