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Portrait of Monica Vitti - Vintage Black and White Photo - 1980s

1980's

Monica Vitti (Associated Press Photo) is a vintage b/w photo of the Italian actress on a boat at sea realized in the 1960s. Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to the Academy of Dramatic Art (where she will return in 1986 as a teacher), and graduated in 1953, she immediately tackles the scenes in L'avaro di Molière (1954), The island of the parrots of S. Tofano (1954), They founded a city of C. Meano (1954), Mother Courage and her children of B. Brecht (1954). Between 1956 and 1959 she also participated in television broadcasts and acted in numerous adaptations of famous theatrical texts. She made her film debut playing secondary parts in Laugh, Laugh, Laugh! by E. Anton, 1955; A mink coat by G. Pellegrini, 1956; Le dritte di M. Amendola, 1958. Dubbing actress of Il scido di M. Antonioni (1957), she meets the director who, after having directed her to the theater in I am a camera by J. Van Druten (1957) and in Secret Scandals by Antonioni and E. Bartolini (1957), he calls her as the protagonist in L'avventura (1960), a film with which V. is a leading actress. Always led by Antonioni, from now on she will play suffering characters who embody a profound crisis of feelings. Apart from a brief television parenthesis (a transposition of the short story The White Nights by F. Dostoevskij, directed by V. Cottafavi), La notte (1961), L'eclisse (1962) and Deserto rosso (1963) belong to a happy partnership with Antonioni (who will be revived episodically for the production of The Mystery of Oberwald [1980], a courageous experiment of intertwining cinema and electronic techniques, propitiated by the exhumation of a play by J. Cocteau, L'aigle à deux têtes). In the second half of the Sixties, however, the producers showed that they preferred her as an actress endowed with caricatural flair, fine humor, vitalistic exuberance, communicative immediacy; and audiences pay her a growing success, not always corresponding to the quality of her filmography or the variety of her interpretations, among which are the very convincing ones in Modesty Blaise...

Monica Vitti is a vintage black and white photo of the italian actres, realized in 1960s. L'agenzia Nazionale Stampa Associata (ANSA) Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to the Academy of Dramatic Art (where she will return in 1986 as a teacher), and graduated in 1953, she immediately tackles the scenes in L'avaro di Molière (1954), The island of the parrots of S. Tofano (1954), They founded a city of C. Meano (1954), Mother Courage and her children of B. Brecht (1954). Between 1956 and 1959 she also participated in television broadcasts and acted in numerous adaptations of famous theatrical texts. She made her film debut playing secondary parts in Laugh, Laugh, Laugh! by E. Anton, 1955; A mink coat by G. Pellegrini, 1956; Le dritte di M. Amendola, 1958. Dubbing actress of Il scido di M. Antonioni (1957), she meets the director who, after having directed her to the theater in I am a camera by J. Van Druten (1957) and in Secret Scandals by Antonioni and E. Bartolini (1957), he calls her as the protagonist in L'avventura (1960), a film with which V. is a leading actress. Always led by Antonioni, from now on she will play suffering characters who embody a profound crisis of feelings. Apart from a brief television parenthesis (a transposition of the short story The White Nights by F. Dostoevskij, directed by V. Cottafavi), La notte (1961), L'eclisse (1962) and Deserto rosso (1963) belong to a happy partnership with Antonioni (who will be revived episodically for the production of The Mystery of Oberwald [1980], a courageous experiment of intertwining cinema and electronic techniques, propitiated by the exhumation of a play by J. Cocteau, L'aigle à deux têtes). In the second half of the Sixties, however, the producers showed that they preferred her as an actress endowed with caricatural flair, fine humor, vitalistic exuberance, communicative immediacy; and audiences pay her a growing success, not always corresponding to the quality of her filmography or the variety of her interpretations, among which are the very convincing ones in Modesty Blaise...

Defence of Nature is an original b/w photograph representing the indoor of the Marino Gallery (in Mignanelli Square, Rome) where Joseph Beuys' exhibition was held. This photo was ver...

Bernard Schriever and Overton Brooks, Air Force is a vintage black and white photograph realized by an Anonymous photographer in Washingtont, which documents a historical event in th...

Monica Vitti and Michelangelo Antonioni is a vintage black and white photo of the italian actress and the italian movie director Michelangelo Antonioni from the 1960s. Agenzia Nazionale Stampa Associata (ANSA). Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to the Academy of Dramatic Art (where she will return in 1986 as a teacher), and graduated in 1953, she immediately tackles the scenes in L'avaro di Molière (1954), The island of the parrots of S. Tofano (1954), They founded a city of C. Meano (1954), Mother Courage and her children of B. Brecht (1954). Between 1956 and 1959 she also participated in television broadcasts and acted in numerous adaptations of famous theatrical texts. She made her film debut playing secondary parts in Laugh, Laugh, Laugh! by E. Anton, 1955; A mink coat by G. Pellegrini, 1956; Le dritte di M. Amendola, 1958. Dubbing actress of Il scido di M. Antonioni (1957), she meets the director who, after having directed her to the theater in I am a camera by J. Van Druten (1957) and in Secret Scandals by Antonioni and E. Bartolini (1957), he calls her as the protagonist in L'avventura (1960), a film with which V. is a leading actress. Always led by Antonioni, from now on she will play suffering characters who embody a profound crisis of feelings. Apart from a brief television parenthesis (a transposition of the short story The White Nights by F. Dostoevskij, directed by V. Cottafavi), La notte (1961), L'eclisse (1962) and Deserto rosso (1963) belong to a happy partnership with Antonioni (who will be revived episodically for the production of The Mystery of Oberwald [1980], a courageous experiment of intertwining cinema and electronic techniques, propitiated by the exhumation of a play by J. Cocteau, L'aigle à deux têtes). In the second half of the Sixties, however, the producers showed that they preferred her as an actress endowed with caricatural flair, fine humor, vitalistic exuberance, communicative immediacy; and audiences pay her a growing success, not always corresponding to the quality of her filmography or the variety of her interpretations, among which are the very convincing ones in Modesty Blaise...

Elephant - Ceylon Photo Reportage is a Vintage b/w Photo realized in the 1960s by Folco Quilici. Good conditions. Stamped on the rear.

Series: ARKTOS prints Additional Sizes (All Edition of 4): 11.8" x 11.8" 19.7" x 19.7" 23.6" x 23.6" 31.5" x 31.5" This photograph will be printed once payment has been received and...

Series: ARKTOS prints Additional Sizes (All Edition of 4): 11.8" x 11.8" 19.7" x 19.7" 23.6" x 23.6" 31.5" x 31.5" This photograph will be printed once payment has been received and...

Series: ARKTOS prints Additional Sizes (All Edition of 4): 11.8" x 17.7" 19.7" x 28.5" 23.6" x 35.5" 31.5" x 47.3" This photograph will be printed once payment has been received and...

Series: ARKTOS prints Additional Sizes (All Edition of 4): 11.8" x 11.8" 19.7" x 19.7" 23.6" x 23.6" 31.5" x 31.5" This photograph will be printed once payment has been received and...

Series: ARKTOS prints Additional Sizes (All Edition of 4): 11.8" x 15.7" 19.7" x 26.2" 23.6" x 31.5" 31.5" x 42" This photograph will be printed once payment has been received and w...

Series: ARKTOS prints Additional Sizes (All Edition of 4): 11.8" x 17.7" 19.7" x 28.5" 23.6" x 35.5" 31.5" x 47.3" This photograph will be printed once payment has been received and...