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Set of 6 Charles and Ray Eames Fiberglass Sidechairs with Eiffelbase
By Charles and Ray Eames
Located in Münster, DE
Set of 6 sidechairs, Charles and Ray Eames, fiberglass shell in off-white, 1970s, Vitra Eiffelbase chrome-plated, manufacturer Herman Miller, beautiful vintage condition
height 81 c...
Category
Vintage 1970s American Modern Dining Room Chairs
Materials
Metal
Charles & Ray Eames, Herman Miller Set of 4 Dowel Leg DAW Armchairs Orange
By Charles and Ray Eames
Located in Philadelphia, PA
Designed by Eames, of recent manufacture by Herman Miller, these signed chairs are in like new condition. Each still retaining hang tags, shells are made of white plastic with an off...
Category
Early 2000s American Mid-Century Modern Chairs
Materials
Metal
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The Eames Shell Chairs Series
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Long before it was the pièce de résistance in a collector’s office or an upscale bachelor pad — landing in ample design magazines, on television and in well-appointed offices over the years — the Eames lounge chair was a fresh, subversive new take on a classic club chair and a culmination of experimentation by its inventive creators.
Charles and Ray Eames (1907–78; 1912–88) met while studying at the Cranbrook Academy of Art, the prestigious Michigan institution that drew such illustrious desi...
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During World War II, American designers Charles and Ray Eames (1907–78; 1912–88) worked with the United States Navy to make a new leg splint. Recognizing that metal splints could further injure a wounded person through the vibrations of their material, the couple created a new model with molded plywood. That wartime experience propelled the Eameses to continue their explorations in plywood. In 1946, they debuted the DCM, its shortened name referencing the “Dining Height (D) Side Chair (C) on ...
Eames Dcw
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Number Available
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Although their ubiquitous leather lounge might be more recognizable, there’s arguably no chair that better embodies the design ethos of Charles and Ray Eames (1907–78; 1912–88) than the DCW dining chair. It was introduced at New York City’s Museum of Modern Art in a 1946 exhibition titled “New Furniture Designed by Charles Eames.” (Ray was notably absent from the exhibition title, despite being a full collaborator on the work.)
In its design, construction and manufacturing, the DCW is pure E...