Early 2000s Abstract Prints
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Period: Early 2000s
Abstract Picture (Limited edition print; authorized promotional reproduction)
Located in New York, NY
Gerhard Richter
Untitled Abstract Picture, 2002
Offset lithograph on GardaMatt Art 250 GSM paper
Not signed, edition of 3433
12 1/2 × 16 3.5 inches
Unframed
Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture)
More about Gerhard Richter:
Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other.
Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint.
Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...
Category
Abstract Expressionist Early 2000s Abstract Prints
Materials
Lithograph, Offset
Monograph: To Be Someone (Hand signed and inscribed "Love from Mary Heilmann")
Located in New York, NY
Mary Heilmann
To Be Someone (hand signed and inscribed "Love from Mary Heilmann"), 2007
Hardback monograph with dust jacket (hand signed and inscribed by Mary Heilmann)
Warmly signed...
Category
Abstract Geometric Early 2000s Abstract Prints
Materials
Paper, Ink, Mixed Media, Lithograph, Offset
Galloping Horse - Etching by Jean-Marie Guiny - 2000s
Located in Roma, IT
Galloping Horse is an artwork realized by Jean-Marie Guiny, 2000s.
Etching, Edition 145/160.
40 x 50 cm ; with frame.
Hand signed in the lower right part.
Good condtions!
J...
Category
Modern Early 2000s Abstract Prints
Materials
Etching
Nocturne Suite Series
By Robert Kelly
Located in Los Angeles, CA
This unframed, signed, limited edition series of 4 pigment print by world renown artist Robert Kelly exists in an edition of 50. Paper size is 24"h x 30"w with an image size of 14.5"...
Category
Abstract Early 2000s Abstract Prints
Materials
Pigment
Untitled Abstract Picture (Limited edition authorized promotional reproduction)
Located in New York, NY
Gerhard Richter
Untitled Abstract Picture (one plate) - Artist Authorized, 2002
Limited Edition Artist Authorized Offset lithograph on GardaMatt Art 250 GSM paper
Not signed, edition...
Category
Abstract Expressionist Early 2000s Abstract Prints
Materials
Lithograph, Offset
Untitled Abstract Picture (Limited edition authorized promotional reproduction)
Located in New York, NY
Gerhard Richter
Abstract Painting (one plate) - artist authorized, 2002
Offset lithographic reproduction on GardaMatt Art 250 GSM paper with full margins. (Artist Authorized)
Not signed, edition of 3433
12 1/2 × 16 1/2 inches
Unframed
This striking limited edition color plate, printed on GardaMatt Art 250 GSM paper with full margins, was published on the occasion of the major twin Richter exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting), and it depicts Richters 1999 Oil on Aluminum abstract picture, catalogue raisonne reference, 858-6. This print is unframed, unnumbered and in excellent condition.
More about Gerhard Richter:
Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other.
Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint.
Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...
Category
Abstract Expressionist Early 2000s Abstract Prints
Materials
Lithograph, Offset
I Love New York, Lt Ed print: Statue of Liberty & Twin Towers LARGE 39.25" x 25"
Located in New York, NY
Robert Rauschenberg
I Love New York, 2001 (LARGE)
Plate signed on the front
Offset lithograph on high quality wove paper
39.25" x 25 inches
(This ship...
Category
Pop Art Early 2000s Abstract Prints
Materials
Lithograph, Offset
Abstract Painting (Limited edition print; authorized promotional reproduction)
Located in New York, NY
Gerhard Richter
Untitled Abstract Picture, 2002
Offset lithographic reproduction on GardaMatt Art 250 GSM paper with full margins (Artist Authorized)
Not signed, edition of 3433
12 1...
Category
Abstract Expressionist Early 2000s Abstract Prints
Materials
Lithograph, Offset
Untitled Abstract Picture
Located in New York, NY
Gerhard Richter
Untitled Abstract Picture, 2002
Offset lithograph on GardaMatt Art 250 GSM paper
Not signed, edition of 3433
12 1/2 × 16 3.5 inches
Unframed
Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters Oil on Aluminum abstract picture)
More about Gerhard Richter:
Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other.
Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint.
Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...
Category
Abstract Expressionist Early 2000s Abstract Prints
Materials
Lithograph, Offset
It's My Party and I'll Cry If I Want To
Located in New York, NY
Yinka Shonibare
It's My Party and I'll Cry If I Want To, 2013
24ct gold leaf embellishment, hand applied dutch wax batik fabrics on 225gsm Somerset Enhanced Paper
Boldly signed and n...
