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Zao Wou-KiLe Soleil Rouge (1950) [Green] Limited Edition of 60 by Zao Wou-ki (AGE 41)1950
1950
About the Item
Le Soleil Rouge, color Lithograph on Arches paper
1950 by Zao Wou-ki
Printed by E. and J. Desjobert Paris
signed and numbered
image 48 x 34 cm; sheet 56 x 38 cm
image 18 ⁵⁷/₆₄ x 13 ²⁵/₆₄cm; sheet 22 ³/₆₄ x 14 ⁶¹/₆₄ cm
Edition LVIII/LX (58/60)
This exemplar is from the rare green color variation in 60 copies
There is also a more common edition in 200 copies in red color (one copy of which is in the MoMa collection).
Framed with its original frame made in 1952.
Provenance
Redfern Gallery. Purchased on 20 December 1952 at Redfern Gallery's Zao Wou-ki Exhibition (label at the back)
Literature:
Catalogue Raisonné of Zao Wou-ki's graphic works (AGERUP) plate 41
About the Artist:
Born in 1920 in Beijing, Zao Wou-Ki attended the National School of Arts, Hangzhou for six years under the supervision of Lin Fengmian and subsequently became a drawing instructor there.
In 1947, Zao moved to Paris where he would befriend several artists including Alberto Giacometti and Joan Miró.
Zao’s abstract, gestural style quickly drew acclaim; by the mid-1950s Chinese calligraphy became a recognizable influence in his production. Alongside others associated with the École de Paris, Zao employed highly saturated color and intense lines in his compositions, achieving the apex of his style in the mid ‘60s.
Zao is nowadays universally recognized as a towering figure in post-war abstraction.
His works are in the collections of the Fogg Museum, Boston, the Solomon R Guggenheim Museum, New York and the Metropolitan Museum of Art, New York
- Creator:Zao Wou-Ki (1921, Chinese)
- Creation Year:1950
- Dimensions:Height: 22.05 in (56 cm)Width: 14.97 in (38 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Light toning throughout the sheet. Tape remain behind the mat. The frame is original and is chipped in places. Foxing on the back of mat.
- Gallery Location:Hong Kong, HK
- Reference Number:
Zao Wou-Ki
Zao Wou-Ki was born in Beijing, China, on February 13, 1921, to a wealthy family descended from the Song Dynasty.
French-educated Chinese artist Lin Fengmian was Wou-Ki’s teacher at the China Academy of Art from 1935–41 and encouraged him to study abroad in Paris. Wou-Ki made the move in 1948 with a substantial amount of financial backing and later adopted France as his new home, remaining in the country, besides a few short trips abroad, until his death.
In Paris, Wou-Ki quickly joined a large postwar French art circle, composed of key writers, poets, painters and cultural figures, including Joan Miró, Pablo Picasso, Riopelle and Vieira da Silva, among others. This networking helped position himself at the top of the Lyrical Abstraction movement. By his mid-30s, Wou-Ki had decided to devote his artistic career to abstract painting that blended Eastern and Western stylistic traditions.
In 2011, Wou-Ki was referred to in art publications as the top-selling living Chinese artist. He died in Nyon, Switzerland, on April 9, 2013, at the age of 93.
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