Henri Albert

French Impressionist landscape the South of France, with children playing

1965

Thomas Brown Yates was an English landscape and portrait painter active during the 1910-1935 period. He studied firstly in London and then travelled to the Andre Lhote school in Par...

Francois Gall, Hungarian by birth, became an impressionist painter in the pure French tradition after he moved to Paris in 1936. He was born in Kolozsvar in the former  region of  Tr...

French North African early 20th-century Impressionist, Fishermen coming ashore with their daily catch. André Humbert was born in Paris on the 27th of November. He was a student of t...

Outstanding English portrait of an Actor in costume. Julian's critically acclaimed portraits have been shown at the National Portrait Gallery, T...

late 19th-century Irish school portrait of a seated man smoking a pipe in a barn interior. A very well-painted and skillfully composed portrait of a wor...

Well painted late 19th-century German genre painting. Often painted in the Munich area of Germany these highly desirable antique paintings are always of the finest quality. This is...

Abel Warshawsky (American, 1883-1962) The Antique Dealer Oil on canvas Signed upper right, title on a label affixed verso 22 x 18 inches 27 x 23.5 i...

Suchitra Bhosle's "Une Ode á Mucha (An Ode to Mucha)" is an original, handmade oil painting that depicts a female model holding a candlelight to a mural or spi...

Grandfather, Grandson, Countryside, summer, child, dog,impressionist Published in a monographic catalogue Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 193...

Artist/ School: Claude Benard, signed and dated 1952 Title: Ladies in Yellow Medium: oil painting on board, unframed Size: board : 16 x 13 inches Provenance: private collection...

Signed impressionist oil on panel circa 1910 by French painter Armand Francois Henrion. This charming work depicts a portrait of a surprised Pierrot - a French clown - with a white powdered face wearing white ruffles and a pink hat. The pierrot is set against a brown background. Signature: Signed lower right Dimensions: Unframed: 7"x5.5" This painting is not currently framed but a suitable frame can be sourced if required Provenance: Private French collection Armand François Joseph Henrion...

Carl Nordell (1885 - 1957) The Pensive Beauty Oil on canvas 40 x 32 inches Signed lower left Nordell was born in Copenhagen on 23 September 1885. In 1892 the Nordell family settled in Westerly, New Jersey, where Carl Johan, one of several children, received his education. Reportedly, a local gambler and art collector, Richard Canfield was so impressed with young Nordell's talent that he assisted him to gain admittance to the Rhode Island School of Design. Carl was a tireless student and serious in his studies of art, literature, and philosophy. Friends nicknamed him "The American Frans Hals," as a result of his study of that Dutch master. After graduating from the school in 1905, Nordell continued his training at the Art Students League in New York City for the following two years. There he received criticism and instruction from George Bridgman (1864-1943), a noted teacher of anatomy, and Frank Vincent DuMond (1865-1951), a landscapist associated with Old Lyme. The popularity of Impressionism in America at this time had reached its peak, and the style was of paramount influence in Nordell's advanced studies. Around 1906, Nordell visited an exhibition of paintings by the Ten, most of whom were American Impressionists. Moved by the work of Tarbell and Joseph R. De Camp, he sought instruction from them at the School of the Museum of Fine Arts, Boston. Nordell worked diligently under Tarbell and experimented with the genre of women in interiors, or Intimism. In 1909, Nordell received the Paige Traveling Scholarship, which provided for two years of continued study in Europe. He became one of the hundreds of Americans to receive criticism from Jean-Paul Laurens at the Académie Julian in Paris. From this base, he made study trips to visit major museums and galleries in Italy, Holland, Spain and Germany and during this period Nordell's style reached a level of uniqueness, though he definitely remained under the general influence of French Impressionism. By the time of his return to Boston in 1911, Nordell had successfully incorporated the use of broken color, a high-keyed palette, and the practice of working en plein air to achieve an accurate representation of light and atmosphere. In October of that year, the Boston Art Club presented eighty-seven of Nordell's watercolors and oils to the viewing public. Some of the watercolors seem revolutionary in their spontaneity. Nordell continued his career in Boston at Fenway Studios and exhibited in national competitions, including the annuals of the National Academy of Design, the Art Institute of Chicago; at the 1912 biennial of the Corcoran Gallery he won the fourth Clarke Prize. Nordell's finances were augmented by portrait commissions of some of Boston's affluent citizens. The artist was so intent on recording the sitter's likeness that in this genre, he deviated from his usual impressionist technique. In the women-in-interior genre, he frequently depicted a fully draped woman seated in profile or at an oblique angle to the picture plane. These pensive and attractive young ladies usually gaze into space and become an integral part of the pleasant ambiance of the scene. In this way, Nordell remained within the Genteel Tradition as it was manifest in Boston. The artist exhibited several such works in the Panama-Pacific International Exposition in San Francisco in 1915, and won a silver medal for his efforts. In 1918, a one-man exhibition of fifty works was presented at the Boston Art Club. Nordell remained active in the Boston area art clubs and societies through the early 1920s. In the winter of 1921 Babcock Art Galleries presented him with yet another one-man show. During this period, Nordell increased the production of prints and won the Salmagundi Club's Shaw Prize for etching in 1923. Sometime after 1927 he began taking summer sketching trips to Chautauqua Lake...