Clarence Sinclair Bull

Clarence Sinclair Bull, "Gable in Car, " vintage photograph

1930-1940

Taken at the beach in Santa Monica, California 2 1/2 weeks before her death, this photograph is from the last ever photo shoot of Marilyn Monroe by the photographer George Barris. P...

Photographed in her car at the Hollywood Hills home of Tim Leimert, this black and white photolithograph was created from the original negatives in 1962 and printed in 1987. Publishe...

This photograph of Marilyn was taken at the Hollywood Hills home of Tim Leimert 2 1/2 weeks before Marilyn's death. Photolithograph taken from original negative. Published by Edward ...

Milton Greene Marlene Dietrich Original vintage photograph on photographic paper, taken from the original negative Photo taken in NY in 1952, Printed in 1979 as dated on the verso Ha...

This piece is a triptych of three original photographs from the original negatives, shot by George Barris in 1962, and printed at a later date. These photographs of Marilyn Monroe...

This piece is an original photograph, 1965, by German photographer, Werner Bokelberg. It depicts Surrealist artist, Salvador Dali, in his home in Port Lligat, Spain. Hand signed in p...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

This Limited Edition Photograph was authorized by the Ben Martin Estate. Ben Martin was TIME Magazine’s first New York Bureau staff photographer covering wars, fashion, politics, art...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone...

Reka Nyari’s erotically charged photographs engage cultural narratives surrounding gender and sexuality. A master at the art of storytelling, Nyari’s newest series, GEISHA INK, documents Ginzilla, a dramatically-posed young woman whose naked body is lavishly-adorned with tattoos. A champion of feminine fortitude, Nyari has long been fascinated with the art of capturing women without pretense. Recognizing strength in the vulnerability of the nude female form, she chooses most often to photograph women...

Greta Garbo in Susan Lenox (Her Fall And Rise) - Photograph by Clarence Sinclair Bull A black and white photograph by Clarence Sinclair Bull (American, 1896-1979), matte finish, double-weight paper, depicting a 1931 shot of Swedish/American actress Greta Garbo (Swedish, 1905-1990) on the set of the film Susan Lenox (Her Fall And Rise) directed by Robert Z. Leonard. Greta Garbo poses in a hat, her hand resting on her face, while gazing into the camera. Printed decades later from the original negative, penciled in the lower left corner "A.P.," Estate stamped and blind embossed in the lower right corner "Clarence Sinclair Bull," further blind embossed in same corner "The Kobal / Collection," on verso with the photographer's black ink credit stamp and with "Edward Weston" black ink credit stamps dated "1981" and "1992," originally from the John Kobal Collection. Greta Garbo was a Swedish-American actress. Regarded as one of the greatest screen actresses of all time, she was known for her melancholic, somber persona, her film portrayals of tragic characters, and her subtle and understated performances. In 1999, the American Film Institute ranked Garbo fifth on its list of the greatest female stars of classic Hollywood cinema. Clarence Sinclair Bull was born in Sun River, Montana, in 1896. His career began when Samuel Goldwyn hired him in 1920 to photograph publicity stills of the Metro-Goldwyn-Mayer film studio's stars. He is most famous for his photographs of Greta Garbo, taken between 1926 and 1941. Bull's first portrait of Garbo was a costume study for the silent romantic drama film Flesh and the Devil in September 1926. Bull was able to study with the great Western painter...