Category
Contemporary Early 2000s Abstract Prints
Materials
Gold Leaf
Text - Solid Bass - 10/35 - colorful, calligraphic gestures, serigraph on paper
Located in Bloomfield, ON
In a symphony of colour and form, Alice Teichert created more than 40 black ink and acrylic drawings on mylar which she transferred to silk screens. ‘The Text is Still Unwritten’ is ...
Category
Contemporary Early 2000s Abstract Prints
Materials
Archival Ink, Archival Paper
Roland Garros French Open tennis tournament Paris (Hand signed by Sean Scully)
By Sean Scully
Located in New York, NY
Sean Scully
Roland Garros French Open tennis tournament, Paris, France (Hand signed by Sean Scully), 2001
Offset lithograph poster (hand signed by Sean Scully)
29 3/4 inches (vertical) × 22 1/2 inches (horizontal)
Edition of 2000 (uniquely signed)
Published by Sean Scully and Galerie LeLong
Unframed
Official offset lithograph poster designed and created for the tennis tournament held at Roland Garros French Open every year. This print was published in a limited edition of 2000, but the regular edition was unsigned. However, exceptionally, Sean Scully hand signed this one in ink directly under the plate signature. Very rare when hand signed and dated by the artist. As it was personally signed by Sean Scully for the present owner in 2023, the provenance is direct.
A collectors item for all fans of Sean Scully and the French Open!
More about Sean Scully:
Sean Scully was born in Dublin in 1945, and grew up in the south of London, where his family moved in 1949. He began painting in the late 1960s, and moved to New York City in 1975; he became an American citizen in 1983. Scully has shown extensively, both nationally and internationally, including, most recently, at the Hirshhorn Museum and Sculpture Garden, Washington, D.C., Yorkshire Sculpture Park, West Bretton, England, the State Russian Museum, St. Petersburg, Russia, the Wadsworth Atheneum, Connecticut, the National Gallery of Art in London and San Giorgio Maggiore for the Venice Biennale, Upcoming solo exhibitions include the Albertina, Vienna, and in 2020 a major retrospective at the Philadelphia Museum of Art.
He is known for rich, painterly abstractions in which stripes or blocks of layered color are a prevailing motif. The delineated geometry of his work provides structure for an expressive, physical rendering of color, light, and texture. Scully’s simplification of his compositions and use of repetitive forms—squares, rectangles, bands—echoes architectural motifs (doors, windows...
Category
Abstract Early 2000s Abstract Prints
Materials
Lithograph, Offset
Untitled print of abstract sculptural object, from Earth School Portfolio
Located in New York, NY
Kathy Butterly
Untitled from Earth School Portfolio, 2005
Digital Print on Card Stock
24 × 18 inches
Hand signed by artist; Signed and numbered 19/25 in graphite pencil on the front
Unframed
This 2005 print was created by artist Kathy Butterly in a very limited edition of only 25, for the little publicized gem "Earth School Portfolio", in a linen covered portfolio box, which held a print by each of these 10 artists: Tom Burckhardt, Kathy Butterly, Tony Fitzpatrick, Yun-Fei Ji, David Sandlin, Amy Sillman, Kiki Smith, Fred Tomaselli, Carnie Waldman and Sally Webster. These artists all donated their work to support the Earth School, an alternative public school in the East Village of New York City. We acquired the complete portfolio with all of the works. This Kathy Butterly print...
Category
85 New Wave Early 2000s Abstract Prints
Materials
Cardboard, Digital
Composition #1850
Located in Palm Springs, CA
Signed and numbered by the artist.
Medium: Etching and aquatint
Image Size: 14 x 11.25 inches
Edition size: 13
The horizontal and vertical directional lines and the use of black and...
Category
Abstract Early 2000s Abstract Prints
Materials
Etching, Aquatint
GRAY AND BLACK ABSTRACT 2002 Signed Lithograph, John Ashbery Suite A WAVE Poem
By Will Barnet
Located in Union City, NJ
GRAY AND BLACK ABSTRACT by the American painter and printmaker Will Barnet is an original hand drawn lithograph, printed using hand lithography on archival printmaking paper 100% aci...
Category
Contemporary Early 2000s Abstract Prints
Materials
Lithograph
Hardback Monograph: The Art of Richard Tuttle (Hand signed, dated and inscribed)
Located in New York, NY
Richard Tuttle
The Art of Richard Tuttle (Hand signed, dated and inscribed by Richard Tuttle), 2005
Hardback monograph with dust jacket (Hand signed, dated and inscribed to Nadine by...
