Skip to main content

Lawrence Ferlinghetti Art

to
2
1
1
1
1
1
Overall Height
to
Overall Width
to
1
1
1
1
1
1
1
1
1
2
6,996
3,346
2,513
1,213
1
1
1
1
1
Artist: Lawrence Ferlinghetti
"Van Gogh Again" Original Oil on Canvas by Beat Poet Lawrence Ferlinghetti 1992
By Lawrence Ferlinghetti
Located in Soquel, CA
"Van Gogh Again" Original Oil on Canvas by Beat Poet Lawrence Ferlinghetti Large scale painting titled, (Disasters in the Sun) or "Van Gogh Again" by Bay area beat poet and abstract expressionist artist Lawrence Ferlinghetti (American, 1919-2021). Strong and bold brush work with areas of heavy impasto paint in white, mustard with black birds in a streaked sky. Signed lower left with the artists monogram "F '92", and on verso Ferlinghetti '92 titled "Van Gogh Again" (Disasters in the Sun) Image 40"H x 53.5" Framed, 41.75"H x 54.25"W x 1.75" Lawrence Ferlinghetti was born in New York of an Italian-Portuguese-Sephardic immigrant family in 1919. He graduated in 1941 from the School of Journalism at the University of North Carolina, Chapel Hill (where he worked on the literary magazine founded by Thomas Wolfe). During the Second World War he spent four years on U.S. Navy ships and commanded a U.S. Navy subchaser at the Normandy invasion, saw Nagasaki six weeks after the A-bomb, and after the War earned an M.A. at Columbia University and a doctorate in literature at the University of Paris. He began drawing from the model at the Academie Julien in Paris in 1948 and continued in the open studios of the San Francisco Art Institute in the 1950's, 70's and 80's. In 1953 he rented a large loft at 9 Mission Street, San Francisco, just vacated by Hassel Smith. Originally identifying with the New York painters of his generation, namely Franz Kline and Willem DeKooning, he pursued what he now considers a "farcical attempt" to paint in an Abstract Expressionist style. Having reached an impasse, he stopped painting and did not pick up a brush again until the mid-1970's when he returned to figurative painting, sometimes very close to abstraction, and often combining the lyrical and the political. Since then Ferlinghetti has had many one-man exhibitions in this country and abroad. His most important solo show in Europe was at the Palace of Exhibitions in Rome (1996). In the catalogue for that show, the famous Italian art critic, Achille Bonito Oliva, characterized Ferlinghetti as "godfather of the [Italian] trans-avant garde." Lately he has been associated with European Fluxus art, with shows in Verona and Florence curated by Francesco Conz. Solo exhibitions in the United States include the shows at the Butler Institute of American Art, the Anita Shapolsky Gallery in New York, the Molly Barnes Gallery in Santa Monica, Dominican University in San Rafael, William Turner Gallery in Venice California, Kleinert James Gallery in Woodstock New York, and the George Krevsky Gallery in San Francisco. SOLO EXHIBITIONS (selected) 2003 Ferlinghetti: Art, Marin Theater Company, Marin, CA 2002 lit.paint, George Krevsky Gallery, San Francisco, CA 2002 lit.paint, Kleinert/James Art Center, Woodstock, NY 2001 Foyer degli Artisti, Florence, Italy 2001 William Turner Gallery, Venice, CA 2000 Archivio Francesco Conz Gallery, Verona, Italy 2000 "Love in the Days of Rage", George Krevsky Gallery, San Francisco 1999 "The Painter's Dream", Shorenstein Company, San Francisco 1999 "New Paintings", Molly Barnes Gallery, Santa Monica, CA 1999 "Lawrence Ferlinghetti: The Painter", San Marco Gallery, San Rafael 1998 "Pure Art Vs. Agit -Prop", George Krevsky Gallery, San Francisco 1998 Paterson Museum, Paterson, New Jersey 1997 Anita Shapolsky Gallery, New York 1996 Palazzo delle Esposizioni, Rome, Italy 1996 Museo Italo Americano, San Francisco 1995 University of Maryland Art Gallery, MD 1995 University of Charleston, West Virginia 1994 Civic Center Gallery, Mountain View, CA 1993 The Butler Institute of American Art, Youngstown, Ohio 1992 Instituto Italiano di Cultura, San Francisco 1992 San Jose State University, San Jose, CA 1991 Peter Lembcke Gallery, San Francisco 1991 Kennedy Gallery, San Francisco 1990 Special Collections, University Library, UC Santa Cruz GROUP EXHIBITIONS (selected) 2001 "Play Ball!", George Krevsky Gallery, San Francisco 1999 "Diamonds & Dust: The Art of Baseball", George Krevsky Gallery, San Francisco 1999 "By the Sea", George Krevsky Gallery, San Francisco 1999 "Writerly Art...
Category

