Ren Hui Furniture

Painting by Robert Hector Geenens. Started with fantastic realism, often surrealism, open to dreams and imagination. Tended afterwards towards lyric abstraction and magic abstracti...

Kano School painting showing ancient pine, exotic birds, peonies, azalea and cherry tree in bloom on far right. Early Edo period painting, (1614 -...

Marguerite, is a unique handcrafted porcelain wall hung sculpture completely covered in a multitude of individually made stylised flowers by the British artist, Vanessa Hogge. Vanessa Hogge breathes life into her clay in the form of dahlias, chrysanthemums, agapanthus, daisies, agaves and roses. Inspired by her passion for all things botanical, and influences as diverse as Frida Kahlo, Georgia O’Keefe and Marianne North...

A beautiful and interesting original antique oil painting signed by the artist A. Michaelis. This is dated from 1937, it is in the impressionist manner. It is beautifully executed...

Original acrylic on paper H32"x W28" Framed.. Given by Peter Max to a friend

This mid century decorative glass wall art is hand cut and made by hand by skillful artisans in Brooklyn, and framed in natural solid oak. Resistant to fading and aging. Limited e...

Stunning Japanese two-panel folding screen featuring a gold leaf landscape signed by Yoshikawa. Delicate scene of cherry and willow trees near a village with high mountains in the ba...

Selection of Modern Artwork, circa 1920s-1960s. Perfect to start or add to your gallery wall. All are priced at $375 each. They are: Top row, left to right, 1) Paul Cezanne etching entitled "Portrait of Painter Guillauman with William Hanging" measures 10.5" H x 8.5" W. 2) Portrait of a big eyed...

One hundred birds Hasegawa Gyokujun (1863-1921) Meiji period, circa 1900. Ink, color and gofun on silk. Dimensions of each screen: H. 170 cm x W. 190 cm (67’’ x 75”) Despite the title, well over 100 birds are represented in this pair of two-fold Japanese screens (the title functions figuratively to convey the idea of a large number). The monumental work is rendered with a comprehensive and highly complex composition which is exquisitely executed and meticulously colored. More a celebration of naturalism than the traditional “One Hundred Birds” paintings which originated in China. This was a subject matter known for its auspicious meaning as much as its actual depiction of nature. These paintings generally had a phoenix (occasionally peacocks) placed in the center, and the other birds paying homage to it. In this quintessentially Japanese scene painted by Gyokujun, a couple of long-tailed birds modeled after paradise flycatchers are included; these are traditional auspicious motifs in Oriental bird and flower painting and denote themes such as celebration and enduring generations. In addition there is the playful inclusion of single exotic parrot. Even so, the vast majority of the birds and flowers are native to Japan. Reading the scene from right to left, from spring through to autumn, the overwhelming sense is one of movement and haste. It is almost as if the birds are in a race, with the fleetest leading the way forward. Although these native birds were commonly drawn amongst artists of the Shijo school, rarely were they painted with such drama and dynamism. It is not strictly a depiction of sketched birds whose manner was faithfully handed down through the traditions of the Shijo school. Rather we see Gyokujun seeking and achieving new expressions in the heart of the turbulent Meiji period. Hasegawa Gyokujun (1863-1921) was born in Kyoto. He was the eldest son of Hasegawa Gyokuho, a Shijo school painter who studied under Matsumura Keibun. Gyokujun studied painting under his father and became a prominent member of the Kyoto painti ng world from a young age. In 1891 he established the ‘Young Painters Social Club’ along with Takeuchi Seiho, Miyake Gogyo and Taniguchi Kokyo. Also in 1891 he was selected as a judge of the Great Private Paintings Exhibition along with Takeuchi Seiho, Yamamoto Shunkyo...

Watanabe Seitei, also known as Watanabe Shotei (1851–1918), was born in late Edo period. He was one of the earliest Japanese artists who visited and be...

Irene Cafieri Contemporary Oil on Canvas 1970s Measures: 36″ X 24″ Lovely landscape by contemporary artist.

Kishi Renzan (1804-1859) Tigers Pair of six-panel Japanese screens. Ink and gold-leaf on paper. In this monochromatic pair of six-fold Japanese screens painted on gold-leaf, Kishi Renzan has created a breathtaking composition of a family of tigers. The screens are filled with a sense of drama which is conveyed by both the subject matter and the wet, expressive brushwork. The running mountain stream and the towering waterfall allude to refreshment during the summer months and we feel the tiger families familiarity and security within their environment. Renzan’s master, Kishi Ganku...