Category
Minimalist Early 2000s Abstract Prints
Materials
Paper, Ink, Mixed Media, Lithograph, Offset
Untitled, Giclee Nightlife Print by Mahmoud Sabzi
Located in Long Island City, NY
This detailed print by Iranian artist Mahmood Sabzi features a collection of nicely dressed women, all draped elegantly around a lounge and playing various instruments. The piece is ...
Category
Early 2000s Abstract Prints
Materials
Digital
You can count on us, Mixed Media and Digital Print by Michael Knigin
Located in Long Island City, NY
A limited edition mixed media print on canvas mounted to wood by American artist and educator Michael Knigin (1942 - 2011). Knigin's art incorporates his photography, collage and his...
Category
Early 2000s Abstract Prints
Materials
Mixed Media
Token of Power, Mixed Media and Digital Print by Michael Knigin
Located in Long Island City, NY
A limited edition mixed media print on canvas mounted to wood by American artist and educator Michael Knigin (1942 - 2011). Knigin's art incorporates his photography, collage and his...
Category
Early 2000s Abstract Prints
Materials
Mixed Media
Red Carnation after Brueghel, Mixed Media and Digital Print by Michael Knigin
Located in Long Island City, NY
A limited edition mixed media print on canvas mounted to wood by American artist and educator Michael Knigin (1942 - 2011). Knigin's art incorporates his photography, collage and his...
Category
Early 2000s Abstract Prints
Materials
Mixed Media
Dan Flavin: A Retrospective Poster /// Contemporary Abstract Light Sculpture Art
By Dan Flavin
Located in Saint Augustine, FL
Artist: (after) Dan Flavin (American, 1933-1996)
Title: "Dan Flavin: A Retrospective"
Year: 2004
Medium: Original Offset-Lithograph, Exhibition Poster on heavy smooth wove paper
Limi...
Category
Minimalist Early 2000s Abstract Prints
Materials
Lithograph, Offset
Christopher Wool (Hardback Gagosian monograph, Hand signed and dated by artist)
Located in New York, NY
Christopher Wool (Hand signed and dated), 2006
Hardback monograph (hand signed and dated by Christopher Wool)
Hand signed and dated 2017 by Christopher Wool on the half-title page
12...
Category
Minimalist Early 2000s Abstract Prints
Materials
Offset, Paper, Ink, Mixed Media, Lithograph
From the Cradle to the Grave Book (limited edition hand signed monograph in box)
By Damien Hirst
Located in New York, NY
Damien Hirst
From the Cradle to the Grave, 2005
Limited Edition hardback monograph (Hand signed and numbered)
Hand signed and numbered 998/1500 by Damien Hirst on the title page
16 ×...
Category
Young British Artists (YBA) Early 2000s Abstract Prints
Materials
Mixed Media, Lithograph, Offset
Color Lithograph Linocut Chine Collé "Workshop" Bright Modernist Pop Art
Located in Surfside, FL
Hand signed and numbered edition of 25. 16 x 36" sheet size without frame.
“Workshop” is an ambitious color lithograph and linocut with chine collé printed in twelve colors from nine plates and one linocut. It has been printed in an edition of 25, plus proofs, on white Rives BFK paper 16 x 36” with chine collé of various papers. (No, it’s not upside down)
Born 1964 in New York where he still currently resides and works alongside his partner the ceramist Kathy Butterly. Son of the photographer Rudy Burckhardt and painter Yvonne Jacquette, Tom Burckhardt was 1986, BFA, State University of New York, Purchase, NY
1992–1993, Skowhegan School of Painting and Sculpture, ME
1996, Marie Walsh Sharpe Art Foundation Studio Grant
1997, New York Foundation for the Arts, Painting Grant
1997 Pollock-Krasner Foundation Grant
2002 George Hitchcock Award, National Academy of Arts
2003, Richard & Hinda Rosenthal Foundation Award, American Academy
2005, AICA Best Show of an Emerging or Underknown Artist
2005 Pollock-Krasner Foundation Grant
2006 Best Installation, Best of Houston, the Houston Press
2009 Guggenheim Foundation Grant
2010, New York Foundation for the Arts Drawing/Print Grant
2010 Joan Mitchell Foundation Grant
Tom Burckhardt’s work is a carnival of images jumbled and jostling each other in precarious nonsensical compositions. He uses lushly colored and patterned images from all kinds of sources that bounce between abstraction and representation. Images come from tool catalogs, paper and fabric patterns, funhouse painting, architectural details, stripes, dots and squiggles. It is as if Burckhardt is a cartoonist merrily channeling Ellsworth Kelly, Paul Feeley, Robert Therrien, and Myron Stout, among others. Like Red Grooms, for whom he worked as an assistant, Burckhardt ransacks his influences yet ends up with something unmistakably his own. His work bears the influence of is a synthesis of many things: the tribal-influenced abstract painting of Steve Wheeler...