1990s American Modern Lawrence Ferlinghetti Art

Materials

Canvas, Oil, Stretcher Bars

Pen & Ink of Stravinsky by Lawrence Ferlinghetti
By Lawrence Ferlinghetti
Located in San Francisco, CA
Rare Pen & Ink of Stravinsky by Lawrence Ferlinghetti (American, b.1919) c.2009 Dedicated to "Peter" for his Birthday in 2009. We don't know who Peter is. H...
Category

21st Century and Contemporary Abstract Expressionist Lawrence Ferlinghetti Art

Materials

Paper, Felt Pen

Related Items
Adobe Church, New Mexico, 1940s Modernist Southwestern Landscape Oil Painting
By Paul Kauvar Smith
Located in Denver, CO
Vintage 1930s - 1940s oil painting of an adobe church in New Mexico with a brilliant blue sky and clouds (likely Rancho de Taos), circa 1940. Painted by Denver modernist, Paul K...
Category

1940s American Modern Lawrence Ferlinghetti Art

Materials

Canvas, Oil

"Winter" American Modernism WPA Regionalism Landscape Mid-Century Magic Realism
By Dale Nichols
Located in New York, NY
"Winter" American Modernism WPA Regionalism Landscape Mid-Century Magic Realism. 30 x 40 inches. Oil on canvas, c. 1960s, Signed lower right. As we list the painting now, the work is currently being cleaned, restored and a hand carved frame is being built. Additional photos will be uploaded as soon as possible. Our gallery, Helicline Fine Art, just launched our new digital exhibition: American Art: The WPA and Beyond. Three dozen paintings, works on paper and sculptures which are available here on 1stDibs. In person viewings can be arranged by appointment at our midtown Manhattan gallery. Provenance: "Winter" was originally purchased by Stanley Byer. Mr. Byer owned homes in Key West, New York City, and Washington, D.C. He purchased the painting from Dunning Auction in 1984 in Elgin, Illinois. Mr. Byer was related to Abraham Weiss from Florida. Saul Babbin, now deceased was a cousin of Mr. Weiss. I purchased the painting from Joy Babbin, Mr. Babbin's wife, now living in from New Mexico. Dale Nichols (1905 – 1995) Artist, printmaker, illustrator, watercolorist, designer, writer and lecturer, Nichols did paintings that reflected his rural background of Nebraska where he was born in David City, a small town. Although he did much sketching outdoors, most of his paintings were completed in his studio and often included "numerology, magic squares...
Category

1960s American Modern Lawrence Ferlinghetti Art

Materials

Oil, Canvas

Six O'Clock
Located in Los Angeles, CA
Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...
Category

1940s American Modern Lawrence Ferlinghetti Art

Materials

Canvas, Oil

Six O'Clock
H 20 in W 30 in D 2 in
"War Brides, Wash Sq NYC" American Scene WWII Modernism WPA Mid-Century Oil
By Georgina Klitgaard
Located in New York, NY
"War Brides, Wash Sq NYC" American Scene WWII Modernism WPA Mid-Century Oil. 30 x 40 inches. Oil on canvas, c. 1942. Signed lower right. Titled on the stretcher. Housed in a sensational Heydenryk frame. Our gallery, Helicline Fine Art...
Category

1940s American Modern Lawrence Ferlinghetti Art

Materials

Canvas, Oil

Native American Figures at Taos Pueblo, New Mexico Southwestern Oil Painting
Located in Denver, CO
Original 20th century oil painting by Wolfgang Pogzeba (1936-1982) with Native American figures standing in bright blankets with adobe buildings in th...
Category

