Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Inji Efflatoun
"Dune" Watercolor on Paper Painting 10" x 12" in (1977) by Inji Efflatoun

1977

About the Item

"Dune" Watercolor on Paper Painting 10" x 12" in (1977) by Inji Efflatoun signed & dated Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibitions of the Avant grade "Art and Freedom Group". This was the first society that attempted to free modern Egyptian art from the bonds of academism and formalism prevailing then. In March 1952, she had her first one-person exhibition in Cairo and since then, she held 28 solo shows in Egypt and abroad. She has exhibited in Rome in 1967, at the "Paese Nove" gallery, in Paris at the "Galerie de l’Universite" in Dresden, East Germany, Warsaw, Poland, Moscow, and Prague. She held a one-person show in 1979, in New Delhi, India, in 1981 at the Egyptian Academy in Rome, and in 1988 in Kuwait. She has also participated in group exhibitions such as the Biennale of Sao Paolo in 1953, the Biennale of Venice in 1968, and the Contemporary Egyptian Art exhibition in Paris in 1971. In 1975, Mrs. Eflatoun helped organize the "Ten Egyptian Woman Artist in half a Century" exhibition, held in Cairo on the occasion of the International year for woman, and in which she took part. In 1976 she was in charge of the Egyptian Pavillion at the 87th "Salon des Independants" in Paris, in the Grand Palais. The artist’s works were acquired by the Modern art Museum in Cairo, in Alexandria, and in Dresden, the National Museum in Warsaw and by the Oriental Museum in Sophia, the Pushkin Museum in Sophia, the Pushkin Museum in Moscow, the Italian Deputies Council and by private collectors in Egypt and abroad. In 1986, she was awarded by the French Ministry of Culture a medal of merit called "Cavalier of the Arts and Literature". Inji Eflatoun died in 1989.
More From This SellerView All
You May Also Like
  • The Forest
    By Alexander Calder
    Located in Palm Desert, CA
    A painting by Alexander Calder. "The Forest" is a Post-War abstract painting, gouache and ink on paper in bold colors of reds, blacks, yellows, and blues by artist Alexander Calder. The artwork is signed lower right, "Calder 72...
    Category

    Mid-20th Century Post-War Abstract Paintings

    Materials

    Ink, Gouache

  • Vision I by Cheryl R. Riley, purple, gray, gold abstract geometric symbols
    By Cheryl R. Riley
    Located in Jersey City, NJ
    Vision I by Cheryl R. Riley Metallic abstract geometric symbols, purple, yellow, gray, gold Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporar...
    Category

    2010s Abstract Geometric Abstract Drawings and Watercolors

    Materials

    Gold Leaf

  • Black & Gold Glyphs I by Cheryl R. Riley, metallic abstract geometric symbols
    By Cheryl R. Riley
    Located in Jersey City, NJ
    Time Travel Black & Gold Glyphs I by Cheryl R. Riley Metallic abstract geometric symbols Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporary F...
    Category

    2010s Abstract Geometric Abstract Drawings and Watercolors

    Materials

    Gold Leaf

  • Willingness
    Located in New York, NY
    Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a aluminum silver frame, glass. Philip Wittmann work is based on signs. Sign...
    Category

    2010s Contemporary Abstract Paintings

    Materials

    Acrylic, Watercolor, Archival Paper, Archival Ink, Paper, Ink

  • Thirst
    Located in New York, NY
    The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...
    Category

    2010s Contemporary Abstract Drawings and Watercolors

    Materials

    Ink, Handmade Paper, Acrylic, Watercolor, Archival Paper

  • Lust
    Located in New York, NY
    Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a aluminum silver frame, glass. Philip Wittmann work is based on signs. Sign...
    Category

    2010s Contemporary Abstract Paintings

    Materials

    Paper, Ink, Archival Ink, Acrylic, Watercolor, Archival Paper

Recently Viewed

View All