Irene Hodes Newman

At the Big Top-Framed Original Watercolor on Paper, Signed by Artist

Unknown

"Naomi" is an Original Watercolor on Paper by the artist Szaro from 1987. It is pencil-signed and dated. It measures approximately 20 x 16.75 inches matted and framed. The painting i...

"Afternoon Walk" is an Original Watercolor On Paper by Paul Scarborough. It measures approximately 13 x 15 inches with frame and matting. The painting...

St. Petersburg Harbor by Aris Nichols. Original Watercolor on Paper. 11.75 x 16.5 in, Framed. Signed by Artist. Image is in Good Condition. Frame shows signs of wear/cosmetic imperfe...

Watercolor. Signed by the artist. Measures 34.5 x 28.5 inches with frame and matting. Image is in Excellent Condition. Frame and matting show signs of wear due to age and handling an...

Watercolor on Paper. Measures 30.75 x 24.75 inches with frame. Image is in Excellent Condition. Frame and casing show significant signs of wear due to age and handling and is in Dist...

Rich colors, nicely painted watercolor. Frame included.

Portrait is an original drawing in mixed media -ink and watercolor- on paper realized in 1957 by an Anonymous artist of the XX century, Hand-signed on the lower right (unreadable), d...

Uxbridge Road, London by Ludovic-Rodo Pissarro (1878-1952) Watercolour on paper 23.5 x 31 cm (9 ¹/₄ x 12 ¹/₄ inches) Titled and dated lower left; initialled and inscribed lower right...

Cityscape is a Pencil and Watercolour Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition. No signature. Reynold Arnould was born in Le Havre, Franc...

Landscape with Shepherd is a drawing in watercolor and pencil, realized by an Anonymous artist in the late 19th century. Hand-signed, illegible. Good conditions. The artwork is re...

Ink and watercolour on paper Image size: 18 x 19 3/4 inches (46 x 50 cm) Contemporary style hand made frame

Au Cimetière Monsieur... is a black pencil and watercolor drawing realized by Francis Picabia in 1931. Hand signed lower left, with title lower right. A certificate of inclusion in the Catalog Raisonné being prepared by the Picabia Committee, dated 30 October 2019, will be delivered in original along with the work. Drawing originally realized by Picabia to illustrate the important volume "Le Peseur d'Ames" by André Maurois, published by Editions Antoine Roche in 1931. Though specifically realized for the volume, the drawing was not selected for publication and remained in the artist's personal collection. Cm. 27,4x22. Good conditions. Francis Picabia (1879-1953) was born in Paris to a french mother and a Spanish father who was chancellor at the Cuban embassy in Paris. He had a comfortable childhood, even though he was emotionally troubled. He studied at the École nationale supérieure des beaux-arts. At the beginning of his career, from 1908 to 1913, he was strongly influenced first by the Barbizon School and by Alfred Sisley and Camille Pissarro, then by impressionism, cubism and finally abstractionism. Around 1911 he joined the Puteaux Group which he met in the studio of Jacques Villon in the village of Puteaux. He then became friends with the artist Marcel Duchamp. Some members of the group were Apollinaire, Albert Gleizes, Roger de La Fresnaye, Fernand Léger and Jean Metzinger. From 1913 to 1915 Picabia was often in New York. These years can be identified as the proto-Dada period, which consists mostly of the so-called mechanical portraits (portraits méchaniques): these works ironically proposed mechanistic themes of random tangles of metal parts, paintings and drawings of machines. All these mechanisms on the one hand mocked the cult of the machine, on the other they alluded to sexual intercourse...