Mexican Screens and Room Dividers

The collection, titled Laws of Motion, is the first sample of collectible design created by Joel Escalona for BREUER. Through a series of different typologies such as mirrors, tables...

Penca is a line of outdoor furniture with a strong Mexican identity, designed for residential spaces as well as for common areas of restaurants or boutique hotels. The concept of the...

Penca is a line of outdoor furniture with a strong Mexican identity, designed for residential spaces as well as for common areas of restaurants or boutique hotels. The concept of the...

Exotic hardwood room divider, privacy screen with woven rattan cane panels. Mexican modernism style with swooping top rails. Gorgeous grained wood with a gloss finish. 4 triple hinge...

Antique Mexican Hand painted Olinalá Screen Divider Circa 1930. We offer this rare and beautiful Antique Mexican Hand painted Olinalá Screen Divider made in Olinalá Mexico. About Ol...

Mexican artist, Sergio Bustamante wall sculpture or fireplace screen with a Garden of Eden menagerie of flora and fauna. Lions, giraffes, birds, butterflies, turtle, armadillo, rabbi...

Penca Room Divider Small by Francisco Torres Dimensions: D 30 x W 105 x H 180 cm Materials: Steel. The concept of the Penca family, designed by Francisco Torres and Rosa Hanhausen, ...

Penca Room Divider Small by Francisco Torres Dimensions: D 30 x W 135 x H 120 cm Materials: Steel. The concept of the Penca family, designed by Francisco Torres and Rosa Hanhausen, ...

Aceleración screen by Joel Escalona Limited edition of 9 Dimensions: D 230 x W 40 x H 187 cm Materials: oak wood. Natural white oak screen. J...

BIOMBO Triptych by Acoocooro Dimensions: W219 x D4 x H144 cm Materials: solid oak wood floor mirror/divider; natural mirrors (front) and copper-smoked glass mirros (back); brass de...

Reinterpretation of the “Castas Screen from the 18th century” (the original is exhibited at the Franz Mayer Museum in Mexico City). Each panel represents a territory of Mexico with a...

Decorative folding screen divider of 3 panels, nlaid with solid brass lines

Perspectiva space divider by Colección Estudio Dimensions: D 30 x W 30 x H 163 cm Materials: oak wood, grey wool felt Also available in ebonized o...

Colorful hand painted Folk Art watermelon folding screen, Yucatan, Mexico, circa 1970s. This piece is a versatile size and can be used as a folding screen, room divider, or headboard...

The Chroma room divider seeks to break the confines of its own materiality. By filtering the light through, it magnifies its presence creating an effect where different shades of co...

Original 4-panel screen attributed to Edmond Spence in Mahogany and handwoven seaweed twisted rope. Edmond Spence, ( American 1911-1986) began his career in his family furniture busi...

For your consideration, spectacular Room Divider from the early 1950s by sculptor and designer Frank B. Kayle in collaboration, that we belive, with Los Castillo from Taxco For more...

Extraordinary three-panel screen in walnut and bronze by Frank Kyle, Mexico, 1950s. One side of the screen features a pastoral scene with Japanese figures...

Los Guajes are a family of sculptures designed to be used independently or accompanied, their shape responds to a simple geometric outline inspired by cactu...

Biombo is a generous, flattering, and intimate floor mirror triptych, drawn from the works of Leonardo Cremonini, inhabited by everyday, tumultuous,...

Made in Mexico by Danish modernist master architect and designer Palle Seiersen Frost. This screen is made of cloth with ink and wooden frame. Very nice warm tones and shadows.

Salvador Corona painted four-panel wooden floor screen created in his studio in Mexico circa 1938. This rare hand crafted multi medium room divider was the property of the daughter of one of Mexico's wealthiest families of the period, who married the head of an international railroad supply company in their Warren McArthur furnished apartment on Park Avenue. The custom designed Warren McArthur furniture was a gift of the Pullman Company. In the early 1950s she opened a shop in Boothbay, Maine and later on upper Lexington Avenue specializing in the crafts of Mexico. This may have been a wedding present to her from the artist, her family or a close friend. The screen shows a the harbor of 19th Century Acapulco with the major buildings with gold leaf tiled roofs, Spanish galleons in the bay, a whale spouting in the distance, birds, and silver leafed palm trees . The harbor scene is bordered in gilt painted cord. Within which are appliquéd cutout medallions of various local fish and air bubbles covered in tinfoil ,a new material in the 30s. The tinfoil is finely etched in a variety of intricate patterns. Some of the appliqués are glazed in gold. The reverse side of the screen is an ivory white back ground with vignettes from the Maximilian era of Mexico. The screen is in good condition with wear consistent with its age. Salvador Corona was born on his family's ranch Hacienda Mideras in the Mexican state of Chihuahua. Corona’s family moved to Mexico City in 1903 when he was 8. He attended the New English College in Mexico and then crossed into a career in bull fighting entering the ring for the first time in 1913. In 1919 in Guadalajara he was gored and turned to painting. He was given his first painting lessons by fellow bullfighter Jose Jimenez. Corona’s painting career spanned many decades and diverse formats including murals, furniture and decorative household items. In 1939, the Mexican government invited him to exhibit a set of painted furniture at it's booth at the World’s Fair in New York City. There, it was presented to President Franklin D. Roosevelt as a gift. Corona’s work attracted many famous patrons, including the Duchess of Windsor, Gary Cooper and writer Clare Booth Luce. Salvador Corona’s work featured many Spanish Colonial vignettes, and he became an authority on Spanish and French costumes of the 1800s, which are frequently depicted in his paintings. His favorite subjects often included Mexican Colonial criollos and Purepecha (Tarascan) Indians. Birds and other animals feature prominently in his work. His traditional self-developed folk art style images depicted pastoral colorful scenes of Maximilian era Mexico painted on white backgrounds. His work can be divided into three categories: a vice-regal era with European and Creole noblemen mixed with Indians; stylized landscapes of Patscuaro, Acapulco or the Canal of Santa Anita; and his iconographic Mexican Virgins...

This striking and modernist three-panel screen finished in deep brown lacquer has raised brass patterning on both sides and is set on stylish brass feet. Designed and manufactured b...