Screen Figurative Prints

The City is an artwork realized in the 1980s by Giuseppe Aleandro Hand signed and numbered on the lower margin. Mixed colored serigraph. Edition of 15/150 prints.

Andy Warhol (1928-1987) Andy Warhol für die Grünen, 1980 Medium: Screenprint on paper (election poster) Dimensions: 101 x 77 cm Edition size unknown: Not signed, not numbered Publisher: F.I.U. Free International University, Düsseldorf (founded by Joseph Beuys) Original election poster for the German green...

Christo's portfolio of 10 prints and a scale model sculpture of the ‘5,600 Cubic Meter Package’ for Documenta 4 in Kassel, 1968 (height 68 cm). Sold in white vinyl portfolio box. The...

Faces of Dalí #1 is a serigraph on paper with an image size of 26 x 18 inches, signed 'Yvaral' lower right and numbered 91/200 lower left. From the edition of 263 (there were also 20...

Faces of Dalí #6 is a serigraph on paper with an image size of 26 x 18 inches, signed 'Yvaral' lower right and numbered 115/200 lower left. From the edition of 263 (there were also 2...

23" x 11" Unframed Limited Edition Serigraph of 295 Hand Signed by Anora Spence

Santa Claus (FS.II.266) from the Myths portfolio is 37.87 x 38 inches, signed and numbered lower right 'Andy Warhol' 132/200. From the edition of 271 (there were also 30 AP, 30 TP, 5...

Growing #2 from Keith Haring's 1988 series is a unique, trial-proof version, 30 x 40 inches image size, signed and dated 'K. Haring 88' lower right corner, and numbered TP 33/40. Fr...

Stephen Powers Turn to Me I See Eternity, 2016 Three color screenprint on 235g Coventry Rag Pencil with artist's trademark hat logo and numbered from the edition of 100 12 × 12 inche...

Image Size: 19" x 15.5" Unframed Limited Edition Fine Art Print of 195 Hand Signed by Annora Spence

Rene Azcuy (Cuba, 1939) 'Besos Robados (45 Aniv.)', 2015 silkscreen on paper 30 x 20.1 in. (76 x 51 cm.) Edition of 200 ID: AZC-102 Unframed

Harlequin by Victor Vasarely, Hungarian (1908–1997) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 78/250 Image Size: 25.75 x 16 inches Size: 30.5 x 19.75 in....

Ranchos Winter by American impressionist Robert Daughter shows two women approaching the pueblo with the sun reflecting off the sides of the buildin...

