MiriamHaskell 1945 CrystalRosesMontees Filigree Glass Enameled ClimberEarrings

These Hattie Carnegie multicolor glass, crystal and gilt-metal earrings notably include her script last-name signature without copyright symbol that was used on clips before her deat...

Stamped "Made In France" on their antique brass back-plates like the initial unbranded couture costume-jewelry commissioned by French Gabrielle "Coco" Chanel beginning in 1924, these floral-motif wired earrings with early handcrafted brass clips are decorated with button-like cultured mother-of-pearls mixed with Parisian organically-coated lampwork glass, which we photographed in indoor sunlight for the most accurate colors. The pair were designed by Chanel to accessorize a one-of-a-kind clothing ensemble (likely including cultured-pearl buttons and a brooch) for a client of this pearl-associated couturier whose earliest one-of-a-kind jewelry--unlike other 1920s fashion designers--sometimes mixed real and faux gems. The intricate glass artistry, wired clustered arrangement and earring findings are characteristic of one of Chanel's first Parisian paruriers, Louis Rousselet, who was a lampwork master with a workshop since 1920 specializing in faux-pearl glass beads and wire-work construction. As the three-piece flat-brass lever clips without hinge-holes on both sides predate Rousselet's wire-horseshoe clips, they can be dated like the patinated well-worn brass hardware to the mid-1920s. The beads of various sizes and ecru colors that are wired to each earring include five round graduating iridescent mother-of-pearl disks, along with lampwork glass replicating nine baroque pearls, five round pearls and two seed pearls. There are natural imperfections on the green-and-rose-reflecting cultured pearls, while there is some nacre-enamel loss on the glass beads that is not eye visible. On closer view, one of the central round glass beads has a lighter blister, which appears like the texture of some uncultured pearls. Of note, Chanel did not include a brand signature on any of her couture costume jewelry prior to the mid-1950s. As many of her clients who came to Paris for their couture-clothing fittings were foreign, the coordinated unique jewelry that was expected to leave the country was merely stamped "Made In France" or "France". We acquired these earrings in The States along with a similar set with less but larger "petals, berries and leaves", which we priced the same in a different listing despite the slightly greater size and weight of this pair. So we know that they both were created for a single commission of multiple unique earrings with like lampwork-glass shapes and findings to be paired with the ecru mother-of-pearls provided by Chanel. While we have acquired over a dozen pre-signature pieces commissioned by the founder, these are the earliest earrings that we have discovered by Chanel. We have never found a single match to contradict our recognition of her early couture creations nor to attribute them to another designer. Further, Art Deco couture...

These post-WWII high-end Vendome hand-wired clip earrings each feature a spray of yellow-gold gilt-metal leaves with a stylized branch and five prong-set clear crystals among a clust...

In the mid-century, Austro-Hungarian Comtesse Cissy Zoltowska designed haute-couture costume jewelry with elements of hand-craftsmanship for some of the leading European houses inclu...

In 1956 when Christian Dior's ultra-feminine New Look had dominated fashion for nearly a decade, Schreiner New York handcrafted these opulent unsigned earrings with 22 prong-set open-back crystals to accompany the evening-wear of an American high-end fashion designer. They may have been for client Pauline Trigere when her ready-to-wear collections with accessories including unmarked-Schreiner jewelry were sold by NYC's Bergdorf Goodman and worn by her clients including Grace Kelly, Jacqueline Kennedy, and Elizabeth Taylor. Comparatively, Schreiner jewelry produced in the 1950s for direct sale to high-end department stores, such as Neiman Marcus, Henri Bendel and Saks Fifth Avenue, were the only pieces to include a brand signature. Using the best quality European crystals that were custom-made for him, the founder Henry Schreiner was among the world's leading glass-jewelry designers before he died in 1954, whereafter his daughter and her husband continued with their handcrafted production. The family shared this distinction with Western Germany-based Max Muller and Paris-based Roger Jean Pierre, who were commissioned to create haute-couture pieces for the world's leading fashion houses. Notably in 1949, Henry Schreiner was commissioned by Dior to create several exclusive pieces. We know these earrings were not created earlier than 1956 because of the use of iridescent coating on some of the crystals that produces a rainbow effect. Known as aurora-borealis (AB) stones, Swarovski initially produced them exclusively for a haute-couture collection that year by Dior. Shortly thereafter, the Schreiner team had access to such colorful stones, and most certainly used them as soon as possible to enable their American fashion-designer clients to compete with the new Dior iridescent-colors trend. As Schreiner introduced its "ruffle" settings in 1957, we can see that they evolved from a smaller ruffle the year prior that is present on the tips of the marquise-shaped pale yellow stones...

During the Art Deco period, Miriam Haskell and her first designer since 1926 Frank Hess created these blue-tone enameled scallop-edged Russian-gilt brass earrings with intricate wire...

A pair of geometric, 18-carat gold, lapis, and white coral earrings, consisting of a round button and a navette shaped drop, each set with a cabochon cut slab of lapis and of white c...

A pair of Sapphire and Diamond Earring Clips signed Cartier. Sapphires weighing 25 carats each set in 18.55 grams of platinum surrounded by 28 round brilliant stones weighing approxi...

A classic oval shaped 18 karat yellow gold earring is impeccably set with Baguette Cut Diamonds and Blue Sapphires. The stones are set in an alternating weaved pattern with gold beze...

Earrings composed of platinum and 18K yellow gold featuring oval shaped rubies that total 9.5 carats, accompanied by GIA Reports. Additionally there are 24 pear-shaped diamonds that...

Cartier earrings composed of platinum with eight pear-shape and two round brilliant-cut diamonds. The diamonds total 22 carats, F-H color and VVS2-SI1 clarity.

18 Karat Yellow Gold, large statement clip-on earrings from the 1970s. Each earring features a central, pale pink 10mm x 15mm Coral stone, claw set in 18K Gold. Immediately surrounding each coral centrepiece are fifteen spherical, deep blue Lapis Lazuli gemstones. Layers of gold twisted wires spread from the centre, with each earring housing a further 4 blue Lapis stones, and 22 White Diamonds, ranging in size. Each earring measures 4.5cm x 2.7cm, and sits comfortably clipped to the lobe of the ear. 37.80gr each. They were bought in Spain in the 1970s from Luis Gil...