Category
Pop Art Early 2000s Abstract Prints
Materials
Linocut, Lithograph
Bridget Riley Hand Signed by Bridget Riley Geometric Abstraction British Op Art
Located in New York, NY
Bridget Riley Flashback (Hand Signed), 2009
Offset Lithograph (hand signed by Bridget Riley)
27 × 27 inches
Boldly signed in black marker on the front
Unframed
Signed by Bridget Riley in her inimitable hand on the occasion of this 2009-2010 exhibition at the Southampton City Art Gallery of works from the Arts Council of Great Britain collection.
Bridget Riley Biography
Bridget Riley's (b. 1931) abstract compositions yield a singular sense of visual pleasure for the viewer, a notion derived as much from the artist's formative encounters with Old Master and Impressionist painting as from her early experiences with nature. Since 1961, she has focused exclusively on seemingly simple geometric forms, such as lines, circles, curves, and squares, arrayed across a surface—whether a canvas, a wall, or paper—according to an internal logic. The resulting compositions actively engage the viewer, at times triggering sensations of vibration and movement. This sense of dynamism was explored to great effect in the artist's earliest black-and-white paintings, which established the basis of her enduring formal vocabulary. In 1967, Riley introduced color into her work, thus expanding the perceptual and optical possibilities of her compositions.
Riley was born in 1931 in London, where she attended Goldsmiths College from 1949 to 1952 and the Royal College of Art from 1952 to 1955.
Riley’s first solo exhibitions were held at Gallery One, London, in 1962 and 1963, followed by two exhibitions at Robert Fraser Gallery, London, in 1966 and 1967. She was also at that time included in numerous group exhibitions such as Towards Art?, Royal College of Art London (1962); The New Generation, Whitechapel Gallery, London (1964); and Painting and Sculpture of a Decade 1954–1964, Tate Gallery, London (1964). In 1965, her work was included in the now-seminal group exhibition The Responsive Eye, organized by William Seitz at The Museum of Modern Art, New York. In 1968, she represented Great Britain at the 34th Venice Biennale (along with Philip King), where she was the first living British painter to win the prestigious International Prize for Painting. Her first retrospective, covering the period from 1961 to 1970, opened at the Kunstverein Hannover in 1971 and subsequently traveled to Kunsthalle Bern; Kunsthalle Düsseldorf; Galleria Civica d’Arte Moderna, Turin; and the Hayward Gallery, London.
More recent significant solo presentations include those at Dia Center for the Arts, New York (2000-2001); Museum Haus Esters and Kaiser Wilhelm Museum, Krefeld, Germany (2002); Museum of Contemporary Art, Sydney (2004-2005); Musée d'Art Moderne de la Ville de Paris (2008); Walker Art Gallery, Liverpool (traveled to Birmingham Museums and Art Gallery; Norwich Castle Museum and Art Gallery; Southampton City Art Gallery; 2009-2010); The National Gallery, London (2010-2011); Art Institute of Chicago (2014-2015); The Courtauld Gallery, London (2015); De La Warr...
Category
Op Art Early 2000s Abstract Prints
Materials
Lithograph, Offset
Peace Plunges in Despair (rare signed Artists Proof)
Located in New York, NY
"It becomes particularly desperate when the peace symbol is inverted and is really plunging in despair. I grew a little weary of my own despair and my own g...
Category
Pop Art Early 2000s Abstract Prints
Materials
Pencil, Screen
Sean Scully Estampes (Graphic Works) exhibition poster (Hand Signed by Scully)
By Sean Scully
Located in New York, NY
Sean Scully Estampes, France (Hand Signed), 2006
Offset Lithograph poster
Boldly signed in black marker on the front by Sean Scully for the present owner
Unframed
This is a wonderful piece for true Scully fans. It's a rare 2006 poster from the European exhibition entitled "Sean Scully Estampes" (Sean Scully Prints...
Category
Contemporary Early 2000s Abstract Prints
Materials
Ink, Offset, Lithograph
In Tents
Located in London, GB
hand painted multiple with lithography
44.5 x 96 x 15 cm (17½ x 37¾ x 6 in.)
edition of 45
'In Tents' is presented in a perspex box
Category
Early 2000s Abstract Prints
Materials
Lithograph
Atelier dei Mari e dei Venti - Lithograph by Piero Pizzi Cannella - 2000
Located in Roma, IT
Atelier dei mari e dei venti is an original contemporary artwork realized in 2000.
