Art by Medium: Fabric

Manyara Lake No.4 is a unique painting by Spanish contemporary artist Calo Carratalá, it is made with acrylic on printed vinyl canvas mounted on wood frame, dimensions are 200 × 317 ...

German or Danish School, 19th Century Coastal Scene with boat and fishermen very decorative cabinet piece in a golden frame The painting is very fine and goes with a very nice and so...

A beautiful mid 20th century oil on canvas by Belgian artist Suzanne Boland van de Weghe depicting figures in a walled town or city. The work is very well painted in the naif Paris ...

Pink Painting (Figure No.1) is a unique oil on cotton canvas painting by German contemporary artist Doris Marten, dimensions are 150 cm x 110 cm (59.1 × 43.3 in). The artwork is sig...

Two, painting by contemporary artist Emanuel Schulze. OIl on canvas, 50 cm x 70 cm. The mysterious landscapes of Emanuel Schulze combine architectural shapes and natural surrounds, g...

Alabaster, cotton rope, copper, 24 cm × 58 cm × 28 cm. Unique work delivered with a certificate of authenticity. Peter Brooke-Ball's works surprise with their humour, simplicity and...

Permanescence TN720 D is a diptych painting by Japanese contemporary artist Hachiro Kanno, composed of two panels of equal size (100 cm x 73 cm). It is sold unframed. The painter dr...

Sailing from Leticia to Santa Rosa (Jungle series) is a large-scale oil painting by Spanish contemporary artist Calo Carratalá which is in the form of a tondo (diameter: 194 cm). Thi...

Portuguese rosa marble, rope and copper on Portland limestone, 105 cm × 38 cm × 40 cm. The above dimensions include the base, which is attached. Dimensions of the base: H 20 x L 38 ...

Wild (2015) by French contemporary artist Christophe Dupety. Oil on canvas, 100 x 100 cm. In this series simply entitled "Nus" (nudes), the artist is superimposing and juxtaposing tw...

"Abstract Script" Ink on Fabric Painting 10" x 2"4 inch by Mohamed Monaiseer Trinity series (2015) In this work, I am a developing personal philosophy of the trinity—the uniting of...

"Ceremony" Abstract Oil Painting 39" x 59" in by Muzaffar Abdullaev ABOUT: He was born in 1953 in Bukhara, where he lives and works. Boasting forty years of experience, the artist...

TN811-D is a diptych painting by Japanese contemporary artist Hachiro Kanno, composed of two panels of equal size (100 cm x 73 cm). Sold unframed. The painter draws its resources fro...

Sir David Murray, R.A., H.R.S.A., R.S.W., R.I. 1849-1933 • Scottish Across the River Signed and dated D. Murray 1907 (lower left) Signed and inscribed “Across the River/by David M...

Unleashed (2018) by French contemporary artist Christophe Dupety. Oil on canvas, 100 x 81 cm. In his Human Figures series, Christophe Dupety shows us some bodies which aspect reminds...

Ballpoint pen, acrylic and posca on canvas, 200 x 200 cm (6 ft. 6 x 6 ft. 6) With this series, French artist Cécile Bisciglia explores animality. Armed with ...

TN 683 D is a diptych painting by Japanese contemporary artist Hachiro Kanno, composed of two 100 x 73 panels. Ink and acrylic on canvas, 100 cm x 146 cm. Sold unframed. The painter ...

Lilly Muth's geometric abstractions are colourful works full figures that of space such as the distance, shape, size, and relative position of figures. Her use of colour is bold yet ...

No.120 (2010) is a painting by Paris-based Chinese contemporary artist ZHANG Hongyu from the “Portrait” series. India ink, acrylic and pastel on canvas, 116 x 81 cm. Signed, sold fr...

RUV, painting by Spanish contemporary artist Ramon Enrich. Ramon Enrich's work revolves around conversation between architecture and landscape, inviting the viewer on a visual stroll...