Mid-20th Century American Modern Lawrence Ferlinghetti Art

Materials

Oil, Canvas

East Santa Cruz (California), Farm House with Storm Clouds Landscape Painting
By Jon Blanchette
Located in Denver, CO
"East Santa Cruz (California)" is an oil on canvas board by Jon Blanchette (1908-1987) of a yellow farm house with dark gray storm clouds overhead. Presented in a custom frame, outer dimensions measure 21 ¾ x 25 ¾ x 1 ½ inches. Image size is 16 x 20 inches. Painting is in very good vintage condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the Artist: Jon Blanchette Born England, 1908 Died California, 1987 Jon Blanchette was born in Somerset, England on March 29, 1908. He immigrated to Battle Creek, Michigan in 1918. Artistically inclined at age six, he later studied at the Pittsburgh Art...
Category

1950s American Modern Lawrence Ferlinghetti Art

Materials

Oil, Board, Canvas

Gold Mine, Central City, Colorado
By Joseph Meert
Located in Los Angeles, CA
This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Goldmine, Central City, Colorado, oil on canvas, 36 x 28 inches, c. 1936, signed lower right, ex collection of Platt Fine Art, Chicago, Illinois (label verso). About the Painting Joseph Meert’s painting, Goldmine, Central City, Colorado, depicts the short-lived resurrection of a once prominent city just outside Denver. Central City was founded in 1859 soon after John Gregory struck gold in the area. As word spread, thousands of miners converged into “Gregory’s Gulch” and its surroundings became known as the “richest square mile on earth.” Mining production quickly increased resulting in Central City to becoming Colorado’s largest city in the early 1860s. Despite some technical difficulties transitioning to lode mining and the rise of competition from Leadville, Central City remained an economic boom town through the turn of the century. But, with every boom, there is a bust. World War I marked the end of Central City’s prominence as ore production ground to a halt and by 1925, the town’s population shrank to only 400 people. The desperation of the Great Depression and a nearly 100% increase in the price of gold lured labor and capital back to Central City. Meert painted in Colorado during the mid-1930s, a time when he created his most desirable works. It is during this period of renaissance that Meert captures one of Central City's outlying dirt streets bordered by 19th century wooden houses from the town's heyday and the more recently installed electric lines leading to a distant gold mine. A lone figure trudges up the hill, a mother with a baby in her arms, putting us in mind of the rebirth of the town itself. Meert had solo exhibitions at the Colorado Springs Fine Arts Center in 1936 and the Denver Art Museum. Although it is not known whether Goldmine, Central City was included in either of these exhibitions, it seems likely. Moreover, the painting is closely related to Meert’s painting, The Old Road, which was painted in 1936 and exhibited at the Corcoran Gallery of Art in Washington, DC and at the Dallas Museum of Art. About the Artist Joseph Meert was a well-regarded painter and muralist, who initially made a name for himself in the American Scene and later as an abstract expressionist. Although initially successful, Meert struggled financially and with mental illness later in life. He was born in Brussels, Belgium, but moved with his family to Kansas City, Missouri. As a child, a chance encounter at the Union Pacific Railyard changed his life. Meert happened upon a worker repainting and stenciling a design on a railroad car. Meert later recalled that this experience introduced him to the idea of being a painter. Without support from his father, Meert obtained a working scholarship to the Kansas City Art Institute. After four years at the Kansas City Art Institute, Meert studied seven years at the Art Students League and in Europe and Los Angeles. At the Art Students League, Meert fell under the spell of Thomas Hart Benton and Stanton MacDonald-Wright. In 1931, he befriended Jackson Pollock. By 1934, Meert was part of the Public Works of Art Project when he met his wife, Margaret Mullin...
Category

1930s American Modern Lawrence Ferlinghetti Art

Materials

Oil, Canvas

Bathers at the Quarry 1940s American Modernist Oil Painting WPA era
By Theresa Berney Loew
Located in Surfside, FL
Swimmers and sun tanners at the local watering hole. Her birth name was Theresa Berney. At the time of her passing she was known as Theresa Loew. Birth place: Baltimore artist, blo...
Category

1940s American Modern Lawrence Ferlinghetti Art

Materials

Oil, Board

Vintage Winter Snowy River Mountain Landscape of Canada by 20th Century Artist
Located in Preston, GB
Vintage Winter Snowy Mountain River Landscape Oil Painting of La Rivière du Nord in Canada, by 20th Century Canadian Artist, Sydney Berne (1921-2013) Art measures 20 x 16 inches F...
Category