Rare and refined book "Atelier dei mari e dei venti", published in 2000 by Il Bulino for Arte Erre...
Category
Abstract Early 2000s Abstract Prints
Materials
Lithograph
Spanish Artist signed limited edition original art print etching abstract n70
Located in Miami, FL
Luis Feito (Spain, 1929-2021)
'Peñalara I', 2000
etching on paper Rives BFK 300 g.
30 x 22.5 in. (76 x 57 cm.)
Edition of 75
Unframed
ID: FEI1051-069
Hand-signed by author
Category
Abstract Early 2000s Abstract Prints
Materials
Paper, Etching
Damien Hirst, Superstition Exhibition Poster, 2007
Located in Manchester, GB
Damien Hirst, Superstition Exhibition Poster, 2007
Exhibition poster on 220gsm fine art paper
66 x 100 cm ( 25.98 x 39.37 in)
A superb large poster by Leodensian living legend, Damien Hirst.
This poster features Homage to a Government—The Dwelling Place (2006). It was produced by Gagosian in 2007 in conjunction with their London & Beverly Hills show Damien Hirst: Superstition. The exhibition included Kaleidoscope paintings that reference stained-glass windows in their intricate geometric patterns. Hirst has given each painting two titles: the first taken from High Windows by Philip Larkin, whose fatalistic, colloquial writings speak to a seemingly shared extinguished faith, and the second making direct reference to religious iconography...
Category
Contemporary Early 2000s Abstract Prints
Materials
Lithograph
Blues, from the American Signs Portfolio (hand signed by Robert Cottingham)
Located in New York, NY
Robert Cottingham
Blues, from the American Signs Portfolio (hand signed by Robert Cottingham), 2009
Screenprint in colors on wove paper
Pencil signed, numbered 66/100, dated, and tit...
Category
Photorealist Early 2000s Abstract Prints
Materials
Screen
Bird, Pop Art Print by Michael Knigin
Located in Long Island City, NY
Bird
Michael Knigin, American (1942–2011)
Date: 1971
Screenprint, signed and numbered in pencil
Edition of 9/100
Image: 28.5 x 17 inches
Size: 30.5 x 23 inches
Category
Pop Art Early 2000s Abstract Prints
Materials
Lithograph
MY HOUSE II
Located in Aventura, FL
7 Color Silkscreen on 335 GSM Matt Custom Paper. Hand signed, dated and numbered by the artist. Numbered 14/100 (there are also 10 artist's proofs). Published by Counter Editions, London. Printed by Brand X Editions, New York. Artwork size 40 x 30 inches. Custom framed as pictured. Frame size approx 46 x 36 inches.
Artwork is in excellent condition. All reasonable offers will be considered.
About the Artist: Christopher Wool is a contemporary American painter. In his paintings, Wool contrasts bold stenciled text or abstract brushwork with white backgrounds. In the stenciled works, words run together and breaks arrive at the edges of the canvas, as seen in his Apocalypse Now (1988), which bears the phrase “SELL THE HOUSE SELL THE CAR SELL THE KIDS.” “With the painting the inspiration comes from the process of the work itself,” Wool reflected. “Like music [making the work] is an emotional experience. It’s a visual language and it’s almost impossible to put words to it.” Born on September 16, 1955 in Boston, MA, Wool studied briefly at Sarah Lawrence College, but quickly left to enroll at the New York Studio School. A contemporary of Jean-Michel Basquiat, Julian Schnabel, Cindy Sherman, and others in New York’s downtown art scene in the 1980s, Wool introduced graffiti techniques to his work, later incorporating silkscreens and paint rollers. The artist’s work has been exhibited at numerous institutions around the world, including the Museum of Contemporary Art in Los Angeles, the Gesellschaft für Moderne Kunst am Museum Ludwig in Cologne, and the Guggenheim Museum in New York. Wool currently lives and works between Marfa, TX and New York, NY with his wife the painter Charline von Heyl.
Category
Contemporary Early 2000s Abstract Prints
Materials
Paper, Screen
Staraya Ladoga Fog
Located in Santa Fe, NM
STARAYA LADOGA FOG
This hand crafted Giclee print on canvas, 'Staraya Ladoga Fog', by Boris Chetkov, provides the opportunity to own and enjoy a Chetkov masterpiece at a very afford...
Category
Abstract Expressionist Early 2000s Abstract Prints
Materials
Gesso, Giclée
20th Century Fox (Hand Signed by Ed Ruscha) offset lithograph card, Framed
By Ed Ruscha
Located in New York, NY
ED RUSCHA
20th Century Fox (Hand Signed), 2004
Offset lithograph card.