Nja Mahdaoui (Tunisia, 1937) Untitled, ca.2000 silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 Good condition Unframed ID: NJA1099-001-099 ______________________________ Born in 1937, Tunis. He lives and works in Tunisia. In 1967, he graduated from the Academy of Arts of Santa Andrea in Rome and the Ecole du Louvre (Department of Oriental Antiquities). He pursued his academic training in Paris, at the Cite Internationale des Arts, on a scholarship from the Tunisian Government. He’s one of Tunisia’s leading artists and a notable Arab contemporary artist. Nja Mahdaoui is a visual artist who considers himself ‘an explorer of signs’ and has been described as a ‘choreographer of letters’. His work inspired by Arabic calligraphy is remarkably innovative as the aesthetic dimension of letters brings forth a sense of the poetic – highly rhythmic – arresting us with its rich abstracts compositions. Famous for his meticulous work in ink on parchment, Mahdaoui stresses the visual impact of his compositions, devoided of actual textual meaning, which he refers to as ‘calligrams’ or ‘graphemes’. Thus, the concept beyond the works reveals how the ideas are conveyed creatively through the artist choice of materials and medium: Canvas, vellum, papyrus, arches paper, silkscreen print, book, poster, design, sculpture, aluminium, brass, melamine, drum, textile, embroidery, tapestry, ceramic, wood, jewelry, stained steel glass, architecture, planes… Nja has been Jury member and Honor guest at many international events and biennales (Sharjah International Arabic Calligraphy Biennial, UAE, 2006, The International Arts Biennial of Tehran, Iran, 2006, Abu Dhabi Art Festival in 1989…) and he was member of the International Jury of the Arts Prize of UNESCO from 1993 to 1995. He has received a number of distinctions and international awards, such as the ‘Great prize for Arts and Letters’ from the Tunisian Ministry of culture in 2006 and the UNESCO great prize for Artcrafts in the Arab world in 2005. He designed monumental artworks such as windows murals for Facebook new Menlo Park Headquarters in California (2018), the window façade of the ALECSO headquarters in Tunis (2015), KAUST University Campus Mosque in Saudi Arabia (2010), Gulf Air aircrafts (50th Anniversary, 2000), sculptures and tapestries in Jeddah and Riyadh airports, Aramco head office in Dahran, and created many logos, designs and posters for theater plays, books, companies, and organizations such as Amnesty International in 1991… In addition, he took part in Art Projects, introducing his work in performing art within the framework of theatre and dance. Performances of ‘Total Art’ and ‘Body-Writing’: interactive communication between Arab and European artists, and artists from North America and Asia on the theme “Language and register in exchanges in visual arts“ in Tunisia, France, Italy, Denmark, Japan, Cuba, Canada, Germany and Jordan… In 2012, he has performed a charity live creation for Noor Dubai Foundation, in collaboration with 4 young Emiratis artists, hosted and organized by Christie’s, under the patronage of H.E. The Minister of Culture for the UAE, Abdulrahman Al Owais. And recently, a performance with the Italian artist Agostino Ferrari, ‘Meeting signs’ at the Living Art National Center in Tunisia and during the ‘Confini Festival’ at the Municipal Theater F. Cilea in Reggio Calabria, Italy. He takes part regularly in seminars and colloquia at universities in Tunisia and abroad and gives lectures. At the American University of Sharjah in 2007, in the AUD American University of Dubai in 2011 – ‘Crossing the Line: Drawing in the Middle East – intersections of transdisciplinary practice and understanding’, and lately at CSUN California State University Northridge and at UCLA University of California, Los Angeles in 2011. Nja participated in numerous exhibitions worldwide including ‘Word into Art’ at the British Museum, ‘The Brush dances & the Ink Signs’ at the Hermitage Museum, ‘Perspectives: Arab & Iranian modern masters’ at the Saatchi Gallery, the ‘Arab Book...

23" x 11" Unframed Limited Edition Serigraph of 295 Hand Signed by Annora Spence

Andy Warhol (1928-1987) Andy Warhol für die Grünen, 1980 Medium: Screenprint on paper (election poster) Dimensions: 101 x 77 cm Edition size unknown: Not signed, not numbered Publisher: F.I.U. Free International University, Düsseldorf (founded by Joseph Beuys) Original election poster for the German green...

Publisher GKM. Edition of 50 ex Free shipment worldwide. Signed, dated, titled and numbered. The work of Antonio de Felipe is a constant source of fascination and surprises. It is ...

Stephen Powers Invest in Love, 2019 5 Color screenprint on 335 GSM Coventry rag paper Hand signed and numbered 9/50 by Stephen Powers with his distinctive hat logo on the front 14 × ...

Image Size: 17" x 17.5" Unframed Limited Edition Fine Art Print of 195 Hand Signed by Annora Spence

11" x 20" Unframed Limited Edition Serigraph of 295 Hand Signed by Anora Spence

Image Size: 23" x 16.5" Unframed Limited Edition Fine Art Print of 295 Hand Signed by Annora Spence

Image Size: 23" x 13.5" Unframed Limited Edition Fine Art Print of 195 Hand Signed by Annora Spence

Serigraph on paper. Hand signed and numbered by the artist. Image size approx 37 x 26 inches. Artwork is in excellent condition. Certificate of Authenticity is included. All rea...

Image Size: 17" x 17.5" Unframed Limited Edition Fine Art Print of 195 Hand Signed by Annora Spence

11" x 20" Unframed Limited Edition Serigraph of 295 Hand Signed by Annora Spence

36" x 23.5" Unframed Limited Edition Hand Pulled Silkscreen with Hand Embellishment of 300 Hand Signed by R.J. Hohimer

Stephen Powers EVERYTHING IS SHIT Except You Love, 2014 Screenprint on 335 GSM Coventry Rag paper 24 × 24 inches Edition PP 3/3 Hand Signed and numbered in the artist's distinctive h...

