Manuel de la Rosa

Large Spanish Painting of Flowers by Manuel de la Rosa

Early 20th Century

Still life painting of fruit in a basket Continental, c. 1800 Frame: Height 81cm, width 91cm, depth 7cm Canvas: Height 57cm, width 69cm, ...

Pair of large Baroque style floral still life oil paintings Continental, 19th Century Canvas: Height 144cm, width 104cm Frame: Height 170cm, width 112cm, depth 4cm This dazzling d...

Pair of Antique 17th Century Floral Still Life Paintings, Attributed to Vincenzino Italian, second half 17th Century Dimensions: Frame height 111cm, width 170cm, depth 7cm; Canvas he...

Still life painting of fruit and flowers by Eugène Boudin French, 1869 Canvas: Height 90cm, width 80cm This very fine still life painting is by the Fren...

Pair of large floral still lifes in the Old Master style Continental, Early 20th Century Canvas: Height 120cm, width 90cm Frame: Height 141cm, width 111cm, depth 6cm This pair of b...

Antique still life of flowers by W. J. Wainwright English, Late 19th Century Canvas: Height 127cm, width 101cm Frame: Height 144cm, wi...

An oil painting of a large octopus on a natural-colored ground. Painted from direct observation, in the style of classical realism. Amy Florence is a London born artist working out ...

The artist has an elegant mark of nature, and the experience of working en plein air allows her to capture emotions that would otherwise not be possible. She is considered Italy's best botanical artist and collaborates with many botanical gardens where she also holds watercolour courses, a technique she masters like few contemporary artists. The artist herself prepared the background in real, stainless gold, which gives it a modern, warm surface that chameleonically matches the colours of the surrounding walls. Margherita Leoni was born and raised in Italy, however, she spent most of her adult life in San Paulo, Brazil. It was there that she started a collaboration with the botanical faculty of the local university, allowing her to develop interesting research in rare botanical species studies and drawings. For this reason, most of her artworks, illustrate Brasilian botanical species, both rare and common. The artist's mastery of watercolour allows her to take part in botanical expeditions where she paints in plein air. Given her exquisite watercolour technique and her extensive botanical knowledge, Margherita Leoni is considered the heir of Margaret Mee. Among her most important exhibitions, three of her artworks were selected by Shirley Sherwood...

Pedn Vounder coastal path view by Georgie Dowling [2021] original Oil paint on canvas Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:2cm Sold Un...

The work features a beautifully rendered still life of a group of strawberries arranged next to a bunch of grapes in the style of William Henry Hunt. Currently hung in a carved, gold...

Initialed upper right, 'C.N.' (Danish, 19th Century) and dated 1898. A late nineteenth-century oil composed with a fresh palette and finely-observed detail. This elegant feline stud...

Oil on canvas Image size: 23 1/4 x 19 1/2 inches (59 x 50 cm) Dutch Ripple frame PROVENANCE Private Collection, London Here a glass vase containing an exuberant display of flowers stands on a ledge. With only one known exception, Verelst included vases in all of his flower paintings. The asymmetrical arrangement of the flowers fills most of the canvas and the vibrant bouquet contains peonies, a bearded iris and a poppy set amidst a perfusion of twisting leaves and stems. Poppies were one of Verelst's favourite flowers and were commonly featured in his still life's. This painting shows a superb understanding of light and colour that is consistent with Verelst's other works. Indeed, the strong contrast between the brightly lit, the colourful blossoms and the surrounding darkness lends to the flowers and foliage a hyper realistic quality and a strong sense of three-dimensionality. The Artist Verelst was born in The Hague in 1644 and came from a family of painters. His brothers Johannes and Herman also became painters and, like Simon, were trained by their father. In 1663 Simon became a member of the Confrérie Pictura, the painter's association in The Hague, and soon afterwards moved to nearby Vooburg with his brother Herman, who also painted flowers. In 1668 Simon he moved to London where the Duke of Buckingham became his principle patron and on 11 April 1669 he met with Samuel Pepys. He was enormously successful in London and his elegant portraits became popular for a time during the 1670s among court circles. He painted this portrait of Prince Rupert, son of Frederick V, Count Palatine and Elizabeth Stuart...