Edmund BlampiedA Jersey Vraic Cart1939
1939
About the Item
- Creator:Edmund Blampied (1886-1966, British)
- Creation Year:1939
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU51531524573
Edmund Blampied
Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903, he went to London to attend Lambeth Art School where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year, he was awarded a scholarship to Bolt Court School of Photo-engraving and Lithography. In 1912, Blampied left the Chronicle and established his studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920s, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s, Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a monograph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. He remained there throughout World War II during the German Occupation, even though his wife was Jewish. During the Occupation, he designed banknotes and a set of postage stamps for the States of Jersey. After the War and the end of the Occupation, he continued to live and work in Jersey. In 1966, he died at the age of 80. He was a member of the Royal Society of British Artists, 1938; Royal Society of Painter-Etchers and Engravers, 1921.
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Ostend HorseBy Edmund BlampiedLocated in New York, NYEdmund Blampied (1886-1966), Ostend Horse, drypoint, 1926, signed in pencil lower margin [also signed and dated in the plate lower left], from the edition of 100, printed on ivory laid paper with full margins with deckle edges, 7 x 9, the sheet 9 1/4 x 12 1/2 inches, still in the original SFA Museum mat with extensive annotations. Provenance: Kennedy Galleries (with their stock number A49359) Ex Collection: Albert M...Category
1920s Realist Animal Prints
MaterialsDrypoint
- Goat Herder's WifeBy George BiddleLocated in New York, NYGeorge Biddle (1885-1973), Goat Herder’s Wife, 1928, lithograph, signed in pencil lower right and titled and numbered (64/100) in pencil lower left margin [with the inscription ”Bidd...Category
1920s Realist Animal Prints
MaterialsLithograph
- Banana GroveBy George BiddleLocated in New York, NYGeorge Biddle (1885-1973), Banana Grove, lithograph, 1928. Signed, titled and numbered in pencil [also annotated in the plate “Biddle/1928, lower right “47). References: Pennigar 81, Trotter 47. In excellent condition, the full sheet, on cream wove BFK RIVES paper, with their (partial) watermark. 12 1/2 x 9, the sheet 20 x 16, archival mounting (non attached mylar hinging between acid free board, glassine cover). A fine fresh rich impression in pristine condition. After Groton, Harvard College...Category
1920s Realist Animal Prints
MaterialsLithograph
- Minne Playing with a Cat (Minne Jouant avec un Chat)By Jacques VillonLocated in New York, NYJacques Villon (1875-1963) etching, aquatint, and drypoint, Minne Playing with a Cat (Minne Jouant avec un Chat),1907, signed in pencil and numbered (12/30)(Ginestet and Pouillon 192...Category
Early 1900s Impressionist Figurative Prints
MaterialsDrypoint, Etching, Aquatint
- La Fille aux OiesBy Jean-Emile LaboureurLocated in New York, NYJean-Emile Laboureur (1877-1943), La Fille aux Oies, engraving, 1916, signed in pencil lower left, numbered (4/40) lower right and inscribed “imp,” also titled lower left margin edge...Category
1910s Cubist Figurative Prints
MaterialsEngraving
- Adresse Sagot - Two States, Before and After LetteringBy Jacques VillonLocated in New York, NYJacques Villon (1875-1963), two drypoints, 1905, (Ginestet and Pouillion E156) each signed in pencil: an impression of the final state (third state of three) printed in bistre, with ...Category
Early 1900s Impressionist Portrait Prints
MaterialsDrypoint
- Spaniel with Duck original signed etching by Leon DanchinBy Leon DanchinLocated in Paonia, COSpaniel With Duck is an original signed etching by Leon Danchin in very good condition. paper size 22.25 x 30 image size 16.50 x 24 Leon Danchin, born in Lille, Fra...Category
1930s Realist Animal Prints
MaterialsEtching
- Henry Moore, "Dromedary", original etching, signedBy Henry MooreLocated in Chatsworth, CAThis piece is an original etching, aquatint and roulette by Henry Moore, created in 1981. It is from Moore's album of 15 original etchings, entitled "Animals in the Zoo". Henry Moore...Category
1980s Realist Animal Prints
MaterialsEtching
- César - Centaur - Picasso's Homage - Original Signed EtchingBy César BaldacciniLocated in Collonge Bellerive, Geneve, CHCésar Baldaccini Original Etching Dimensions: 56.5 x 40 cm Signed and Numbered Edition of 99 It is the only original etching ever made by César. César Baldaccini was born in Marseille in 1921. At the age of 12, he left the school to help his father, cooper. At 15 years old, he studied at the Art college of Marseille. He took evening drawing teachings, and then was interested in sculpture until 1939. In 1942, César received a scholarship and went to Paris. He studied ten years at the School of Beaux-Arts; he worked in the studios of Gaumont and Alfred Jeanniot and was named “Grand Massier” (teacher) of this school. At that time, he was living in the same house as Alberto Giacometti. In 1944, short of resources, he went to Marseille, then return to Paris, next year. With the 50s, he made discovered his work through his first exhibitions. One of its works (« The fish ») obtained a place in the Museum of Modern Art in Paris (1955). Henceforth, he exhibited ceaselessly, participating in numerous “Salons” in France and abroad. César received numerous prices there. He got personal exhibitions everywhere (Japan, the United States, Holland, France, Italy, etc.). Important retrospectives came, later. In 1970, he was named professor a foreman to the School of Beaux-Arts in Paris. During his all life, Caesar was stimulated by « the love of the profession » and by an extraordinary will to innovate. The humor of the man did not miss and was noticed through his work. Pablo Picasso was his major reference, also Alberto Giacometti, Germaine Richier, Pablo Gargallo and Julio Gonzales...Category
1980s Realist Animal Prints
MaterialsEtching
- Two Pointers Hunting a Pheasant original etching by Leon Danchin 1938By Leon DanchinLocated in Paonia, COTwo Pointers Hunting a Pheasant is an original color etching by the well known sporting artist Leon Danchin. Two Pointers, one black and white and...Category
1930s Realist Animal Prints
MaterialsEtching
- Etching by Curtis C Harmon Fishing Boats at Gloucester MassLocated in Chesterfield, NJCurtis C. Harmon (American, 20th century) Fishing Boats at Gloucester, Massachusetts etching signed Curtis C. Harmon (lower right) and titled (lower left) 10 x 12 inches. Discolorat...Category
21st Century and Contemporary Realist Animal Prints
MaterialsEtching
- Topaza PellaLocated in Columbia, MOJ. Gould & HC Richter. Topaza Pella 1945 Hand colored etching by J. Gould & HC Richter Del et Lith Printed London c. 1860s at Hullmandel & Walton, Imp. 21.75 x 14.75 inches 23.75 x ...Category
19th Century Realist Animal Prints
MaterialsEtching