Hand signed in black marker by Ed Ruscha on the front
Frame included: Gorgeously framed with different colore...
Category
Pop Art Early 2000s Abstract Prints
Materials
Lithograph, Offset
Abstraction for Lincoln Center, Hand signed dated, inscribed by Thomas Nozkowski
Located in New York, NY
THOMAS NOZKOWSKI
Mostly Mozart (Hand signed and inscribed), 2007
Offset Lithograph. Hand signed dated 2016 and inscribed to Kevin
29 × 35 inches
Personally signed and dedicated by No...
Category
Abstract Expressionist Early 2000s Abstract Prints
Materials
Offset
Declaration (Hand Signed by Mark di Suvero) print of famous Venice CA sculpture
Located in New York, NY
Mark di Suvero
Venice Art Walk (Hand Signed), 2001
Offset Lithograph Poster (Hand Signed)
Boldly signed by Mark di Suvero in marker on the front
36 × 24 inches
Unframed
Very rare whe...
Category
Abstract Expressionist Early 2000s Abstract Prints
Materials
Lithograph, Offset, Permanent Marker
A Walk in the Tuileries Gardens Paris (screenprint with silver leaf and glazes)
By Peter Blake
Located in New York, NY
Peter Blake
A Walk in the Tuileries Gardens, 2004
26 colour Screenprint with Silver leaf and 3 Glazes
Hand signed and numbered 28/200 by artist on lower front
30 1/5 × 22 1/2 inches
Unframed
A Walk Through the Tuileries Gardens is based on a memory of a stroll in Paris distilled through the ephemera he found along the way. ' The legendary Peter Blake, the father of British Pop Art, is renowned for his love of gathering and collecting the ephemera of life, of memories, of dreams and whimsies, sometimes mingled with those of other historical fantasists. Possessions he regards as symbolic of his relationships with his world, carefully questioning the personal significance of each object in this respect. The scraps of tickets, fragments of plastic, driftwood, pebbles and sycamore leaf in A Walk Through the Tuileries gardens are evocative and ephemeral souvenirs, gathered at the time and collated later perhaps with a whiff of romance. His image takes us, in turn, on a stroll down the wide gravel, under the autumnal trees, a lingering taste of saucisson and red wine on our palate and with a sudden impulse to take a turn on the Caroussel. This whimsical Peter Blake print would make a great gift for any Blake fan. The work is matted and unframed as it had been removed from its original frame.
Measurements:
Board:
30 1/8 x 22 1/2 inches
Sheet:
24 x 20 inches
Legendary British Pop Art pioneer British Blake was born in 1932, and after his formal training at the Gravesend School of Art, then at the Royal Academy of Art, he broke away from tradition, producing work from 1960 on that would come to define the British Pop Art Movement. He came to be known as the Grandfather of Pop Art, and his art achieved iconic status with his sleeve for The Beatles’ Sgt Pepper’s Lonely Hearts Club Band.
Blake’s art draws on imagery from the popular culture of the past and present, as well as from the canon of fine art, thus creating an alternative, more democratic visual aesthetic. He freely mixes the ‘high’ with the ‘low’, ultimately inviting us to see beyond such distinctions. Always playful, and at times irreverent, he sets up the most unlikely juxtapositions across time and space, creating conversations and ‘parties’ to which all are invited. An abiding theme is an investigation, and celebration, of England and Englishness.
Collage has always been a hallmark of Blake’s work, allowing him to freely mix found objects and images of people and other artworks; screenprinting, with its use of stencils and layers, lends itself perfectly to this technique, and indeed it was Pop Art that fully realised the potential of screenprinting as a medium for complex replication.
More about Peter Blake:
Sir Peter Thomas Blake...
Category
Pop Art Early 2000s Abstract Prints
Materials
Silver
Poster for Svayambh at the Royal Academy, London (hand signed by Anish Kapoor)
By Anish Kapoor
Located in New York, NY
Anish Kapoor
Poster for Svayambh at the Royal Academy, London (hand signed by Anish Kapoor), 2009
Offset lithograph poster
Boldly signed by Anish Kapoor on the lower right front
21 ×...
Category
Conceptual Early 2000s Abstract Prints
Materials
Lithograph, Offset
Barkhans
Located in Santa Fe, NM
BARKHANS
This hand crafted Giclee print on canvas, 'Barkhans', by Boris Chetkov, provides the opportunity to own and enjoy a Chetkov masterpiece at a very affordable price.
Beaut...