Herbert Bayer Things to Come tray, 2018 Porcelain dish with metallic gold edge and silkscreened image Limited edition of an unknown quantity, originally distributed by the Museum of Modern Art, before it sold out. Measurements: Box: 5.5 x 5.5 inches Tray: 5 x 5 inches Provenance: Originally distributed by the Museum of Modern Art, before it sold out Manufacturer: Galison Publishing LLC and The Museum of Modern Art Herbert Bayer biography: Artistic polymath Herbert Bayer was one of the Bauhaus’s most influential students, teachers, and proponents, advocating the integration of all arts throughout his career. Bayer began his studies as an architect in 1919 in Darmstadt. From 1921 to 1923 he attended the Bauhaus in Weimar, studying mural painting with Vasily Kandinsky and typography, creating the Universal alphabet, a typeface consisting of only lowercase letters that would become the signature font of the Bauhaus. Bayer returned to the Bauhaus from 1925 to 1928 (moving in 1926 to Dessau, its second location), working as a teacher of advertising, design, and typography, integrating photographs into graphic compositions. He began making his own photographs in 1928, after leaving the Bauhaus; however, in his years as a teacher the school was a fertile ground for the New Vision photography passionately promoted by his close colleague László Moholy-Nagy, Moholy-Nagy’s students, and his Bauhaus publication Malerei, Photographie, Film (Painting, photography, film). Most of Bayer’s photographs come from the decade 1928–38, when he was based in Berlin working as a commercial artist. They represent his broad approach to art, including graphic views of architecture and carefully crafted montages. In 1938 Bayer emigrated to the United States with an invitation from Alfred H. Barr, Jr., founding director of The Museum of Modern Art, to apply his theories of display to the installation of the exhibition Bauhaus: 1919–28 (1938) at MoMA. Bayer developed this role through close collaboration with Edward Steichen, head of the young Department of Photography, designing the show Road to Victory (1942), which would set the course for Steichen’s influential approach to photography exhibition. Bayer remained in America working as a graphic designer for the remainder of his career. -Courtesy of MOMA More about Herbert Bayer: Herbert Bayer (1900-1985) was born in Austria, where he entered into an apprenticeship under the architect and designer, Georg Smidthammer, with whom Bayer learned drawing, painting, and architectural drafting, inspired by nature and without formal knowledge of art history. In 1920, Bayer discovered the theoretical writings of the artist Vassily Kandinsky, as well as Walter Gropius’ 1919 Bauhaus manifesto, in which Gropius declared the necessity for a return to crafts, in which were found true creativity and inspiration. Bayer traveled to Weimar to meet Gropius in October of 1921 and was immediately accepted into the Bauhaus. There, he was deeply influenced by the instruction of Kandinsky, Johannes Itten and Paul Klee. In 1928 Bayer moved to Berlin together with several members of the Bauhaus staff including Gropius, Moholy-Nagy and Marcel Breuer. He found work as a freelance graphic designer, particularly with German Vogue, under its art director Agha. When the latter returned to Paris, Bayer joined the staff full time, and also worked increasingly with Dorland, the magazine's principle advertising agency. It was in the period from 1928 to his emigration to America in 1938 that he developed his unique vision as an artist, combining a strongly modernist aesthetic sense with a rare ability to convey meaning clearly and directly. This seamless combination of art, craft and design mark Bayer as true prophet of Bauhaus theories. Bayer followed Gropius to America in 1938, and set his breadth of skills to work later that year in designing the landmark Bauhaus 1918-1928 exhibition at the Museum of Modern Art. Bayer flourished in New York as a designer and architect, but it was his meeting with the industrialist Walter Paepcke in 1946 that allowed him to harness his concepts of 'total design' to the postwar boom. Paepcke was developing Aspen as a cultural and intellectual destination, and found in Bayer the perfect collaborator. Bayer was designer, educator and indeed architect for Paepcke's Aspen Institute...

