Seurat, Au concert Européen, Seurat (after)
1948

About the Item

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Published by George Besson, Paris; printed by Les Éditions Braun & Cie, Mulhouse-Dornach, Paris, Lyon. Excerpted from the volume (translated from French), This volume, the third of the "Plastique" collection published under the direction of George Besson, was printed on velin Vidalon paper by Braun & Cie, Mulhouse-Dornach, Paris, Lyon. GEORGES SEURAT (1859-1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work A Sunday Afternoon on the Island of La Grande Jatte (1884–1886) altered the direction of modern art by initiating Neo-Impressionism, and is one of the icons of late 19th-century painting. Where the dialectic nature of Paul Cézanne's work had been greatly influential during the highly expressionistic phase of proto-Cubism, between 1908 and 1910, the work of Seurat, with its flatter, more linear structures, would capture the attention of the Cubists, including Picasso, from 1911. Seurat in his few years of activity, was able, with his observations on irradiation and the effects of contrast, to create afresh without any guiding tradition, to complete an esthetic system with a new technical method perfectly adapted to its expression.

Creation Year:

1948

Dimensions:

Height: 12.5 in (31.75 cm)Width: 9.75 in (24.77 cm)

Medium:

Lithograph

Movement & Style:

Impressionist

After:

Georges Seurat

Period:

1940-1949