Category
Abstract Expressionist Early 2000s Abstract Prints
Materials
Glaze, Giclée
Physichromie No. 1354”
Located in Miami, FL
Carlos Cruz Diez (1923-2019)
“Physichromie No. 1354” 2002
Plastic inserts and digital print on cardboard
Ed. 2/3
11 7/8 x 12 in
Provenance:
Galerie Mark Hachem, Paris.
Private Colle...
Category
Kinetic Early 2000s Abstract Prints
Materials
Plastic, Cardboard, Digital
Never-Ending Spiral - Mixed Media by Jannis Kounellis - 2008
Located in Roma, IT
Lithograph realized by Yannis Kounellis in occasion of the Olympic Games of Beijing, China, in 2008.
Hand signed and numbered, perfect condition.
This work is from the portfolio Th...
Category
Abstract Early 2000s Abstract Prints
Materials
Mixed Media
Untitled (Canoe)
By Peter Doig
Located in New York, NY
A very good impression of this color aquatint on white wove paper. Signed, dated and numbered 428/500 in pencil. Published by Librairie du Musee d'art Modern, Paris.
Category
Contemporary Early 2000s Abstract Prints
Materials
Aquatint, Color
Martin Kippenberger Self-Portraits: Minimalist poster Christopher Wool designed
Located in New York, NY
Christopher Wool
Martin Kippenberger Self-Portraits Poster, 2005
Offset lithographic poster in colours on smooth wove paper.
36 × 24 inches
Unframed
This poster designed by Christop...
Category
Minimalist Early 2000s Abstract Prints
Materials
Offset, Lithograph
Matthew Marks gallery poster: Attendants Bears and Rocks, Signed by Brice Marden
By Brice Marden
Located in New York, NY
Brice Marden
Attendants, Bears and Rocks (Hand Signed by Brice Marden), 2002
Offset Lithograph Poster
Hand signed boldly in black marker by Brice Marden on the front
17 × 22 inches
U...
Category
Minimalist Early 2000s Abstract Prints
Materials
Lithograph, Offset, Permanent Marker
One Thousand Drawings By Tracey Emin (Hand signed and inscribed book for Nadine)
By Tracey Emin
Located in New York, NY
Tracey Emin
One Thousand Drawings By Tracey Emin (Hand signed and inscribed for Nadine), 2009
Hardback monograph with dust jacket (ink signed and inscribed by Tracey Emin)
Hand signed, dated and inscribed to Nadine by Tracey Emin
7 × 10 × 2 1/2 inches
This is the First Edition of the hardback monograph with dust jacket "One Thousand Drawings" by Tracey Emin - featuring reproductions of 1000 of her drawings. It was hand signed, dated and inscribed in ink to the current owner - our gallery director - at the 2011 Marc Jacobs pop up bookstore in Manhattan. (see attached article for details)
Inscription reads:
For Nadine
Love Tracey Emin
2011
NY
X
Publisher's Blurb:
Tracey Emin has stirred controversy as well as acclaim since she rose to fame as the most highly publicized of the infamous Young British Artists. Though denounced by conservative critics at the outset, Emin’s work has attracted serious critical attention since the early 1990s for being consistently engaging, original, and startlingly direct. Her work has succeeded over the years in many media—from films to appliqués, embroideries, and installations—but it is in her works on paper that the honesty and frankness that have come to characterize her work are most fully realized. Edited by the artist herself from an archive of work stretching back before the beginnings of her career in the late 1980s, A Thousand Drawings is at once a collection of Emin’s works on paper, an exposé of her life as an artist, and a collectible artifact in itself. Many of these works on paper shed light on well-known multimedia pieces, previously studied in Works 1963–2006, published by Rizzoli in 2006. Stripped of the distractions of form and context, her bare and enigmatic drawings are presented on bible-thin paper in a uniquely beautiful slipcased volume, with an introduction by the artist. From considered self-portraits to pen-and-ink drawings and informal studies on lined notebook paper, this remarkable collection is as much a catalogue of Emin’s preoccupations as it is a monument to her raw and evocative talents as an artist.
Review
“Emin-an artist who is not afraid to wear her heart on her sleeve, or, indeed too embroider it on a blanket-personally chose the pictures for this book, and the delicate sketches are at once a glimpse of the profundity she’s capable of, and a reminder of vulnerability.” ~Nylon Magazine
About the Author
Tracey Emin was born in London in 1963. Nominated for the Turner Prize in 1999 and chosen to represent Britain at the 52nd Venice Biennale in 2007, Emin is also a member of the Royal Academy of Arts. The author of several books, including Strangeland, her memoir, she contributes regularly to The Independent newspaper and lives and works in London.