42" x 28" Framed Limited Edition Serigraph of 300 Hand Signed by R.J. Hohimer

16" x 23" Unframed Limited Edition Serigraph of 295 Hand Signed by Annora Spence

Image Size: 23" x 13" Unframed Limited Edition Fine Art Print of 195 Hand Signed by Annora Spence

36" x 23.5" Unframed Limited Edition Hand Pulled Silkscreen with Hand Embellishment of 300 Hand Signed by R.J. Hohimer

John Baldessari (American, 1931-2020) Zorro (Two Gestures and One Mark), 1998 Medium: Offset lithograph and screenprint on Arches paper, and flip book Dimensions: 25.4 x 20.3 cm (10 ...

Original Mudd Club poster, New York 1979: A must have for any true Jean Michel Basquiat, Keith Haring collector - this piece is featured in the 2017 Jean-Michel Basquiat documentary, 'Boom For Real.' Promotional poster. 1979. Dimensions: 18x24 inches. Very good overall vintage condition condition; some minor fading consistent with age. Provenance: Obtained directly from the original art designer. The Mudd Club was founded by filmmaker Steve Mass, art curator Diego Cortez, and downtown punk scene figure Anya Phillips in 1978. Mudd Club featured an art gallery curated by Keith Haring on the upper floor. Live performances by New York No Wave bands such as, DNA, the Contortions, Talking Heads & Basquiat's band Gray. On the dance floor, DJs, Anita Sarko and Johnny Dynell played an eclectic mix of punk, funk and curiosities. From the start it functioned as an antidote to the uptown disco glitz of Studio 54. Six months after it opened, the Mudd Club was mentioned in People: "New York's fly-by-night crowd of punks, posers and the ultra-hip has discovered new turf on which to flaunt its manic chic. It is the Mudd Club ... . For sheer kinkiness, there has been nothing like it since the cabaret scene in 1920s Berlin". After its first few years, Studio 54 celebrities like Andy Warhol, Grace Jones and David Bowie began to show up. In 1981, the Mudd Club's Steve Mass began showing up at the more informal Club 57 on St. Mark's Place, and began hiring Club 57 regulars including Keith Haring to help attract the downtown art & music scene. The Mudd Club was frequented by many of Manhattan's emerging emerging cultural figures, such as, Lou Reed, Johnny Thunders, David Byrne, Debbie Harry, Arto Lindsay, John Lurie, Nico with Jim Tisdall, Lydia Lunch, X, the Cramps...

27" x 22" Unframed Limited Edition Serigraph of 300 Hand Signed by R.J. Hohimer

Serigraph on paper. Hand signed and numbered by the artist. Sheet size: 22.75 x 28.5 inches. Image size: 17 x 23 inches. Edition of 250. Artwork is in excellent condition. Cert...

20" x 26" Unframed Limited Edition Serigraph of 125 Hand Signed by Paul Lagace 1984

Anne Imhof (German, b. 1978) YOUTH, 2023 Medium: Complete set of 4 giclèe prints with screenprinted elements Dimensions: Each 25.4 × 30.46 cm (10 x 12 in) E...

Original poster: For a Country Where We Are Still Masters of Our Own Destinies, Let's Be Truly Thankful. Silk-screened patriotism. This is a poster meant to appeal to the American family. Soft, rich colors and a patriotic vision... This poster has been archivally mounted on linen and is in fine condition condition. Touched up pin-holes in the corners. A- condition. The Original Think American, USA World War 2 Poster is a captivating piece of history and art. This vintage poster showcases a unique design that captures the era's essence. It features a pilgrim couple gazing out to sea towards their three-master schooner, representing America's pioneering and adventurous spirit. The outline of the United States is a powerful symbol of national pride and strength. The large text along the bottom of the poster delivers a thought-provoking message, reminding viewers to be grateful for the country where they can shape their own destinies. Created and printed by Think America, a renowned brand, this poster is a true collector's item that celebrates American history and values. The ghosted image of early Pilgrims seems to reach out to the American family who are standing on an outline of the United States. The old sailing...

