Pair Of 18th Century Mahogany Sheraton Side Chairs

A very attractive and good quality George III Sheraton Period dressing table mirror having shield shaped replaced Mirror plate over well figured double concave two drawer Base wit...

A Good Quality Pair Of 18th Century Mahogany , Georgian, Hepplewhite Period Side Chairs, Having Shaped Top Rails And Elegant Pierced Splat Backs With Crisply Carved Decoration, Over ...

A Charming Late 18th century Georgian, Mahogany D Shaped Tea Table, Having Exceptionally Rare Gilded And Hand Painted Decoration To Satinwood Cross Banded Foldover Top, Over Frieze W...

A very good quality late 18th century mahogany dressing table mirror having shield shaped plate above well figured bowfront base with three frieze drawers and elegant strung decor...

A Very Good Quality Mid-18th century, Georgian, Chippendale Period. Mahogany Side Table Having Well Figured Rectangular Top With Unusual Hinged Drop Flap To Back, Over One Long Friez...

An Extremely Charming And Very Good Quality George II Period Mahogany Chest, Retaining Rich, Untouched Colour And Patina Throughout, Having Well Figured Mahogany Top Over Two Short A...

Pair of 18th century Chippendale side chairs possibly made in Maryland with a relief carved crest rail a Gothic carved splat cabriole legs with shells on the knees and terminating in...

A fine pair of mid-18th century Chippendale period mahogany side chairs with serpentine backs and seats, having stuffover seats with boldly carved decoration, supported on carved squ...

Pair of Baltimore mahogany Chippendale side chairs with wonderfully carved crest rail and pierced Gothic splat with molded stiles cabriole legs term...

A pair of mahogany claw and ball Chippendale period side chairs. These chairs have broad generous seats, recently re-upholstered. Very strong, solid, and extremely comfortable. In s...

Pair of 18th century carved mahogany Irish Georgian side chairs.

A superb and striking pair of Sheraton Revival mahogany and satinwood banded chairs, Circa 1900 in date. The high back chairs feature satinwood banding with boxwood and ebonised line inlay and wonderful foliate carved decoration. The square tops are supported by a pair of ionic columns which frame rails above criss-cross splats. The overstuffed golden upholstered seats are above satinwood banded seat rails and the chairs are raised on reeded taping legs that terminate in decoratively carved spade feet. It is rare to find such a perfectly sculpted pair of chairs. THE BOTANICAL NAME FOR THE MAHOGANY THESE CHAIRS ARE MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION. Condition: In excellent condition having been cleaned, polished, and waxed in our workshops. Please see photos for confirmation. Dimensions in cm: Height 96 x Width 47 x Depth 49 - Chairs Dimensions in inches: Height 3 foot, 2 inches x Width 1 foot, 6 inches x Depth 1 foot, 7 inches - Chairs Thomas Sheraton (1751 - 1806) was an English cabinetmaker and one of the leading exponents of Neoclassicism. Sheraton gave his name to a style of furniture characterised by a feminine refinement of late Georgian styles and became the most powerful source of inspiration behind the furniture of the late 18th century. His four-part Cabinet-Maker and Upholsterers’ Drawing Book greatly influenced English and American design. Sheraton was apprenticed to a cabinetmaker, but he became better known as an inventor, artist, mystic, and religious controversialist. Initially he wrote on theological subjects, describing himself as a “mechanic, one who never had the advantage of collegiate or academical education.” He settled in London c. 1790, and his trade card gave his address as Wardour Street, Soho. Supporting himself mainly as an author, Sheraton wrote Drawing Book (1791), the first part of which is devoted to somewhat naive, verbose dissertations on perspective, architecture, and geometry and the second part, on which his reputation is certainly based, is filled with plates that are admirable in draftsmanship, form, and proportion. In 1803 Sheraton, who had been ordained a Baptist minister in 1800, published his Cabinet Dictionary (with plates), containing An Explanation of All Terms Used in the Cabinet, Chair and Upholstery Branches with Dictionary for Varnishing, Polishing and Gilding. Some of the designs in this work, venturing well into the Regency style, are markedly unconventional. That he was a fashionable cabinetmaker is remarkable, for he was poor, his home of necessity half shop. It cannot be presumed that he was the maker of those examples even closely resembling his plates. Although Sheraton undoubtedly borrowed from other cabinetmakers, most of the plates in his early publications are supposedly his own designs. The term Sheraton has been recklessly bestowed upon vast quantities of late 18th-century painted and inlaid satinwood furniture...