Jamie Reid

We have the last few of these stunning silkscreens by Larry Smart. Larry came to us just a short while before his untimely death with a proposition to publish this print and to make a signed and numbered edition of 200 in fine art quality silkscreens. Sadly Larry was only to sign the first 50 before he was prematurely taken from us, so the edition is very small, just 50 pieces. Larry, you will be missed by true art lovers the world over! Larry was a friend of Jimmy Hendrix...

This stunning rare design was created for the 1988 American Music Festival, celebrating the 40th anniversary of the New York City Ballet. Featuring typically bold colours and thick l...

This rare, perhaps unique, woodblock print by Charles Kassler positively radiates Art Deco energy -- both from the sun at the upper left corner, and from the pair of black horses, wh...

Limited edition vintage lithographic reproduction poster of "A Gaiety Girl" by Dudley Hardy, featuring a dancing female silhouette in white on a scarlet ground, published in 1968 by ...

a rare original Imperial Airways advertising poster by H S Williamson, 1934, coloured lithograph for the GPO. "Loading air mails for the empire, Croydon, 1934"

Fabulous and striking chairs screen-print by listed artist Marcia Grostein (Brazilian-American born 1949) of three abstract chairs with a newsprint col...

Vintage lithographic reproduction poster of "Cadieux" by Henri de Toulouse Lautrec, published in 1968 by The Sunday Times (London). This limited-edition poster is numbered 600/200...

Known as the "Farewell to England" tour, the Rolling Stones 1971 UK Tour took place across 10 days in March 1971 across 9 cities and saw the Stones at their absolute peak. They released the iconic "Sticky Fingers" a few weeks after the tour. After being commissioned to create the 1970 European Tour poster, and in turn, creating the iconic Stones tongue and lip logo, British designer John Pasche was recruited to create this iconic poster. Featuring an old car driving down the countryside roads...

Original vintage advertising poster for a concert by Herbie Hancock in Tiviolis concert hall, Copenhagen Denmark. In 1979, Tivoli Gardens hosted a memorable concert featuring the le...

He began painting and writing in 1947 in Madrid while suffering from tuberculosis, having already been confined to his bed for five years. In his beginnings he created numerous drawings and paintings with a dreamlike surrealist character that most often represented imaginary landscapes, employing a flat smooth treatment that offers a rich palette of colors. He claimed Hans Arp and Yves Tanguy as his artistic influences. He stayed in Paris in 1952 and in 1954–1955 during which he met Benjamin Péret and associated with the Surrealists, although he soon parted with the group, joining instead the company of his friend the painter Simon Hantaï. Using the technique of scraping, he adopted a gestural style and created an abstract type of painting, still very colorful with an organic, aleatory design. The first appearances in his work of forms that will soon become archetypes of the female body or the human figure occur in the mid-1950s. Starting in 1956 Saura tackled the register of what will prove to be his greatest works: women, nudes, self-portraits, shrouds and crucifixions, which he painted on both canvas and paper. In 1957 in Madrid he founded the El Paso Group and served as its director until it broke up in 1960. During this period Saura met Michel Tapié. During the 1950s he had his first solo exhibition at the Rodolphe Stadler Gallery in Paris, where he regularly exhibited throughout his life. Stadler introduced him to Otto van de Loo in Munich and Pierre Matisse in New York City, both of whom exhibited his work and represented him, and eventually his paintings were collected by major museums. Limiting his palette to blacks, grays and browns, Saura asserted a personal style that was independent of the movements and trends of his generation. His work followed in the tradition of Velasquez and Goya. Starting in 1959 he began creating a prolific body of works in print, illustrating numerous books including Cervantes's Don Quijote, Orwell's Nineteen Eighty-Four, Nöstlinger's adaptation of Pinocchio, Kafka’s Tagebücher, Quevedo’s Three Visions, and many others. In 1960 Saura began creating sculptures made of welded metal elements which represented the human figure, characters and crucifixions. In 1967 he settled permanently in Paris, and joined the opposition to Francoist Spain. In France he participated in numerous debates and controversies in the fields of politics, aesthetics and artistic creation. He also broadened his thematic and pictorial register. Along with his Femmefauteuil (literally "Womanarmchair"), he also worked on the series "Imaginary Portraits",and Goya’s Dog...

"Wheatstone's Tape Telegraph 1858" an original late 40's colour lithograph advertising poster by Eric George Fraser from a series depicting discoveries and inventions in telecommunic...

Antique Original French advertising poster Curacao Mirabelle Hand coloured Lithographic print Framed in a simple photo frame gold with plexiglass Condition : Good, minor damages ...