Jim Matthews

Lush Tree Lined Towpath on the River Lagan in Northern Ireland by Irish Artist

1986

French Landscape Impressionistic Riverscape Painting by Modern French Artist, Georges Charles Robin (1903-2003). View of the River Seine, France, during the snow melt. Oil on Canvas, Signed on the lower right (faintly). Presented in an authentic period frame with canvas slip. Art measures 29 x 23 inches Frame measures 36 x 30 inches (approx.) Born in Paris in 1903, Georges Charles Robin was a student of Paul Michel Dupuy...

Original painting of the beautiful medieval French village of Saint Cirq Lapopie, Midi-Pyrénées, France, by leading Contemporary British Artist, Angela...

Painting of Figures at a Parisian Market at Wintertime in the late 19th Century, by M Stanley. This is a signed original, oil on canvas, in good condition. P...

Vintage Post-Impressionist Oil Painting of a Tree-Lined River in the Countryside of Northern Ireland by 20th Century Irish Artist, Ray Cochrane. Art measures 12 x 10 inches Frame me...

Vintage Post-Impressionist Painting of a Tree-Lined River in the Irish Countryside by 20th Century Irish Artist, Ray Cochrane. Art measures...

Ireland Lake Seascape Landscape with Boats & Figures by Contemporary Irish Artist, Frank Fitzsimons Art measures 36 x 16 inches Frame measure 41 x 21...

Signed oil on original canvas figures in landscape circa 1930 by French post impressionist painter Lucien Genin. The work is centred around the Porte Saint-Denis - a triumphal arch located in Paris, France. The street is bustling with city-goers and cars pass by the tall buildings painted in red, yellow and white. Signature: Signed lower left Dimensions: Framed: 27"x31" Unframed: 20"x24" Provenance: Private French collection Lucien Génin came from a family of stone-cutters. He first studied at the art school in Rouen, then in 1919 entered the École des Arts Décoratifs in Paris. He settled in Montmartre early in the 1920s, and in 1936 moved to the Latin Quarter. Although he had received a thorough training, he created his own completely spontaneous technique aiming at approaching his subjects with a fresh look. Beside a few views of Rouen, Lorient, Dinan and Villefranche-sur-Mer, Génin specialised in the popular theme of views of Paris. He worked swiftly, making rapid jottings, and thus could produce many paintings. At auction his pictures were sometimes sold in lots. He painted both in oils and in gouache. Lucien Génin showed work at the Salon d'Automne in 1926 and 1930. His work featured at the Marcel Aymé and the Painters exhibition, Galerie Roussard...

This painting depicts a landscape scene of a Parisian Scene by Pont Neuf with Notre Dam in the distance behind the bridge. The attractive perspective is what makes this painting so i...

EDOUARD LÉON CORTÈS French, 1882 - 1969 PLACE DE LA RÉPUBLIQUE signed "EDOUARD CORTÈS." (lower right) oil on canvas 25-3/4 x 36-1/4 inches (65 x 91.5 cm.) framed: 33-1/2 x 44-1/4 inc...

ALBERTO PLA Y RUBIO Spanish, 1867 - 1937 AT THE ANNUAL FAIR signed & dated "Pla Rubio, 909" (lower right) oil on canvas 14 X 25-5/8 inches (35.5 X 65 cm.) ...

Signed and dated oil on original canvas by French post impressionist painter Paul Madeline. This beautiful work depicts a mill on the bank of a river - water cascading over the rocks...

Oil on canvas by Henri-André Martin (1918-2004), France, 1999. Road in Eygalieres, Alpilles, Provence. With frame: 52x67 cm - 20.5x26.4 inches. Without frame: 46x61cm - 18.1x24 inches. Format 12P. Signed and dated lower left "Henri-André Martin 99" (see photo). Located on the back (see photo). Can be matched to make a pair with another painting by Henri-André Martin that we offer on 1stdibs whose title is "Henri-André Martin Road in the Alpilles, Provence, Oil on Canvas, 1980s". Born in Lyon in 1918, the child and the adolescent Henri-André Martin spent his youth in Saint-Étienne, his father, Edme Martin, first installed as a practicing doctor in Lyon, having been appointed doctor of the anti-tuberculosis dispensaries of the Loire. During his first years of studying medicine in Lyon, he nevertheless enrolled in the Beaux-Arts. Appointed hospital intern upon his return from captivity in 1942, he ended his medical career as director of the otolaryngology university clinic at Édouard-Herriot hospital. But painting was his passion. Painting was for Henri-André Martin the way of expressing his feelings. By nature very reserved and of an extreme modesty that many took for coldness, it was what allowed him to express his strong artistic sensitivity and, his pictorial periods are as many reflects of his anxieties, of his hopes, of his joys. At every period of his life, wherever he goes and whenever he has a moment, he paints gouaches, often of small size, but sometimes of larger size. He also paints beaches that have been compared to those of Boudin. Their invoice shows, however, that this figure is only appearance and that in fact, these beaches made of water, sky and sand, readily dispense with the motif, the work of the material seeming to have more importance. as the subject. Despite the fact that until the 1970s he painted "on the ground", his canvases remain far removed from the anecdote. Often harsh like the landscapes of Provence, the Parisian walls which express concern, or the railways, the switch tracks which suggest, in ocher and black, all the embarrassment of choice. We find the same nostalgic gravity in the canvases of the carcasses of boats which, as his friend Louis Pons later wrote, "seem to die of immobility" or in the canvases of Venice, or the landscapes of Eygalières. In the following years, his painting became simpler, more synthetic, such as these landscapes with tortured almond trees, black and gnarled olive trees, plane trees standing out against the ocher sky of the dawn of Provence, in winter. These are also the canvases of Hamburg in the dough becomes heavier, the colors darken, marking all the gravity of the port landscapes. Workshop work gradually takes precedence over motif painting. The pivotal period coincides with that of his work on the olive tree, during which he leads the realization of the "Trunks", a collection of six lithographic plates, of the book L'olivier comprising many lithographs and serigraphs, but also texts. poetic and numerous paintings. He then became passionate about everything related to the olive tree (literature, painting, traditions, history), but also to the tree itself, its thousand-year-old history, its poetry, its symbols, but also its culture, its size. oil production...