Cogida (2023) by French contemporary artist Christophe Dupety. Oil on canvas, H 115 x W 75 cm // 45.2 in x 29.5 in. Christophe Dupety focuses on the portrayal of the animal, which ta...

Spring (2023) by French contemporary artist Christophe Dupety. Oil on canvas, H 80 cm W 120 cm. This series focuses on floral motifs: Poppies, Catalpa flowers or Spindles. Christoph...

Ballpoint pen, acrylic and posca on canvas, 200 x 200 cm (6 ft. 6 x 6 ft. 6) With this series, French artist Cécile Bisciglia explores animality. Armed with ...

Untitled XLV is an abstract painting by French contemporary artist Ferle. Oil on free-standing canvas. W 200 cm x H 280 cm // W 6 ft 6 x H 9 ft. ”In her work, Ferle creates new spac...

Cainemim is a painting by Spanish contemporary artist Ramon Enrich. Acrylic on canvas, 2018. 190 x 200 cm. Signed, sold unframed. Enrich's paintings depict enigmatic landscapes whe...

Artist: Pál Fried (Hungarian, 1893-1976) Title: "Intermission (Ballerina)" *Signed by Fried lower left Circa: 1940 Medium: Original Oil Painting on Canvas Framing: Recently framed in a gold Louis XV style frame Framed size: 39" x 33" Canvas size: 30" x 24" Condition: In excellent condition Notes: Provenance: private collection - Port Orange, FL; acquired from Herbert Arnot Gallery, New York, NY in the early 1970's. Titled by Fried on verso. The artist's copyright stamp and various reference number on verso. Biography: Pál Fried was born in Budapest in 1893. He received his art education at the Académie hongroise des arts (Hungarian Academy of Arts) where he was a pupil of Hugo Pohl who became one of his major influences. While under Pohl's direction, he executed many portraits of female nudes and Orientalist works. Later he studied in Paris at the Académie Julian, where he was the pupil of Claude Monet and Lucien Simone. In Paris, he was greatly influenced by the French Impressionists, especially Pierre-Auguste Renoir and Edgar Degas. This inspired him to prepare many paintings of ballerinas...

After Sir Anthony van Dyck (1599-1641) Portrait of Sir Edward Lord Littleton, First Baron Lyttleton (1589-1645) Oil on canvas Image size: 96 by 76 cm Hand carved auricular frame Sir Edward Littleton was Solicitor-General to Charles I, 1634-40; Chief Justice of Common Pleas, January 1640-January 1641; Lord Keeper, 1641-45. Painted in his robes, and wearing the chain of office...

TN853 is a painting by Japanese contemporary artist Hachiro Kanno. Sold unframed. The painter draws its resources from Japanese calligraphy and his favorite themes in Zen philosophy....

Jaipur (2004) by French contemporary artist Christophe Dupety. Oil on canvas, H 51.2 x W 76.8 in (130 x 195 cm). Unique work sold unframed with a certificate of authenticity. The art...

Elysium II (2020), by contemporary artist Joachim van der Vlugt. Oil on canvas, 130 cm × 180 cm. Challenging the boundaries between figuration and abstraction, the artist creates...

"Forest Fire II" Abstract Painting 31" x 24" inch by Ahmed Farid acrylic & gold leaf on canvas on wood Born in Cairo, Egypt, in 1950 where he currently lives and works, Farid is a...

"YEAR OF THE TIGER" Painting 51" x 35" inch by Alina Shimova PURE SOUL series Shimova cares about the conservation of the fauna. She draws public attention to the problems of anim...

"Call of the Wild" Painting 79" x 71" inch by Ahmed Gaafary To begin this description, let me start with this question: Is it the internal side of th...

"Labyrinthine II" Ink on Fabric Painting 89" x 63" inch by Mohamed Monaiseer Trinity series (2015) In this work, I am a developing personal philosophy of the trinity—the uniting of...

