Paul Bartlett

The Papal Conclave BY PAUL BARTLETT, Bird Art, Animal Print

Tim Southall Winter Woods Limited Edition Screen print Size: H 40cm x W 60cm Sold Unframed (Please note that in situ images are purely an indication of how a piece may look). Winter...

A Walk on the Beach By Tim Southall [2021] Limited Edition Silkscreen print Edition of 50 Image size: H:40 cm x W:60 cm Complete Size of Unframed Work: H:50 cm x W:7- cm x D:0.1cm So...

Kate Heiss Hobbies at Ken Hill Limited Edition Print Edition of 30 Image Size: H 30cm x W 30cm Mount Size: H 40cm x W 40cm Signed Sold Unframed Please note that in situ images are p...

Katie Edwards -Created in 2014 for a competition on the theme of Joy, which the concept of escaping on a carousel horse conveyed perfectly. This illustration was the winner of the 20...

Anna Harley Willow with Seagulls Limited Edition Silkscreen Print Edition of 10 Sheet Size: H 56cm x W 76cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look. Willow with Seagulls is a limited edition silkscreen print by Anna Harley. Discover new works by Anna Harley available to buy online and in our art gallery. Anna Harley is a professional fine art screen-printer, making prints at Spike Print Studio in Bristol. She has a Masters Degree in Multi-Disciplinary Printmaking and lives in South Bristol. Her handmade prints are produced in limited editions, so each print is an original artwork, not a reproduction of an artwork made in a different medium. She says, “the screenprinting process suits my practice, because it allows me to build images in fine layers of ink, printing layer upon layer until I am happy with the final print. I use a combination of drawing, digital photography and objects directly exposed on the screen, to create these individual layers. I enjoy the tension this creates in my images – is the print based on a drawing or photograph? Is it attached fabric, pencil marks or ink? While engaged in the creative process, I try to stay open minded about how the finished print will look, to allow the print to make itself – print is an extremely process led way of making art and allowing the unexpected to happen and taking advantage of these happy accidents allows the work to stay fresh and exciting.” She is inspired by how it feels to be outside, tree silhouettes, passing seasons, the weather, and the sky and how it changes from sunrise to evening. “I love things that sparkle and twinkle. I often use metallic pigments and, in a move that fully embraced my inner kitsch, I have recently made a snow print using white glitter. ” Anna’s work is rooted within the Landscape tradition, while the fabric textures in her prints are an echo of her Scandinavian Arts and Crafts...

Clare Halifax G is for Girafeei Limited Edition 3colour screen print Edition of 100 Sheet Size: H 38cm x W 37cm x 0.1cm Sold Unframed Hand printed by the artist onto somerset satin p...

Artist: Billy Al Bengston – American (1934-2022) Title: Untitled Year: 1990 Medium: Lithograph, silkscreen on Arches paper Sight size: 19.5 x 25.5 inches. Sheet size: 24 x 30 inches. Signature: Signed lower right Publisher: Cirrus Editions, Ltd., Los Angeles, CA Edition: 250 This one: 120/250 Condition: Excellent This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches. Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene." Early life and education Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956. Career Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang". After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface." Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...

Born in Stoke-on-Trent in 1953, Frederick Phillips studied Fine Art at Burslem College of Art when Arthur Berry was Head of the Fine Art (Painting) ...

Billy Schenck (American, b. 1947) Hurry Sundown, 1985 Edition 19/60 Serigraph 21 x 38 inches Signed, Titled, Dated, and Numbered Lower Margin Billy Schenck is a contemporary artist ...

Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Sheep Portfolio 7 Year: 1981 Medium: Serigraph and Etching, signed in pencil Edition Size: 65, AP 5 Size: 33.5 x 31 in. (85.0...

Signed, titled and numbered by the artist, from the serigraph edition of 40 prints completed at Self Help Graphics in Los Angele. Trouble in Paradise is based on tourism postcards and California orange crate art...

Medium: 7 color Screenprint Year: 2023 Image Size: 20.75 x 14.5 inches Edition of 12 The abandoned cannery at one end of the beach at Punta Lobos dates from the period 1960-80. Over...