Unknown

Portrait of a Lady, 19th Century French School Chalk on Paper

Red chalk on paper Image size: 21 x 14 1/2 inches (54 x 37 cm) Gilt frame James Stroudley Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and tic...

Red chalk on paper Image size: 7 1/2 x 9 1/4 inches (19 x 23.5 cm) Contemporary frame An enigmatic portrait of a young woman after Sir Peter Lely's drawing, currently shown in the B...

Pencil and coloured chalk on paper, signed bottom right Image size: 9 3/4 x 7 3/4 inches (3.75 x 3 cm) Mounted and framed Provenance Studio sale, Christies 18th May 1863 The Artis...

Red chalk and graphite over paper Image size: 19 x 13 1/2 inches (48.25 x 34.25 cm) Contemporary style frame The name Pre-Raphaelite Brotherhood referred to the groups’ opposition t...

After Sir Peter Lely, Late 17th Century (1618–1680) James, Duke of York, (later James II) and Anne Hyde, Duchess of York Chalk on paper Image size: 8...

Sir William Rothenstein 1872 - 1945 Portrait of Cecil Day Lewis Black and white chalk on paper Image size: 13 ½ x 9 inches Period gilt frame

Watermark: the arms of Amsterdam Provenance: Christie’s, Amsterdam, 1 December 1986, lot 46; where acquired by: Private Collection, New York Literature: Roger Adolf d’Hulst, “Jordaens Drawings: Supplement II,” Master Drawings, vol. 28, no. 2 (1990), pp. 153-156, no. A237a, fig. 17. Matías Díaz Padrón, Jacob Jordaens...

Circle of François Boucher (French 1703 - 1770), Study of a Child. This charming work is probably a study for a painting, it shows a child with a swathe of billowing fabric over her ...

French school of the 18th century Three pencils (pencil, red chalk, white chalk) on paper 27 x 18 cm (45 x 34 cm with frame) Inscription at bottom “Saint-Aubin de l’Académie de musique” Dated "1785" Augustin d'Herbez known as "Saint-Aubin" was a tenor and member of the Royal Academy of Music...

Il disegno (matite colorate, gesso, inchiostro su carta) raffigura una figura androgina seduta accovacciata ed è firmato e datato in basso a destra B. INN 78. Appartiene alla alla fa...

19th Century French Academy drawing of a classical maiden, signed Xavier Rendeley bottom right, numbered and dated 2nd April 1883. Presented in ...

18th Century French Sanguine drawing, possibly a preparatory sketch for the painting by Nattier after the painting by Rubens. Presented in shaped 'marie-louise' mount in plain gold wood frame with collection label. The subject is the Queen Marie de' Medici seated on a grand throne, the baby is in the arms of Health while Justice looks over him. Fecundity brings a cornucopia of fruit with the heads of the other children the Queen will bear. The Sun rides his chariot across the sky to indicate that Louis XIII was born in the morning and the calm figure of France surveys the whole scene. An engraving exists (see the Wellcome Collection) of this same image: 'The birth of King Louis XIII', after the engraving by B. Audran the younger after the painting by Jean-Marc Nattier after the oil painting of Peter Paul Rubens in the Louvre 'La Naissance du Dauphin (future Louis XIII) à Fontainebleau, le 27 septembre 1601'. Jean-Marc Nattier (17 March 1685 – 7 November 1766) was a French painter. He was born in Paris, the second son of Marc Nattier (1642–1705), a portrait painter, and of Marie Courtois (1655–1703), a miniaturist. He is noted for his portraits of the ladies of King Louis XV's court in classical mythological attire. He received his first instruction from his father, and from his uncle, the history painter Jean Jouvenet (1644–1717). He enrolled in the Royal Academy in 1703 and applied himself to copying pictures in the Luxembourg Palace, making a series of drawings of the Marie de Médici painting...