Christ Crucified Sagrestani Paint Oil on canvas Old master 17/18th Century Italy

1690-1730

Balthasar Van Den Bossche (Antwerp, 1681 - 1715) Alexander the Great and Campaspe in the studio of the painter Apelles The canvas was exhibited in Perugia (Museo di Palazzo della Pe...

Giovan Battista Lama (Naples, 1673 - 1748) workshop Exaltation of the Holy Cross with the Symbols of the Passion oil on canvas 84 x 135 cm. - with frame 98 x 148 cm. The proposed painting is the work of a Neapolitan painter active at the beginning of the 18th century, although the composition betrays the influence of the Roman classicism prevailing at the end of the 17th century, discernible in the serene and casual atmosphere. This is a very interesting subject, namely the Exaltation of the Cross, a particular feast in Christian theology, commemorating the crucifixion of Jesus with the particular aim of emphasising the centrality of the mystery of the cross. We see precisely Jesus, bowed in prayer in the company of an angel, while a host of angels above hold the most relevant symbols of his Passion (in Latin, arma Christi), namely the objects that were used for the crucifixion. These include, of course, the cross held by the major angel, and then the nails (three or four), the crown of thorns the lance with which Jesus was pierced, Veronica's veil (the linen cloth that St Veronica...

Matthias de Visch (La Reninge, 1701 - Bruges, 1765) Signed and dated on the edge of the globe: M. De Visch 1739. Allegory of the triumph of Art over Time (Music and Astrology that c...

Francesco Graziani, known as Ciccio Napoletano (active in Naples and Rome in the second half of the 17th century) Battle with clash of horsemen Oil on canvas 95 x 130 cm In period ...

David Teniers II, the Younger(Antwerp, 1610 - Brussels, 1690) Workshop of The Temptations of St. Anthony Abbot Oil on canvas 61 x 90 cm....

Francesco Foschi (Ancona, 1710 - Rome, 1780) Attributable Winter landscape Oil on canvas 76 x 63 cm. - In frame 87 x 75 cm. The compositional and stylistic elements of this pleasan...

A very fine painting by the renowned seascape painter Arthur Joseph Meadows,Off Calais; fishing fleet returning at low tide. Housed in an antique style gilt frame the size overall is...

Work on paper mounted on cardboard

Benjamin Killingbeck (act. 1769-1783) A dark bay racehorse held by his trainer on a racecourse Oil on canvas Canvas Size - 40 x 50 in Framed Size ...

Lucas Cranach the Elder and Studio 1472-1553 German Moses and the Pillar of Cloud Oil on panel Moses and the Pillar of Cloud is a bold and evocative composition that showcases the signature intense color and intricate detail of Lucas Cranach the Elder’s celebrated oeuvre. The remarkable 16th-century oil on panel by Lucas Cranach and his studio captures the narrative moment when Moses leads the Israelites out of Egypt and encounters God manifested through a large pillar of cloud. Moses stands at the precipice of a bridge and turns back to soldiers helping to lead the group of Israelites who huddle closely together. Cranach depicts Moses with his traditional iconography, rendering the rays of light on his head which came to be interpreted as "horns" in the translation of the Bible. Using his traditional walking staff, Moses gestures toward the pillar, seemingly acknowledging that God will protect the group as they cross the bridge to the other side, leaving exile and entering a promised land. In a nod to Cranach’s Germanic locale, he renders the figures and setting in a manner that feels decisively more akin to European aesthetics than those of the Red Sea. Soldiers wear elaborate, gothic suits of armor that recall the livery of Northern European guardsmen. The terrain appears more like a European forest giving way to a sweeping valley than the arid landscape the Israelites trekked through on their journey across the Red Sea. Though still clearly recounting a story from the Old Testament, Cranach renders the cast of characters and setting in an earthly, familiar manner. This aesthetic shift speaks to Cranach’s own changing beliefs as he found himself at the center of the Protestant Reformation. After first gaining recognition in 1505 as the official painter of Frederick the Wise, Cranach established a thriving painting and print studio in Wittenberg, Germany. Cranach was renowned for his court portraits and genre paintings and was also well known for his association with the famous protestant reformer Martin Luther, then under the protection of Frederick the Wise. As Wittenberg became a bastion of new religious thought, Cranach soon befriended Luther and played an active role in creating the printed materials that proliferated throughout the Reformation...

Joseph van Bredael 1688-1739 Flemish The Adoration of the Magi Oil on copper Painted on copper and exhibiting an exquisite luminosity, this exceptional painting...

Pastoral Landscape Dutch Old Master, 18th century oil on canvas, unframed canvas: 12 x 10 inches provenance: private collection, UK condition: good a...