"Passage I" Abstract Painting 51" x 39" inch by Ahmed Farid Born in Cairo, Egypt, in 1950 where he currently lives and works, Farid is an autodidact Egyptian painters who trained p...

"Saint” Oil Painting 53" x 27.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon ...

"Nile by Night III" Painting 47" x 63" inch by Mohamed Abla Mohamed Abla was born in Mansoura (North of Egypt) in 1953. There he spent his childhood and finished school. In 1973 he...

Industrial Mid-20th Century WPA Modern Men Working American Scene Social Realism George Pearse Ennis (American, 1884-1936) "Forging a Gun Tube #1...

This subtle but highly detailed floral still life is rendered in a variety of media, including oil paint, children's crayons, and colored pencil. Kaitlyn Tucek...

From the ‘Mise en abyme’ series. Ink and acrylic on old book pages mounted on canvas, 65 x 92 cm // 25.6 x 36.2 in. The painting is sold with its preparatory drawing as well as a ma...

Côte de Beaune (2023) by French contemporary artist Christophe Dupety. Oil on canvas, H 31.5 x W 31.5 in (80 x 80 cm). Unique work sold unframed with a ...

"Untitled 7" Painting 102" x 102" inch by GUELA TSOULADZE Oil painting on oilcloth canvases. ABOUT THE ARTIST: Nomad from birth, Guela Tsouladzé was born on November 8, 1959 in Tbilisi, Georgia, from a French mother and a Georgian father. His father was one of the first Georgian psychanalyst; but working with the conscient and subconscient of the homo sovieticus was a disputed occupation, criticized by the soviet ideology. Therefore, it required a significant dose of audacity; it’s in this context of insubordination and freedom, that Guela tirelessly repeats that he will be an artist, without ever having painted anything. The father thus commissioned his first work: a black dot on the ceiling of his office, which his patients would fix during the sessions. The gateway to hypnosis, and the artist’s future signature. Perhaps Guela's innate sense of daring and escapism comes from there; these two themes are till today reflected in his works. Guela grows up in a surreal artistic universe, between France and Georgia, inspired in particular by Pirosmani, the brothers Zdanevitch and Salvador Dali, whom he met shortly before his death in 1981 at Portiligat Cadaques, and surrounded by the filmmaker Paradjanov, a friend of the Tsouladze family. He begins his studies at the Fine Arts on Tbilisi in 1977, but the ultimate horizon is Paris. He joins the Art Décoratifs from 1980 to 1983 and then the Beaux-Arts from 1983 to 1985. He becomes the assistant of Christian Boltanski, whom he follows from exhibition to exhibition. In France, the 80s are colorful years, wild like a Fauvist painting. Art comes out of museums and gives birth to the free figuration, an elusive movement, which was slowly taking shape in the lethargy of the Beaux-Arts. Pop culture, in its spontaneity and in its lack of self-control, takes over everything and breaks down all codes, groups and borders. Art is free from all constraints and analysis. Guela is there at the right time, in the right place, with the right people. The Holy Trinity, as he likes to repeat. These crazy years are an ecstatic playground for his artistic instincts. Guela paints on everything: papers, canvases or newspapers. His grand formats are at the scale of his silhouette; he leaves the Beaux-Art and joins the first squats in the nineteenth arrondissement of Paris, notably the Quai de Seine workshop, which he shares with Remy Blanchard and Vincent Scali. These are the years of Ben, of the Di Rosa brothers, of Robert Combas and François Boisrond. Art for everyone, and party for all. Guela follows his intuitions to Ibiza and Barcelona from 1987 to 1993, where he works at the Casa Caritad, which will later become the city's Museum of Modern Art. This colorful and collective delight contrasts with the dark anxieties of our time. Contrary to the widespread dystopia, it was then the utopia that reigned! New York is its epicenter, shaped by Basquiat and Keith Haring. Guela lives there from 1993 to 1998, including several years at the legendary Chelsea Hotel, of which he covers the walls and furniture with Georgian calligraphy. This is where his simplistic, black, and loving figures were born, later becoming his trademark and one of the symbols of Batumi. It was precisely at the end of the 90s that his desire to build bridges between his native country and France became deeper. The Soviet Union died in a burst of freedom, and the Georgians slowly come out of a fratricidal war, fueled by Russia. Georgia needs love, so Guela replaces the flag’s crosses with hearts, following the 2003 Rose Revolution. Since then, convinced that art is the answer to the stress that is still plaguing Georgia, Guela multiplies projects for exhibitions, partnerships, festivals and art centers. He brings several French artists to the Garikula Residency, including Jean Dupuy...