Artist: Keith Haring Title: Untitled (Cup Man) Portfolio: Kinderstern Medium: Screenprint in colors on wove paper Date: 1989 Edition: 48/100 Frame Size: 37 3/4" x 30 3/4" Sheet Size:...

Artist: Jiang Tie-Feng (1938) Title: Beauty & Flowers Year: 1994 Medium: Silkscreen on Vellum Rag paper Edition: 269/300, plus proofs Size: 43 x 31.25 inches Condition: Good Inscript...

Medium: Screenprint Edition size: 69 Year: 2009 Clown with two nude women. Created at Richard Duardo's Modern Multiples Fine Art Editions. Reyes is a Chicano artist, born in the Lo...

Screenprint in colors on paper. Hand signed & numbered by the artist. From the edition of 300. Sheet size 41 x 30 inches. Image size approx 35 x 25 inches. Artwork is in excelle...

H.C. silkscreen on 4-color paper "The King," signed Antonio Thellung, a contemporary artist who repeated chess subjects at length in his production, to the point of making them an e...

A fine limited edition silk screen depicting seated women in an atmospheric cafe setting. The artist Isaac Tarkay captures the scene in vibrant colours an...

Artist: Fritz Genkinger, German (1934–2017) Title: August (Number 8) Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 6/100 Size: 14 x 12 in. (35.56 x 30.48 cm) ...

Louise Bourgeois Be Calm Butter or Trinket Dish, 2017 Screenprint on Ceramic 6 × 4 × 1 inches Unframed Stamped by artist's estate, bears printed copyright and name stamp of The Easto...

Lux Tuymans (Belgian, b. 1958) Superstition, 2005 Medium: Screenprint in 5 colors on Somerset paper Dimensions: 40 x 32 cm Edition of 100 + 5 A.P.: Hand-signed and numbered in pencil...

Ronald B. (R.B.) Kitaj Nancy and Jim Dine, or O'Neill accuses Faulkner of lack of loyalty and support (Kinsman 40), 1970 16 Color Silkscreen with collage and coating on different wove papers Hand signed and numbered in pencil 29/70 on the front. The back (which is framed) bears the Kelpra Studio blindstamp Frame included: held in the original vintage metal frame Very rare stateside. Other editions of this work are in the permanent collections of major institutions like the British museum, which has the following explanation: "The artist Jim Dine and his wife Nancy were close to Kitaj and his family, especially after the death of Elsi, Kitaj's first wife in 1969. They sometimes stayed with the Dines at their farm in Vermont during Kitaj's second teaching sojourn in the United States. Dine and Kitaj held a joint show at the Cincinnati Museum of Art in 1973. In the catalogue both artists contributed an insightful 'essay' on each other with Dine stressing Kitaj's obsession with all things American and baseball-related...' The alternate title, "O'Neill accuses Faulkner of lack of loyalty and support" can be seen on the artwork itself, and clearly is some kind of inside joke among friends. By the way -- do you see the way the colored dots are placed over the figures? Kitaj was doing this well before Baldessari who made it famous; that's how pioneering he was at the time. Referenced in the catalogue raisonne of Kitaj's prints, Kinsman, 40 Published and printed by Chris Prater of Kelpra Studio, Kentish Town, United Kingdom Ronald Brooks (RB) Kitaj Biography R.B. (Ronald Brooks) Kitaj was born in 1932 in Cleveland Ohio. One of the most prominent painters of his time, particularly in England where he spent some four decades spanning the late 1950s through the late 1990s, Kitaj is considered a key figure in European and American contemporary painting. While his work has been considered controversial, he is regarded as a master draughtsman with a commitment to figurative art. His highly personal paintings and drawings reflect his deep interest in history; cultural, social and political ideologies; and issues of identity. Part of an extraordinary cohort who emerged from the Royal College of Art circa 1960, which included Peter Blake, Patrick Caulfield, and David Hockney, Kitaj was immediately pegged as one of its leading figures. The London Times greeted his first solo show in 1963 as a long-awaited and galvanizing event: “Mr. R.B. Kitaj’s first exhibition, now that it has at last taken place, puts the whole ‘new wave’ of figurative painting in this country during the last two or three years into perspective.” In 1976, KItaj curated the exhibition The Human Clay, and in the essay he wrote for it he proposed the existence of a “School of London”—a label which stuck to a group of painters that includes Francis Bacon, Frank Auerbach, Lucian Freud, Leon Kossoff, Michael Andrews...