Publisher : Rizzoli; First Edition (July 28, 2009)
Language : English
Hardcover : 2016 pages
Provenance:
Personally inscribed to the present owner (our gallery director) at Bookmarc, NY, a pop up art...
Category
Pop Art Early 2000s Abstract Prints
Materials
Ink, Mixed Media, Lithograph, Offset
Cabeza de Vaca—Sorcerer
Located in New York, NY
A very good impression of this color lithograph on Arches Cover paper. Signed, titled, dated and numbered 35/50 in pencil. Printed and published by ULAE, West Islip.
Category
Pop Art Early 2000s Abstract Prints
Materials
Lithograph, Color
Everything is Shit Except You Love
Located in New York, NY
Stephen Powers
Everything is Shit Except You Love, 2008
17 Color silkscreen on 335 GSM Coventry rag paper.
Hand signed and numbered on lower front. Also bears publishers blind stamp ...
Category
Street Art Early 2000s Abstract Prints
Materials
Rag Paper, Screen
Bay Night, by William Conger
Located in Palm Springs, CA
Signed, titled and numbered from the edtion of 30, on handmade paper. An abstracted view of the San Francisco Bay at night.
William Conger's paintings and prints represent an on-go...
Category
Abstract Early 2000s Abstract Prints
Materials
Etching, Aquatint
The Search, Pop Art Print by Michael Knigin
Located in Long Island City, NY
The Search
Michael Knigin, American (1942–2011)
Date: 2002
Screenprint, signed and numbered in pencil
Edition of 14/90
Image: 22 x 16 inches
Size: 30 x 22 in. (76.2 x 55.88 cm)
Category
Pop Art Early 2000s Abstract Prints
Materials
Lithograph
Fileuse (The Weaver), Limited Edition S/N print, from Earth School Portfolio
Located in New York, NY
Tom Burckhardt
FILEUSE from Earth School Portfolio, 2005
Digital Print on Card Stock
Pencil signed and numbered 19 on the front from the limited edition of only 25
24 × 18 inches
Unf...
Category
Contemporary Early 2000s Abstract Prints
Materials
Digital
Maya Lin: Systematic Landscapes poster (hand signed and dated)
By Maya Lin
Located in New York, NY
Maya Lin: Systematic Landscapes poster (hand signed and dated), 2006
Offset lithograph poster
Hand signed and dated 2006 in black marker by Maya Lin on the front
16 1/2 × 26 inches
U...
Category
Contemporary Early 2000s Abstract Prints
Materials
Lithograph, Offset
Ecriture No. 1 - 06 (2006) Limited edition of 99 by Park Seo-Bo
By Park Seo-Bo
Located in Hong Kong, HK
Park Seo-Bo
Ecriture No. 1 - 06 ((2006). Edition 72/99
Print (casting with handmade paper), hand-coloring with acrylic
Signed, titled, dated and numbered in pencil
76 x 55.5cm (shee...
Category
Abstract Early 2000s Abstract Prints
Materials
Color
Glaspalast Edition poster, Munich, Germany 1996 (Hand Signed by Sean Scully)
By Sean Scully
Located in New York, NY
Sean Scully
Munich 1996 (Hand Signed), 2001
Offset Lithograph poster Hand signed and dated by Sean Scully in 2018
Boldly signed in black marker on the recto. Hand signed by Sean Scul...
Category
Abstract Early 2000s Abstract Prints
Materials
Lithograph, Offset, Ink, Permanent Marker
Cecily Brown Paintings at Modern Art Oxford (hand signed & inscribed by artist)
By Cecily Brown
Located in New York, NY
Cecily Brown Paintings at Modern Art Oxford (hand signed and inscribed), 2005
Offset lithograph poster (signed and inscribed to Nadine)
Hand signed and inscribed to Nadine by Cecily ...
Category
Contemporary Early 2000s Abstract Prints
Materials
Lithograph, Offset
The Benefit Mummy
Located in New York, NY
Donald Baechler
The Benefit Mummy, 2005
Linoleum print, one color, with chine colle, on Rives BFK paper
Hand signed, numbered 7/17 and dated by the artist on the front; bears a docum...
Category
Pop Art Early 2000s Abstract Prints
Materials
Linocut
Fernando Pagola Marin Spanish Artist 2006 Original Hand Signed intaglio monotype
Located in Miami, FL
Fernando Pagola Marín (Spain, 1961)
'Sin título (serie II)', 2006
intaglio monotype on paper
39.4 x 27.6 in. (100 x 70 cm.)
Edition of 104
ID: PAG1785-002-104
Unframed
Hand-signed b...
Category
Contemporary Early 2000s Abstract Prints
Materials
Paper, Intaglio, Monotype, Screen