Pamplona is a unique oil on canvas painting by contemporary artist Christophe Dupety, dimensions are 100 × 100 cm (39.7 × 39.7 in). The artwork is signed, sold unframed and comes wit...

Côte de Nuits (2023) by French contemporary artist Christophe Dupety. Oil on canvas, H 28.7 x W 35.4 in (73 x 90 cm). Unique work sold unframed with a certificate of authenticity. Th...

Expressionist interior corner that has an orchid as its protagonist. Predominant chromaticism between fuchsia-pink and yellow. Oil on linen by Spanish artist Chico Montilla. Beautifu...

Acrylic, colored pencil and ink on cotton canvas and carved wood, H 100 cm x W 140 cm // 39.37 in x 55.12 in. This work is composed of two assembled panels that give the work two dif...

This striking painting by Denver-based artist Matthew Tripodi features the eggplant, a common plant and a covert cultural symbol. Matthew's subtle humo...

Edouard Léon Cortès 1882-1969 French Paris sous la neige Signed “E. Cortès” (lower right) Oil on canvas A charming night scene of a snowy Pari...

Murcielago (2023) by French contemporary artist Christophe Dupety. Oil on canvas, H 130 x W 81 cm // 51.2 in x 31.9 in. With this series, the artist is addressing the subject of bull...

Lilac marble, oak, rope. Dimensions : 74 cm × 20 cm × 16 cm Unique work delivered with a certificate of authenticity. Peter Brooke-Ball's works surprise with their humour, simplicit...

San Fermín (2023) by French contemporary artist Christophe Dupety. Oil on canvas, H 115 x W 75 cm // 45.2 in x 29.5 in. Christophe Dupety focuses on the portrayal of the animal, whic...

Edouard Manet 1832-1883 French Christ as a Gardener Oil on canvas Beloved for his invaluable role in the development of the Impressionist movement, Edouard Manet's artworks are foundational to the canon of art history. The revolutionary artist's rare religious works, while lesser-known, are some of the most intimate paintings he ever produced, offering insight into the artist’s fascination with the idea of humanity’s beautiful and transcendent relationship with suffering. Begun in 1856, Christ as a Gardener is one of his earliest renderings of Christ and offers a view into nascent motifs that would later define Manet’s monumental legacy. In the painting, Christ’s profile is turned toward the viewer, though his face is turned to the bottom left of the frame and his downturned eyes avert the viewer's gaze. His brown robes contrast the warm light of his halo and the dramatic sky behind him. As with all of Manet’s work, this image is rich with symbolism. A partial self-portrait, as seen in the similar facial hair and iconic appearance of a paintbrush-like garden tool, the painting renders the biblical scene of Mary Magdalene mistaking the risen Christ for a gardener with personal intimacy. As the biblical tale relays, when Mary Magdalene recognizes Christ, she reaches out to him; he replies, “Touch me not.” The highly charged relationship between the Christ figure and the viewer, standing in as Mary Magdalene, is further emphasized by Christ’s hand that appears to reach out for contact. Through this extension of touch, Christ’s presence is tangible, reminiscent of Michelangelo’s Creation of Adam in the Sistine Chapel. This intimate initiation of human connection directly contrasts Christ’s biblical words, “Touch me not.” Scholars have attributed this rejection, both in gaze and through words, to Manet’s conviction that Christ, as a human, embodied a spirit of renunciation and rejection of his earthly existence. Christ’s distant expression suggests a willingness to be elsewhere — an expression that Manet will later use in his most distinguished works of art. Manet would go on to expand his view of Christ as a timeless embodiment of absolute commitment and suffering with his monumental Salon paintings...