1970s American Modern Lawrence Ferlinghetti Art

Materials

Canvas, Oil

"History of US Postal Service" American Scene Social Realism WPA Modern Chicago
By Harold Haydon
Located in New York, NY
"History of US Postal Service" American Scene Social Realism WPA Modern Chicago Harold Haydon "History of the U.S. Postal Service" 21 x 25 1/2 inches O...
Category

1930s American Modern Lawrence Ferlinghetti Art

Materials

Canvas, Oil

"Drama Teacher" 1938 WPA Mid 20th Century American Theatre Surrealism Modernism
By Leon Bibel
Located in New York, NY
"Drama Teacher" 1938 WPA Mid 20th Century American Theatre Surrealism Modernism. 30 x 24 inches. Oil on Canvas. Signed land dated ’38 lower left. The photograph in the listing depicts the artist's friend who taught drama and about whom the painting is based Painter, printmaker and sculptor, Leon Bibel was born in San Francisco in 1913. He trained at the California School of Fine Arts and received a scholarship to study under the German Impressionist Maria Riedelstein. He worked in collaboration with Bernard Zackheim, a student of Diego Rivera, to create frescoes for the San Francisco Jewish Community Center and the University of California Medical School. In 1936 Bibel moved from California to join the Federal Art Project at Harlem Art...
Category

1930s American Modern Lawrence Ferlinghetti Art

Materials

Canvas, Oil

Till the Clouds Roll By 1945 Frank Sinatra Mid Century Modern Hollywood Film WPA
By Richard Whorf
Located in New York, NY
Till the Clouds Roll By 1945 Frank Sinatra Mid Century Modern Hollywood Film WPA TILL THE COULDS ROLL BY (Film Set), oil on canvas, 20 x 24 inches signed “Richard Whorf” lower right and signed and dated on the verso “R. Whorf/ Dec. 21, 1945. Frame by Hendenryk. ABOUT THE PAINTING This painting is from the collection of Barbara and Frank Sinatra, dated December 21, 1945 (just nine days after Frank Sinatra’s 30th birthday), and depicts the Metro-Goldwyn-Mayer Culver City backlot during the filming of Till the Clouds Roll By, the direction of the film having been taking over by Richard Whorf in December 1945. It is not presently clear if Whorf gave the Sinatras this painting as a gift, as the presence of the Dalzell Hatfield Galleries label on the verso indicates the painting may have been sourced there. Frank and Nancy Sinatra acquired a number of works from Dalzell Hatfield Galleries during the 1940’s, or perhaps they framed it for the couple. Sinatra performed “Old Man River’ in the film. Sinatra and June Allyson are depicted in the center of the painting. PROVENANCE From the Estate of Mrs. Nancy Sinatra; Dalzell Hatfield Galleries, Ambassador Hotel, Los Angeles. An image of the Dalzell Hatfield label and the back of the original frame (which we replaced with a stunning Heydenrk frame) are attached. Nancy Sinatra was Fran's first wife. Nancy Rose Barbato was 17 years old when she met Frank Sinatra, an 18-year-old singer from Hoboken, on the Jersey Shore in the summer of 1934. They married in 1939 at Our Lady of Sorrows Church in Jersey City where Frank gave Nancy a recording of a song dedicated to her titled "Our Love" as a wedding present. The young newlyweds lived and worked in New Jersey, where Frank worked as an unknown singing waiter and master of ceremonies at the Rustic Cabin while Nancy worked as a secretary at the American Type Founders. His musical career took off after singing with big band leaders Harry James and Tommy Dorsey...
Category

1940s American Modern Lawrence Ferlinghetti Art

Materials

Canvas, Oil

Lawrence Ferlinghetti art for sale on 1stDibs.

Find a wide variety of authentic Lawrence Ferlinghetti art available for sale on 1stDibs. Not every interior allows for large Lawrence Ferlinghetti art, so small editions measuring 6 inches across are available. Customers who are interested in this artist might also find the work of Dorothy Gillespie, Carmen Cicero, and Xanda McCagg.

Artists Similar to Lawrence Ferlinghetti

Recently Viewed

View All