'Imari Pavilion' Pattern Blue And White Dish C 1725, Qing Dynasty, Yongzheng Era

This 'Imari Pavilion' pattern Yongzheng Porcelain depicts pavilion terrace, bamboo fence, and low table festooned with flowers and draped with curtains. Period : Qing Dynasty, Yong...

Gliding with a pavilion terrace, bamboo fence, and low table festooned with flowers and draped with curtains. Period : Qing Dynasty, Yongzheng Period Production Date : C 1725 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Ca Mau...

Gliding with a pavilion terrace, bamboo fence, and low table festooned with flowers and draped with curtains. Period : Qing Dynasty, Yongzheng Period Date : c. 1725 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Ca Mau...

In the center, a vase adorned with a floral pattern suggests appreciation for nature. Notably, there is an object resembling a Go board, indicative of the intellectual pursuits favor...

With radiating lotus-petal 8 panels painted with single flowers among tightly-scrolling tendrils within a border of foliage. The number 8 in Chinese culture is associated with pros...

Penciled and washed in blue with an European scene of figures, one leading a cow, on pontoons and small islands in a broad river, a city on the opposite back, the blue-washed rim wit...

A ceramic dish with high cylindrical foot in white glaze from Korea, circa 19th century Joseon Dynasty. By shape, this piece is most likely a ceremonial vessel that was used to make offerings on the altar. Although without inscription, we can't rule out that it could be a household item for occasions that were less formal. Such as a private shrine in the household. During Joseon dynasty, the social morals were largely centered on the principles of Confucianism that originated from China. Many ritual ceramic wares were produced for rituals and worships on all level of the society. The ware were often modeled after the archaic bronze ware that elevated them from the aesthetic of daily use pieces. High foot dish like this were made in both round and square shape to suite different use but they were all distinguished with the inscription for their exclusive ceremonial purpose. Of elegant form and harmonious proportion, this stem dish...

An exquisite late Qing dynasty display Stand of longyan wood, carved as a miniature "kang" table. The center panel features an amazing grain that delights the eye, while a soft glo...

Qing dynasty (1644-1911) burl scroll pot (Scholars Pot), China.

A stunning carved and pierced Chinese jade vase, Qing Dynasty, 19th century. The vase is carved with a design of birds, flowers and trees, each rife ...

A lingzhi fungus table screen Qing Dynasty (1644-1912) The unusual Chinese scholar’s object, mounted natural dried and preserved lingzhi fungus. Lobed asymmetrical outline with dee...

An antique Korean ritual incense burner circa 19th century, late Joseon dynasty. It was made in Bunwon Kiln in Gwangju, Gyeonggi Do, near Seoul. The ceramic container has a thickly b...