Diptych made by TUSET (1997, A Coruña) one of the main artists of the renewal of millennial painting. Influenced by the Italian art of the second half of the 60's, Arte Povera, Land ...

"Untitled 6" Painting 102" x 102" inch by GUELA TSOULADZE Oil painting on oilcloth canvases. ABOUT THE ARTIST: Nomad from birth, Guela Tsouladzé was born on November 8, 1959 in Tbilisi, Georgia, from a French mother and a Georgian father. His father was one of the first Georgian psychanalyst; but working with the conscient and subconscient of the homo sovieticus was a disputed occupation, criticized by the soviet ideology. Therefore, it required a significant dose of audacity; it’s in this context of insubordination and freedom, that Guela tirelessly repeats that he will be an artist, without ever having painted anything. The father thus commissioned his first work: a black dot on the ceiling of his office, which his patients would fix during the sessions. The gateway to hypnosis, and the artist’s future signature. Perhaps Guela's innate sense of daring and escapism comes from there; these two themes are till today reflected in his works. Guela grows up in a surreal artistic universe, between France and Georgia, inspired in particular by Pirosmani, the brothers Zdanevitch and Salvador Dali, whom he met shortly before his death in 1981 at Portiligat Cadaques, and surrounded by the filmmaker Paradjanov, a friend of the Tsouladze family. He begins his studies at the Fine Arts on Tbilisi in 1977, but the ultimate horizon is Paris. He joins the Art Décoratifs from 1980 to 1983 and then the Beaux-Arts from 1983 to 1985. He becomes the assistant of Christian Boltanski, whom he follows from exhibition to exhibition. In France, the 80s are colorful years, wild like a Fauvist painting. Art comes out of museums and gives birth to the free figuration, an elusive movement, which was slowly taking shape in the lethargy of the Beaux-Arts. Pop culture, in its spontaneity and in its lack of self-control, takes over everything and breaks down all codes, groups and borders. Art is free from all constraints and analysis. Guela is there at the right time, in the right place, with the right people. The Holy Trinity, as he likes to repeat. These crazy years are an ecstatic playground for his artistic instincts. Guela paints on everything: papers, canvases or newspapers. His grand formats are at the scale of his silhouette; he leaves the Beaux-Art and joins the first squats in the nineteenth arrondissement of Paris, notably the Quai de Seine workshop, which he shares with Remy Blanchard and Vincent Scali. These are the years of Ben, of the Di Rosa brothers, of Robert Combas and François Boisrond. Art for everyone, and party for all. Guela follows his intuitions to Ibiza and Barcelona from 1987 to 1993, where he works at the Casa Caritad, which will later become the city's Museum of Modern Art. This colorful and collective delight contrasts with the dark anxieties of our time. Contrary to the widespread dystopia, it was then the utopia that reigned! New York is its epicenter, shaped by Basquiat and Keith Haring. Guela lives there from 1993 to 1998, including several years at the legendary Chelsea Hotel, of which he covers the walls and furniture with Georgian calligraphy. This is where his simplistic, black, and loving figures were born, later becoming his trademark and one of the symbols of Batumi. It was precisely at the end of the 90s that his desire to build bridges between his native country and France became deeper. The Soviet Union died in a burst of freedom, and the Georgians slowly come out of a fratricidal war, fueled by Russia. Georgia needs love, so Guela replaces the flag’s crosses with hearts, following the 2003 Rose Revolution. Since then, convinced that art is the answer to the stress that is still plaguing Georgia, Guela multiplies projects for exhibitions, partnerships, festivals and art centers. He brings several French artists to the Garikula Residency, including Jean Dupuy...

