Olive Credenzas

Vintage Olive Wood Credenza From France, Circa 1960. Solid olive tree wood construction with original iron hardware. Nice wear and patina.

A beautifully book matched four door olive burlwood credenza or server floating on a polished chrome squared tubed steel base having two drawers and storage with two adjustable shelv...

Sculptural enfilade/bar, brutalist, in solid olive wood by Maison Skela 1960. Opening on two hinged doors and 2 wrought iron shelves, also in olive wood. Very good condition

Unique, sculptural solid olive wood enfilade by Maison Skela 1960s in the taste of Alexandre Noll, opening with 4 doors and 8 shelves also in solid olive wood. French cabinetmaking ...

Post modern vintage faux Olive Burl and brass oval credenza Amazing Karl springer style 1980s sideboard in excellent condition with minor signs of wear...

Fabulous olive wood cabinet with criss cross banding on the two front doors. Cabinet is serpentine, paneling on the sides while the legs and frame are a rich mahogany all supporting ...

Henredon scene two credenza sideboard buffet cabinet in olive ash burl bookmatched veneer with zebra wood radiused corners and four flush doors with spring clip...

This is a monumental custom 2-position credenza, produced in 1965 by Gordon Bunshaft for the interior of the Chase Manhattan Bank headquarters, one of Bunshaft and SOM's most notable...

Bring home the timeless elegance of Michigan's Mastercraft Furniture with this genuinely stunning credenza made of marble, brass, and burl. Seamlessly blending the classic elements o...

Twin Sideboard by Gisbert Pöppler Dimensions: D 173 x W 48.5 x H 81 cm Materials: Semigloss hand-laquered ash wood, olive wood This cabinet appears monolithic, but the playfully...

Ward Bennett nine drawer cabinet Brickell Furniture burlwood USA c 1960s Nine drawer cabinet with inset chrome ring handles, includes two...

Italian Old Walnut Credenza with Olivewood Burl: 18th Century Style Extraordinary Italian handcraft as exhibited in this finely mastered Italian four-door and four-drawer credenza ...

Stunning Milo Baughman style olivewood credenza made by Founders. Wonderful light olivewood with brass hardware. I do have the matching night stands...

Sculpture sideboard by Dante Morozzi (Florence 1899 - Geneva 1965), in olive wood and olive briar. The features fully reflect the style in vogue in the fascist period and enclose in the soft and monumental lines, probably the result of his collaboration with "Arch. Marcello Piacentini...

Ragno weaves a timeless, modern and sophisticated beauty in its clear and rigorous forms. This exquisite two-door sideboard is inspired by the lavish Hollywood world of the 30s and 4...

A stunning, rare, and very fine quality French Transitional Louis XV - Louis XVI style mahogany inlaid marble-top chest after Jean-François Oeben / Jean-Henri Riesener. Exquisitely hand-crafted in France, born in the late 19th / early 20th century, exceptionally executed Parisian work, retaining the original shaped marble top with contoured molded edge, over conforming solid mahogany case extensively inlaid with rich floral decoration and geometric trompe l'oeil marquetry-work. Embellished with finely sculpted and chisled gilt bronze ormolu mounts, the case fitted with three high quality locking bar mounted cabinet doors, each adorned with matched ornate escutcheon and opening thanks to the original keys, revealing a mahogany finished interior with single shelf. Featuring rare and exotic woods inlaid, all rising on bronze mounted transitional cabriole legs, ending in the finest quality patinated bronze sabots. Its three doors do not interfere with its delicate marquetry with decorations of geometric cubes and beautiful flowers on gilt gold ground, its two flat uprights with cut sides inviting finesse and harmony, while its bronzes, with antique motifs indicate the return to refined classic taste. A fine example of the Transition style, this chest subtly combines Louis XV marquetry with shapes that are already more rectilinear. From the middle of the 18th century, certain French artists, at the head of which the architects Blondel and Contant d'Ivry as well as the painter Louis-Joseph Le Lorrain, rose up against the excesses of the rococo style and advocated a calming of lines by the use of classical or even ancient principles. If the "Greek" style was too categorical a response to these requests, the Transition style, soon launched by the Marquis de Marigny, brother of Madame de Pompadour and Minister of the Arts, was much more measured and appreciated. Dutch cabinetmaker Matthijs Horrix was also front and center, a leader a Transition style. Celebrated ebanista Jean-François Oeben was one of the leaders of this new taste, with Jean-Henri Riesener following in the 19th century. Oeben a genius with inlay, he gave birth to several patterns, both sober and elegant, such as the marquetry of bottomless cubes, which was adopted by many of his colleagues including Jacques Dautriche and Charles Chevallier. Jean-François Oeben was particularly known for his "Louis XV or Transition furniture, adorned with leaf veneers, flower inlays or geometric patterns", according to Pierre Kjellberg (Le Mobilier français du XVIIIe, éditions de l'Amateur, 1989). A small secretary in the Transition cabinet...

Beautiful floating Milo Baughman for Thayer Coggin credenza supported by a mirrored chrome base. Particularly nice dramatic olivewood burl figuring. You will love the huge statement ...