Still Life is a screenprint made by Patrick Caulfield in 1970s. Hand-signed on the right corner. The artwork is depicted through harmonious colors in a well-balanced composition. G...

Medium: Screenprint Edition size: 38 Year: 2009 Albert was born in the Los Angeles suburb of Panorama City in 1971 and grew up in the working class neighborhood of El Sereno. After...

Jack Pierson (American, born 1960) Untitled (Sunset), 2014 Medium: Archival pigment print, screen print, glass flock on firm paper Dimensions: 91,4 x 61 cm (36 x 24 in) Edition of 25...

Art Deco 1925 1980 Silkscreen Paper size 33½" × 21"inches Signed in pencil and marked 234/300 Michael Knigin was born in 1942 in Brooklyn, NY. He attended and graduated from Tyler S...

Sidewalk (FS.II.304) from MOCA's 'Eight by Eight' portfolio is a screenprint on paper, 29 x 42 inches, signed 'Andy Warhol' and numbered 167/250 lower left. From the edition of 349 (there were also 30 AP, 45 TP, 3 TPPP, 6 PP, and 15 HC). Framed in a contemporary gold leaf, closed-corner frame. LITERATURE Frayda Feldman and Jörg Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, New York, 2003, II.304. In 1983, Warhol created Sidewalk for the Eight by Eight to Celebrate the Temporary Contemporary portfolio. The portfolio itself consisted of eight prints created by various artists as a fundraising vehicle for the MOCA in Los Angeles. The participating artists included: Richard Diebenkorn, Sam Francis, David Hockney, Ellsworth Kelly, Robert Rauschenberg, Niki de Saint Phalle, Jean Tinguely, and Andy Warhol. The Eight By Eight portfolio was printed in an edition of 250. Warhol also produced 45 unique trial proofs for the Sidewalk edition. Warhol's contribution of Sidewalk is based on his own photograph of film stars' signatures, footprints, and handprints as they appeared at the Grauman's Chinese Theater in Hollywood, CA (now called TCL Chinese Theater). This particular shot showcases Cary Grant, Judy Garland, Jack Nicholson and Shirley Temple. “Much of Warhol’s work was concerned with celebrity, but while he cultivated the appearance of the ultimate fan, often celebrating the glamour of the American dream and its cultural heroes, his works also challenge the beliefs intrinsic to those ideals. It was Warhol who famously declared that everyone could have fifteen minutes of fame. The immortalising nature of appearing in Grauman’s forecourt of the stars, where one’s name is set in concrete for future generations, seems a way to counteract this idea of such fleeting fame.” (“Andy Warhol Sidewalk...

Poetics Country, a collaborative work by Mike Kelley and Tony Oursler, was published on the occasion of Documenta X in 1997. Mike Kelley (1954-2012) and Tony Oursler (b. 1957) Poeti...

Will Barnet Ariadne - 1980 Print - Silkscreen on Heavy Paper 31 ¼'' x 23 ½' inches Edition: Signed, Titled, and Marked  in Roman numeral XXX ( from the edition to 50 - L) unframed ex...

Fassianos, Alekos (Alexandre). Greek, 1935-2022. UNTITLED - NUDE AT HER DRESSING TABLE. Screenprint, not dated. Edition of 125. Signed in pencil and numbered 109/125. 32 1/2 x 24 i...

Sigmar Polke (German, 1941 – 2010) Bargeld Lacht, 2002 Medium: Colour offset and screenprint on cardboard Dimensions: 70 × 50 cm Edition of 70 + X: Hand-signed, numbered and dated Co...