Oil on canvas painting by Croatian artist Zoran Šimunović from the series GROWING UP. The artwork is sold framed. Dimensions of the frame...

"Abstract Calligraphy" Mixed Media Painting 24" x 16" inch by Ibrahim Khatab Ibrahim Khatab was born in Cairo 1984, works as a co-teacher in Cair...

Dick Beer (b. London 1893 - d. Stockholm 1938) Portrait of Gabriele Varese (in Italian uniform), 1919 oil on canvas mounted on panel 116 x 90 cm stamp signature Exhibited: Solo exhibition, Stockholm, Nov-Dec 1917; The Royal Academy Stockholm 1973; Åmells Konsthandel – En internationell kubist, Stockholm & London 2008 Hälsinglands Museum 2011 Millesgården – Dick Beer – Impressionist & Kubist, 2012 Provenance: Within the family Beer until today Dick Beer was born in 1893 in London as Richard Beer, the youngest of five brothers. His father, John Beer (1853-1906), was a watercolourist who was born in Stockholm and had left Sweden at the age of 17. John Beer instructed his sons in drawing and painting, among other things. A number of sketchbooks bear testimony to the boys’ talent. Dick Beer’s parents died in 1906 and 1907. Barely 15 years old, Beer arrived in Sweden as an orphan. First he lived with relatives and finally he ended up at Reverend Laurell in Västergötland. Dick Beer began his artistic studies at the Althin School of Painting in Stockholm in 1908 and continued at the Royal Academy of Arts in the autumn of 1910, but in September 1912 he broke off his studies and travelled to Paris. He rented a studio and enrolled at the Colarossi and Grande Chaumière academies. In the summer of 1913, Dick Beer travelled to Pont-Aven in Bretagne in order to paint. In September the same year, he held his first solo exhibition in Stockholm which he gave the French title Exposition des tableaux de Bretagne et autour de Paris. The exhibition proved a success. Many of the paintings were executed in a light palette in a style inspired by the impressionists. In 1914, Dick Beer undertook an extensive study trip to Italy, Tunis, Morocco and Spain, which resulted in canvases overflowing with colours and light. When the French army mobilised, he volunteered and was enlisted in the French Foreign Legion. In 1915 Dick Beer sustained severe head injuries in a grenade attack, which resulted in deafness and a nervous condition that would plague him for the rest of his life. Two of his brothers died the following year, fighting for the English army. Dick Beer was hospitalised and convalesced at Château de Rochefort. Here he started painting again, in an impressionist style, a painting dominated by blue and green hues. In 1918, Dick Beer married Ruth Öhrling, a dentist, and their son John was born later in the year. During this time, Beer began experimenting with cubist painting and created several large compositions, including the painting “The Arab Café”. In the years that followed, Dick Beer was based in Paris, where he often moved house. He was instructed by André Lhote, who encouraged his students to work freely in the studio and provided them with individual critique. Beer often travelled to Bretagne or Provence. His artist friends came from all over Europe and included Amedeo Modigliani. Dick Beer exhibited fairly regularly in Paris between 1919 and 1934 and made a name for himself in French artist circles. In the summers, Ruth regularly rented a house in the countryside, often at Lake Mälaren. She kept a large house with many models and friends and there was a lot of painting and discussions. In 1933, the couple divorced but Ruth still loved Dick and continued to support him financially for the rest of his life. Dick Beer also exhibited in Sweden, albeit irregularly due to his failing health. In the 1920s and 1930s, Beer continued to pursue an expressionist painting with intense colours and unexpected perspectives, but eventually he veered towards more naturalistic forms, including a large number of nudes. He also painted several portraits of artists, politicians and writers. In 1938, Dick Beer sojourned in Arles. The budding photographer Christer Strömholm...

Edward Atkinson Hornel 1864-1933 Scottish A Spring Roundelay Signed “E A Hornel” and dated 1910 (lower left) Oil on canvas Visually arresting with the v...