Casein Mixed Media

**ANNUAL SUPER SALE TIL JUNE 15th ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* The "Lucky Baby Elephants" series is exclusive of Art...

Diptych of 2 original mixed media paintings on metal shelves. Each is hand signed on front by the artist. Each piece measures 36.25 x 15.5 in. Artw...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

Christ Pantocrator after a Russian icon of the 15th Century. Tempera and gold leaf on gesso over a wooden board. Measurements in centimeters: 38 x 29.5 x 3 cm. / In inches: 14.96 x 11.8 x 1.18 " This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with agate. Gold leaf is real 24-carat gold. Now does the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger (Vienna, 1968) began to take an interest in icons in 1990. He undertakes several trips to Bulgaria, Greece, and Cyprus to see in situ the original works treasured in these three countries. This experience will be crucial in his life since the studies carried out in Sofia, the Bulgarian capital, and his stay on Mount Athos...

The Evangelist Mathew after a Russian Icon. School of Moscow, 15th century. Egg tempera, gold leaf, and gesso, over a wooden board. Dimensions: (H) 52 x (W) 36 x (D) 3 cm. Saint Matthew, the Evangelist, is represented at his own desk, a true artisan laboratory. THE THECHNIQUE This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with an agate. Gold leaf is real 24 carat gold . Now does the actual process of painting begin. Egg tempera is made fresh from egg yolk, water and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...

The present illuminated page was once part of a larger manuscript, as evidenced by the tears along the right edge, illustrating a story from the Islamic world. The scene presents two figures in a landscape, one on horseback and another gesturing to a fallen deer. The stylization of the landscape shows influence from the Byzantine tradition of painting, with jagged rocks jutting into a golden sky. The page contains handwritten text on both sides, and is surrounded by gold illustrations of peacocks and a running deer. 11 x 6.5 inches, artwork 18.63 x 14 inches, frame accompanied on the back with an image of the verso framed to conservation standards with a 100% rag silk-lined mat in a gold gilded frame A Persian miniature is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature...

"LOVE in the Streets" Mixed media sculpture 24" x 48" x 1" inch by Shawn Kolodny Resin, Wood, Acrylic paint Creating art to reflect the times we ...

Original mixed media painting on cloth type material. Unsigned. Artwork size 10.25 x 19.25 inches. Frame size approx 16 x 25 inches. Artwork is in excellent condition. Certifica...

Saint John, The Forerunner, after a Russian Icon from the 16th Century. Tempera and gold leave on gesso over a wooden board. Dimensions: (H) 33 x (W) 25,5 x (D) 4 cm. John, The Forerunner, is depicted as an ascetic desert saint with a tousled beard and a coat made from camel hair. The expression that transmits his beautiful face is very intense. This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterward, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with agate. Gold leaf is real 24-carat gold . Now does the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...

hand made resin gummy bear Approx 7.5 inch height x 3.5 inch wide x 2.5 inch depth Resin, painted by hand Signed - Each unique piece designed by LA artist Sahara Novotna

Chasing Butterflies, 2022 by a.muse is a work on paper that introduces playful butterfly forms flitting in between fields of green, pink, and yellow wavy lines of colors. The 30" x 20" acrylic, oil stick, and sand art on Japanese washi paper is signed, titled, and dated by the artist on verso (back). Provenance: a.muse Studio *** Artist’s Bio: Mixed-media artist a.muse’s printmaking, collages, drawings, and paintings on paper and canvas tap into serendipity, happenstance, and lucid dreams. For the works on paper, a.muse employs acrylic, watercolor, oil sticks, sand, and organic matter. The abstract paintings on canvas integrate bright colors, found objects, patterns, shapes, and symbols. a.muse has exhibited in public and virtual spaces, including Jewell House NYC (2023), Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2022; 2020), CADAF online art fair (2020), Gallery122 New York pop up show (2019), Curate NY online group show (2013), among others. The artist lives and works in New York City. *** Available at 99Prints...

Painting on Silk Dupioni Irina Grammatina began her painting career at the age of 6 and continued painting through 19 years of art schools in St. Petersburg Russia, graduating with a masters degree from the prestigious Mukhina University. She continued her professional career selling her work in Europe and Scandinavia and moved to the US in 1994. In recent years she has exhibited her work at the LA Art Fair, Art Palm Beach, New York Art Expo and other venues. Her work is in several prestigious private collections. She is represented by several galleries including the Whitespace Collection, ArtLink International and Paul Fisher Gallery.